Buddhism introduced many Hindu Gods and Goddesses to the Japanese. The rulers were the first to be attracted to them. Historical records show that they earnestly believed in the miracles of these divinities promised in the sutras. Many miracle stories started appearing in popular literature as the divinities percolated down to the masses. The resulting naturalisation process in the case of some divinities went to the extent that they became an integral part of the native Shinto pantheon. Their popularity remains unabated even today. The Tantric Buddhist sects also played a vital role in propagating the divinities. They regularly worshipped the divinities in their temples where people thronged in large numbers. Many steps in these ceremonies, for instance, the homa ritual, are very familiar to the present-day Hindus. The monks have also produced a considerable volume of religious literature related to these divinities. Descriptions of many divinities show that they have not changed substantially over centuries. A study of these writings also shows that a large volume of Hindu myths and legends related to these deities were transmitted to Japan. These writings are also a testimony to the way the ancestors of the present-day Hindus thought about these deities, say, around the eighth or ninth century of the Christian era.

A New God examines the worship of a Hindu deity known as Muneeswaran in contemporary Singapore. Sinha's exploration provides an ethnographic documentation of urban-based Hindu religiosity in contemporary Singapore and makes an important contribution to the global study of religion in the diasporas.

The book examines Sarasvati’s origin, the course of her flow and the place of her disappearance in a holistic manner. Based on a close analysis of texts from the early Rig-Veda to the Brahmanas and the Puranas, it discusses different view-points in a balanced perspective and attempts to drive the discussions towards the emergence of a consensus view. The author delineates the various phases of Sarasvati’s evolution to establish her unique status and emphasise her continued relevance in the Hindu tradition. The book argues that the practice of pilgrimage further evolved after its association with the river Sarasvati who was perceived as divinity personified in Hindu tradition.

The Seven Lucky Gods of Japan are a group of deities whose origins stem from Indian, Chinese, and indigenous Japanese gods of fortune. Not all of the gods are mythical beings.

Developing a framework to study "what makes a region," Amitav Acharya investigates the origins and evolution of Southeast Asian regionalism and international relations. He views the Association of Southeast Asian Nations (ASEAN) "from the bottom up" as not only a U.S.-inspired ally in the Cold War struggle against communism but also an organization that reflects indigenous traditions. Although Acharya deploys the notion of "imagined community" to examine the changes, especially since the Cold War, in the significance of ASEAN dealings for a regional identity, he insists that "imagination" is itself not a neutral but rather a culturally variable concept. The regional imagination in Southeast Asia imagines a community of nations different from NAFTA or NATO, the OAU, or the European Union. In this new edition of a book first published as The Quest for Identity in 2000, Acharya updates developments in the region through the first decade of the new century: the aftermath of the financial crisis of 1997, security affairs after September 2001, the long-term impact of the 2004 tsunami, and the substantial changes wrought by the rise of China as a regional and global actor. Acharya argues in this important book for the crucial importance of regionalism in a different part of the world.

Catalog of the exhibition at the Asia Society Museum, New York, February 9-May 8, 2016.

Every generation of people think that their problems are the most important ever. As history flows without interruption and doomsday scenarios fail, the following generations focus on their own contemporary events, ignoring or underestimating the past. In this way people always see "signs" in their times and the end of the world is constantly a fresh subject.

"An excellently rounded introduction by an eminent Shinto scholar."--Library Journal Shinto, the indigenous faith of the Japanese people, continues to fascinate and mystify both the casual visitor to Japan and the long-time resident. Relatively unknown among the religions of the world, Shinto: The Kami Way provides an enlightening window into this Japanese faith. In its general aspects, Shinto is more than a religious faith. It is an amalgam of attitudes, ideas, and ways of doing things that through two millennia and more have become an integral part of the way of the Japanese people. Shinto is both a personal faith in the kami--objects of worship in Shinto and an honorific for noble, sacred spirits--and a communal way of life according to the mind of the kami. This introduction unveils Shinto's spiritual characteristics and discusses the architecture and function of Shinto shrines. Further examination of Shinto's lively festivals, worship, music, and sacred regalia illustrates Shinto's influence on all levels of Japanese life. Fifteen photographs, numerous drawings and Dr. Ono's text introduce the reader to two millennia of indigenous Japanese belief in the kami and in communal life. Chapters include: The Kami Way Shrines Worship and Festivals Political and Social Characteristics Some Spiritual Characteristics