"Greenwich in the seventeenth century was a lost world with tythingmen and meeting warners, wild horse hunters, herdsmen, townsmen, pounders and planters. Faced with an ever-changing environment, citizens set many new-world boundaries. Farmers created common fields along the coast and redesigned wilderness. They balanced religious and civic authority, private and common interests and financial inequities across communities. The first comers found it more challenging to please their own than it was to please their God. Their departure from the past fashioned an idealized, yet still imperfect, new society the Puritans proudly called the Greenwich Plantation. Author Missy Wolfe details the strategies and setbacks of creating community in colonial America's First Period" -- Publisher's description.

Insubordinate Spirit is a unique exploration into the life of Elizabeth Winthrop and other seventeenth-century English Puritans who emigrated to the rough, virtually untouched wilderness of present-day New England. Excerpts from newly discovered personal diaries and correspondence provide readers with not only fascinating insights into the hardships, dangers, and losses inherent to English and Dutch settlers in the 1600s, but also first-hand descriptions of the local Native Americans' family life, allegiances, and society. Caught between the unendurable expectations of her Puritan relatives and land disputes with the neighboring Dutch, Elizabeth Winthrop demonstrated a tremendous strength of resolve to protect her own family and remain true to her heart.

The lives of the distinguished citizens and memories of the Connecticut Gold Coast town are chronicled here. The historic community of Greenwich is nestled along Connecticut's famed Gold Coast. The shores and waves of Long Island Sound draw people to its unique seaside, which also maintains a peaceful "residents only" beach. As a coastal community the opportunities for businesses were plentiful, from the exporting of oysters to the Palmer Engine Company who supplied engines for every lifeboat during WWII. This pristine waterfront is home to historic Tod's Point and has a plethora of elite Yacht Clubs dotting the shoreline. Author Karen Jewell chronicles the lives of distinguished citizens and the memories of yesteryear in her latest coastal narrative detailing the Greenwich waterfront.

INSTANT NEW YORK TIMES BESTSELLER After a decade abroad, the National Book Award– and Pulitzer Prize–winning writer Evan Osnos returns to three places he has lived in the United States—Greenwich, CT; Clarksburg, WV; and Chicago, IL—to illuminate the origins of America’s political fury. Evan Osnos moved to Washington, D.C., in 2013 after a decade away from the United States, first reporting from the Middle East before becoming the Beijing bureau chief at the Chicago Tribune and then the China correspondent for The New Yorker. While abroad, he often found himself making a case for America, urging the citizens of Egypt, Iraq, or China to trust that even though America had made grave mistakes throughout its history, it aspired to some foundational moral commitments: the rule of law, the power of truth, the right of equal opportunity for all. But when he returned to the United States, he found each of these principles under assault. In search of an explanation for the crisis that reached an unsettling crescendo in 2020—a year of pandemic, civil unrest, and political turmoil—he focused on three places he knew firsthand: Greenwich, Connecticut; Clarksburg, West Virginia; and Chicago, Illinois. Reported over the course of six years, Wildland follows ordinary individuals as they navigate the varied landscapes of twenty-first-century America. Through their powerful, often poignant stories, Osnos traces the sources of America’s political dissolution. He finds answers in the rightward shift of the financial elite in Greenwich, in the collapse of social infrastructure and possibility in Clarksburg, and in the compounded effects of segregation and violence in Chicago. The truth about the state of the nation may be found not in the slogans of political leaders but in the intricate details of individual lives, and in the hidden connections between them. As Wildland weaves in and out of these personal stories, events in Washington occasionally intrude, like flames licking up on the horizon. A dramatic, prescient examination of seismic changes in American politics and culture, Wildland is the story of a crucible, a period bounded by two shocks to America’s psyche, two assaults on the country’s sense of itself: the attacks of September 11 in 2001 and the storming of the U.S. Capitol on January 6, 2021. Following the lives of everyday Americans in three cities and across two decades, Osnos illuminates the country in a startling light, revealing how we lost the moral confidence to see ourselves as larger than the sum of our parts.

Connecticut State Historian Walter Woodward helps us understand how people and events in Connecticut’s past played crucial roles in forming the culture and character of Connecticut today. Woodward, a gifted story-teller, brings the history we thought we knew to life in new ways, from the nearly forgotten early presence of the Dutch, to the time when Connecticut was New England’s fiercest prosecutor of witches, the decades when Connecticans were rapidly leaving the state, and the years when Irish immigrants were hurrying into it. Whether it’s his investigation into the unusually rough justice meted out to Revolutionary War hero Nathan Hale, or a peek into Mark Twain’s smoking habits, Creating Connecticut will leave you thinking about our state’s past––and its future––in a whole new way.

Connecticut's history is full of engaging and fascinating stories, rocks that are national monuments, the "people's sculptor," football players on chapel finials, moons on the Travelers calendars, artists Frederic Church and Eric Sloane and even a Thanksgiving Day touch football game with a future president. These are tales from Greenwich to Enfield, from Sharon to Old Lyme and so much in between. Follow along with historian Wilson Faude in this "must-have" Connecticut book as he traverses the state in search of hidden history.

This book does not aim to document comprehensively the extraordinarily rich activity in New York City in the early 1960's. Instead, the author focuses on one year, 1963. This was the most productive year of the period 1958-64, the transition between the Fifties and Sixties. The author also focuses on one other place---Greenwich Village in lower Manhattan. For it was primarily here, in a place already historically and culturally mythologized as avant-garde terrain, that the emerging generation of vanguard artists lived, worked, socialized, and remade the history of the avant-garde. - from the Introduction.

"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.

Discover 400 years of New England history you won’t find in guidebooks in this collection of true stories and colorful characters from The Pine Tree State. Maine wouldn’t be the magical place it is today without the contributions of little-known individuals whose inspiring and adventuresome lives make up the story of Maine's "hidden history." Journalist and Maine historian Harry Gratwick presents vividly detailed portraits of these Mainers, from the controversial missionary Sebastien Rale to Woolwich native William Phips, whose seafaring attacks against French Canada earned him the first governorship of the Massachusetts Bay Colony. Gratwick also profiles inventors such as Robert Benjamin Lewis, an African American from Gardiner who patented a hair growth product in the 1830s, and Margaret Knight, a York native who defied nineteenth-century sexism to earn the nickname "the female Edison." From soprano Lillian Nordica, who left Farmington to become the most glamorous American opera singer of her day, to slugger George "Piano Legs" Gore, the only Mainer to ever win a Major League Baseball batting championship, Hidden History of Maine reveals the men and women who made history without making it into history books.

During the fourteen years Sydney Howard Gay edited the American Anti-Slavery Society's National Anti-Slavery Standard in New York City, he worked with some of the most important Underground agents in the eastern United States, including Thomas Garrett, William Still and James Miller McKim. Gay's closest associate was Louis Napoleon, a free black man who played a major role in the James Kirk and Lemmon cases. For more than two years, Gay kept a record of the fugitives he and Napoleon aided. These never before published records are annotated in this book. Revealing how Gay was drawn into the bitter division between Frederick Douglass and William Lloyd Garrison, the work exposes the private opinions that divided abolitionists. It describes the network of black and white men and women who were vital links in the extensive Underground Railroad, conclusively confirming a daily reality.