On the work of Vishnu Narayan Bhatkhande, 1860-1936, exponent of Hindustani music.

A provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays bare how a nation's imaginings--from politics to culture--reflect rather than transform societal divisions.

In this book the author has dealt with the musical terms as found in the old sastras and are also in common use. He has explained these terms in simple language with reference to their history of origin. Description of seventy-eight different musical instruments and forty-seven different Talas are also there. An essential aid to research-scholars and students of music. The Bengali version of the book Bharatiya Sangeetkosh earned for him Sangeet Natak Academy award as the best book on music published during the period from 1960 to 1968. Bimalakanta Roychaudhuri was born in 1909 in all illustrious family of musical heritage. He had his training in music from Sitalchandra Mukhopadhyay, Sitalkrishna Ghosh, Amir Khan (Sarod) and then from Inayet Khan, the foremost Sitar players of those days. He also had his musical training from his maternal uncle Birendrakishore Roychaudhuri and maternal grandfather Brojendrakishore Roychaudhuri. He took part in the translation of Sangeet Ratnakara from Sanskrit to Bengali under the patronage of Brojendrakishore Roychaudhuri. He was Chairman of the Board of Musical Studies of the University of Calcutta. His work Raga Vyakarana (in Hindi) has been published by the Bharatiya Jnanpith.

For practitioners and enthusiasts of Indian Classical Music, compositions for string instruments - Sitar, Sarod and Vichitra Veena - are hard to find. For the first time, 8 raga-s have been documented and presented in an easy to read and play notation system: Ome Swarlipi. A treasure trove of compositions, tana-s and toda-s for raga-s such as Yaman, Des, Khamaja, Bihaga, and Kafi, this book brings Misrabani style, one especially suited to string instruments, to the English-speaking world in a universal script which address the limitations of traditional Indian music notation systems.

It Studies The Concept Of Form In The Context Of Art, Specifically Hindustani Music. It Investigates The Underlying Philosophical Aesthetics And Some Aesthetical Concepts And Analyses The Basic Forms Of Raga And Tala.

This book presents a pragmatic engagement between the philosophy of Deleuze and Guattari and various facets of Indian society, culture and art. The universal appeal of the philosophy of Deleuze and Guattari finds its due place in India with a set of innovative analyses and radical interpretations that reimagine India as a complex multiplicity. The volume brings together scholars from various disciplines and theoretical orientations to explore a wide range of issues in contemporary India, like dalit and caste studies, nationalism, gender question, art and cinema, and so on under the rubric of Deleuzo-Guattarian philosophy. This interdisciplinary book will be useful to scholars and researchers of philosophy, anthropology, cultural studies, sociology, postcolonial studies and South Asian studies.

Hindustani classical music, a jewel in the crown of the Indian musical tradition, has become increasingly popular in South India and abroad over the last few decades. This book attempts to present a detailed and comprehensive discussion of the fundamental concepts and aspects of Hindustani classical music by taking up developments in a chronological order. It explains a number of terms and processes involved in the performance of Hindustani classical vocal music. In an interesting discussion, it mentions the various famous gharanas of the genre and deals with the life-histories of some of their eminent musicologists and singers. The musical instruments which are used in accompaniment to the vocal singing in Hindustani music are described. It also details the rags which are frequently presented in contemporary musical concerts, highlighting the important features of each.

Does every hero have to be tall, dark, and handsome, or can a quality guy win the girl if he only has two out of three? At six-foot-one, twenty-seven year old art history teacher Ava Morrison of Richmond, Virginia is no starry-eyed romantic. She'd rather live alone than compromise on the specifications for her dream man. Is it really too much to ask to literally look up to her date?