This engaging and accessible book focuses on high-profile criminal trials and examines the strategy of the lawyers, the reasons for conviction or acquittal, as well as the social importance of these famous cases.

O. J. Simpson. The Central Park jogger. Bensonhurst. William Kennedy Smith. Rodney King. These are more than crimes and criminals, more than court cases. They are cultural events that, for better or worse, gave concrete expression to latent social conflicts in American society. In High-Profile Crimes, Lynn Chancer explores how these cases became conflated with larger social causes on a collective level and how this phenomenon has affected the law, the media, and social movements. An astute and incisive chronicle of some of the most polarizing cases of the 1980s and 1990s, High-Profile Crimes shows that their landmark status results from the overlapping interaction of diverse participants. The merging of legal cases and social causes, Chancer argues, has wrought ambivalent effects on both social movements and the law. On the one hand, high-profile crimes offer important opportunities for emotional expression and raise awareness of social issues. But on the other hand, social problems cannot be resolved through the either/or determinations that are the goals of the legal system, creating frustration for those who look to the outcome of these cases for social progress. Guilt or innocence through the lens of the media leads to either defeat or victory for a social cause-a confounding situation that made the O. J. Simpson case, for example, unable to resolve the issues of domestic violence and police racism that it had come to symbolize. Based on nearly two hundred interviews, Chancer's discussions of the infamous Central Park jogger and Bensonhurst cases-as well as the rape trials of William Kennedy Smith and Mike Tyson, the assault cases of Rodney King and Reginald Denny, and, finally, the O. J. Simpson murder trial-provide a convincing, multidimensional and innovative analysis of the most charged public dramas of the last two decades.

From the New York Times bestselling author Joseph Finder comes a fast-paced legal thriller, High Crimes Meet Claire Heller Chapman. A criminal defense attorney who's made a name for herself by taking on—and winning—the toughest cases, Claire still manages to have a relatively calm life as a Harvard Law School professor, devoted wife, and proud mother to six-year-old Annie. Until one night, when the family is out having dinner, a team of government agents bursts onto the scene...heading straight for Claire's husband. Tom Chapman has been arrested for an atrocious crime he swears he did not commit. Claire is desperate to believe him—and prove his innocence—even when she learns that Tom once had a different name. And a different face. Now, in a top-secret court-martial conducted by the Pentagon, Claire will put everything on the line to defend the man she loves. But as the evidence keeps piling up, the less she knows who her husband really is...and the more he appears to be a cold-blooded murderer...

During the 1950s and 1960s True Detective magazine developed a new way of narrating and understanding murder. It was more sensitive to context, gave more psychologically sophisticated accounts, and was more willing to make conjectures about the unknown thoughts and motivations of killers than others had been before. This turned out to be the start of a revolution, and, after a century of escalating accounts, we have now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. The Rise of True Crime examines the various genres of true crime using the most popular and well-known examples. And despite its examination of some of the potentially negative effects of the genre, it is written for people who read and enjoy true crime, and wish to learn more about it. With skyrocketing crime rates and the appearance of a frightening trend toward social chaos in the 1970s, books, documentaries, and fiction films in the true crime genre tried to make sense of the Charles Manson crimes and the Gary Gilmore execution events. And in the 1980s and 1990s, true crime taught pop culture consumers about forensics, profiling, and highly technical aspects of criminology. We have thus now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. Through the suggestion that certain kinds of killers are monstrous or outside the realm of human morality, and through the perpetuation of the stranger-danger idea, the true crime aesthetic has both responded to and fostered our culture's fears. True crime is also the site of a dramatic confrontation with the concept of evil, and one of the few places in American public discourse where moral terms are used without any irony, and notions and definitions of evil are presented without ambiguity. When seen within its historical context, true crime emerges as a vibrant and meaningful strand of popular culture, one that is unfortunately devalued as lurid and meaningless pulp.

