Private detective Albert Campion hunts a serial killer in London’s theatre district, in this crime novel from “the best of mystery writers” (The New Yorker). A spate of murders leaves Campion with only two baffling clues: a left-hand glove and a lizard-skin letter-case. These minimal leads, and a series of peculiar events, set the gentleman sleuth on a race against time that takes him from an odd museum of curiosities hidden in a quiet corner of London to a scrapyard in the East End. Margery Allingham shows her dark edge in Hide My Eyes and evokes the sights, sounds, and inimitable atmosphere of 1950s London, once again proving herself “one of the finest ‘golden age’ crime novelists” (Sunday Telegraph). “Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky “Allingham’s characters are three-dimensional flesh and blood, especially her villains.” —Times Literary Supplement

A richly imagined portrait of an immigrant woman in the heady and unpredictable first half of the twentieth century. Sweeping and panoramic, You Were There Before My Eyes is the epic and intimate story of a young woman who chafes at the stifling routine and tradition of her small, turn-of-the-century Italian village. When an opportunity presents itself for her to emigrate to America, her hunger for escape compels her to leave everything behind for the gleaming promises that await her and her young husband in Mr. Ford’s factories. Determined to survive, and perhaps even thrive, young Jane finds herself navigating not just a new language and country, but a world poised upon the edge of economic and social revolution—and war. As Jane searches for inner fulfillment while building young family, the tide of history ebbs and flows. From the chaos of Ellis Island to the melting pot of industrial Detroit, You Were There Before My Eyes spills over with colorful characters and vivid period details. Maria Riva paints an authentic portrait of immigrant America and poignantly captures the ever evolving nature of the American dream.

The killer of a pawnbroker left few clues--not even a body--but Albert Campion has reservations when the outlandish theory of Superintendent Charles Luke leads them to a curio museum called Tether's End

New York Rule #1: Don’t get involved. Samantha Leiffer already has a self-centered self-help guru for a mother, a cadre of off-kilter Greenwich Village pals, and an ex-boyfriend who cheated on her with women and men. She doesn’t need more grief. But when she accidentally spies two people dumping a dubious-looking ice chest into the Hudson, she has an unsettling feeling about its contents. . . . New York Rule #2: Don’t make eye contact. So, not being the kind of girl to let some psycho get away with murder, Sam sets out to unravel a mystery—and is soon being stalked by a sinister, shadowy figure who’s wearing one-of-a-kind mirrored contact lenses. . . . New York Rule #3: If you must break Rules #1 and #2, get some help from New York’s Finest. Now, aided by a hard-as-nails (but still very hot) homicide detective, Sam is poking into some unsavory places—and finding out more creepy stuff than she ever wanted to know. . . . New York Rules #4 and #5: Don’t expect anything to be what it seems . . . and when necessary, fight like hell. "Punchy, comic, and clever, Hide Your Eyes will blow your mind."—Lisa Gardner "A smart, snappy piece of deviltry."—Perri O'Shaughnessy

The entries in the journals of two sixth grade students reveal much about their personal feelings, family lives, and a growing interest in poetry sparked by their new substitute teacher.

Private detective Albert Campion hunts a serial killer in London’s theatre district, in this crime novel from “the best of mystery writers” (The New Yorker). A spate of murders leaves Campion with only two baffling clues: a left-hand glove and a lizard-skin letter-case. These minimal leads, and a series of peculiar events, set the gentleman sleuth on a race against time that takes him from an odd museum of curiosities hidden in a quiet corner of London to a scrapyard in the East End. Margery Allingham shows her dark edge in Hide My Eyes and evokes the sights, sounds, and inimitable atmosphere of 1950s London, once again proving herself “one of the finest ‘golden age’ crime novelists” (Sunday Telegraph). “Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky “Allingham’s characters are three-dimensional flesh and blood, especially her villains.” —Times Literary Supplement

In 2154, it has been over a century since the history of Homo sapiens was re-written due to an illegal scientific organization known as The Cult. They broke all the rules to experiment on humans and create genetically enhanced anthromorphs, mixing animal and human gene traits to create a superior race. Naïve and isolated, Kate Parker believes the solution to dealing with her problems is ignorance. Growing up as the only child of two A-list Hollywood stars, limelight has always enveloped her like a glorified prison cell, so she finds solace in self-made solitude while coping with her mother’s death. When she begins college, she meets bianthromorph James Taylor, and their bond redefines the course of Homo sapiens history. When The Cult targets Kate to assist in their dark objective, she must turn from ignorance into full knowledge of a world erupting in chaos where issues of right and wrong are no longer clear. James has always been isolated due to his differences; Kate once chose to isolate herself. Now, they enter the fray in order to preserve what’s left of humanity and stop an evil super power.