"He Raped. . . Altemio Sanchez was a modern-day Jekyll and Hyde—a family man who resided in Buffalo, New York, with a wife and two sons, worked nights as a machinist, and concealed a terrible secret. Once a year, after his shift, he'd make a side trip to a secluded spot where women would ride bikes and jog. He was called ""The Bike Path Rapist""—until he crossed the line from rape to murder. He Killed. . . For fourteen years, the Bike Path Killer mercilessly raped and murdered his prey, eluding police every step of the way. Then, the killings stopped. People wondered whether he'd left town, had been locked up in prison for another crime, or maybe even died. But when another woman's corpse with the same lethal signature surfaced, authorities knew the Bike Path Killer was back. And He Almost Got Away With It. Now, for the first time, two award-winning reporters follow a depraved killer's bloody trail of terror to the bitter end: his horrifying confession. . . Includes 16 pages of shocking photos. "

High Crimes is journalist Michael Kodas's gripping account of life on top of the world--where man is every bit as deadly as Mother Nature. In the years following the publication of Into Thin Air, much has changed on Mount Everest. Among all the books documenting the glorious adventures in mountains around the world, none details how the recent infusion of wealthy climbers is drawing crime to the highest place on the planet. The change is caused both by a tremendous boom in traffic, and a new class of parasitic and predatory adventurer. It's likely that Jon Krakauer would not recognize the camps that he visited on Mount Everest almost a decade ago. This book takes readers on a harrowing tour of the criminal underworld on the slopes of the world's most majestic mountain. High Crimes describes two major expeditions: the tragic story of Nils Antezana, a climber who died on Everest after he was abandoned by his guide; as well as the author's own story of his participation in the Connecticut Everest Expedition, guided by George Dijmarescu and his wife and climbing partner, Lhakpa Sherpa. Dijmarescu, who at first seemed well-intentioned and charming, turned increasingly hostile to his own wife, as well as to the author and the other women on the team. By the end of the expedition, the three women could not travel unaccompanied in base camp due to the threat of violence. Those that tried to stand against the violence and theft found that the worst of the intimidation had followed them home to Connecticut. Beatings, thefts, drugs, prostitution, coercion, threats, and abandonment on the highest slopes of Everest and other mountains have become the rule rather than the exception. Kodas describes many such experiences, and explores the larger issues these stories raise with thriller-like intensity.

Looks at legendary crimes of the twentieth century, including the Lindbergh kidnapping, the O.J. Simpson case, and the JonBenet Ramsey case.

One of America’s most acclaimed investigative journalists re-investigates some of the most notorious and mysterious crimes of the last 200 years The beloved head of the UN dies in a tragic plane crash . . . witnesses unearthed years later suggest it wasn’t an accident. Theories behind the mysterious death of Marilyn Monroe change yearly, and some believe Jack the Ripper was a member of the royal family. History books say Hitler burned down the Reichstag—but did he? And who really organized the conspiracy to kill Abraham Lincoln? Acclaimed investigative journalist Edward Jay Epstein cut his teeth on one of the most notorious murder mysteries of the 20th century in his first book, Inquest: The Warren Commission and the Establishment of Truth, one of the first books on the assassination and an instant bestseller. His conclusion? The Commission left open too many questions. He examines those questions here, as well as some of the most famous “unsolved” or mysterious crimes of all time, coming to some startling conclusions. His method in each investigation is simple: outline what is known and unknown, and show the plausible theories of a case. Where more than one theory exists, he shows the evidence for and against each. And when something remains to be proved, he says as much. In The Annals of Unsolved Crime, Epstein re-visits his most famous investigations and adds dozens of new cases. From the Lindbergh kidnapping to the JonBenet Ramsey murder case, from the Black Dahlia murder to anthrax attacks on America, from the vanishing of Jimmy Hoffa to the case of Amanda Knox—Epstein considers three dozen high-profile crimes and their tangled histories and again proves himself one of our most penetrating journalists.

Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.

Originally published: 2011. With new addendum.