"Henry Hamilton Bennett became a celebrated photographer in the half-century following the American Civil War. Bennett is admired for his superb depictions of dramatic landscapes of the Dells of the Wisconsin River and also for his many technical innovations in photography, including a stop-action shutter and a revolving solar printing house that is now housed at the Smithsonian Institution. With his instantaneous shutter, he gained recognition for his striking images of moving subjects, such as lumber raftmen shooting the river rapids and his son Ashley leaping in mid air from a bluff to the craggy pillar of Stand Rock. This engaging biography tells his life story, illustrated throughout with his remarkable photographs, some of them rarely viewed before. It draws on the photographer's own letters and journals, along with other family documents, to portray the sweep of his career and personal life."--Publisher description.

Having built his reputation on his photographs of the Dells' steep gorges and fantastic rock formations, H. H. Bennett turned his camera upon the Ho-Chunk, and thus began the many-layered relationship. The interactions between Indian and white man, photographer and photographed, suggested a relationship in which commercial motives and friendly feelings mixed, though not necessarily in equal measure.

Pairs one hundred historic photographs with one hundred recent photos by some of the state's finest present-day documentary photographers and photojournalists. Documents rural and urban landscapes, communities, and social activities over the course of 150 years.

People of the Big Voice tells the visual history of Ho-Chunk families at the turn of the twentieth century and beyond as depicted through the lens of Black River Falls, Wisconsin studio photographer, Charles Van Schaick. The family relationships between those who “sat for the photographer” are clearly visible in these images—sisters, friends, families, young couples—who appear and reappear to fill in a chronicle spanning from 1879 to 1942. Also included are candid shots of Ho-Chunk on the streets of Black River Falls, outside family dwellings, and at powwows. As author and Ho-Chunk tribal member Amy Lonetree writes, “A significant number of the images were taken just a few short years after the darkest, most devastating period for the Ho-Chunk. Invasion, diseases, warfare, forced assimilation, loss of land, and repeated forced removals from our beloved homelands left the Ho-Chunk people in a fight for their culture and their lives.” The book includes three introductory essays (a biographical essay by Matthew Daniel Mason, a critical essay by Amy Lonetree, and a reflection by Tom Jones) and 300-plus duotone photographs and captions in gallery style. Unique to the project are the identifications in the captions, which were researched over many years with the help of tribal members and genealogists, and include both English and Ho-Chunk names.

In this first novel from award-winning writer Sara Rath, the forests and lakes of northern Wisconsin pose a daunting threat to outsider Hannah Swann, who is content with her quiet life in Madison, Wisconsin, where she teaches and writes screenplays about obscure nineteenth-century poets. Her relationship with her college-aged daughter is strained yet candid, and a long-standing affair with a married professor has its own peculiar ups and downs. When Hannah unexpectedly inherits her uncle's rundown resort, she must head to the northwoods to close up and sell the business. But the only interested buyer is Ingold, an international mining company, and Hannah finds herself reluctantly operating the resort while trapped in the midst of a treacherous dispute between Ingold and Uncle Hal's activist friends. From safeguarding the wilderness to pursuing elusive new love interests, Hannah has plenty to engage her imagination at Star Lake. A new aspect of her personality emerges, one that is surprisingly courageous and compassionate. Throughout this humorous, elegantly plotted adventure with its appealing characters and lyrical depictions of nature, Hannah encounters the inevitability of change—in herself and in the nostalgic landscape of the deep North.

A Newbery Honor Book An ALA-ALSC Notable Children's Book Winner of the Edgar Allan Poe Award for Best Juvenile Novel “An adventure, a mystery, and a love song to the natural world. . . . Run out and read it. Right now.”—Newbery Medalist Karen Cushman In the town of Placid, Wisconsin, in 1871, Georgie Burkhardt is known for two things: her uncanny aim with a rifle and her habit of speaking her mind plainly. But when Georgie blurts out something she shouldn't, her older sister Agatha flees, running off with a pack of "pigeoners" trailing the passenger pigeon migration. And when the sheriff returns to town with an unidentifiable body—wearing Agatha's blue-green ball gown—everyone assumes the worst. Except Georgie. Refusing to believe the facts that are laid down (and coffined) before her, Georgie sets out on a journey to find her sister. She will track every last clue and shred of evidence to bring Agatha home. Yet even with resolute determination and her trusty Springfield single-shot, Georgie is not prepared for what she faces on the western frontier.

The Magnum Photos archive—a collection of more than 200,000 photographs by some of the twentieth and early twenty-first centuries' greatest image makers—is the most comprehensive accumulation of prints made by the distinguished photo cooperative. Consistently and with striking artistry, Magnum's photographers have done more than simply document the far reaches of the globe; they have helped shape generations' understanding of the world around them. While many of its photographs have been widely published, until now no one has examined the Magnum archive itself. In Reading Magnum, experts from several fields investigate this visual archive, now residing at the Harry Ransom Center at the University of Texas at Austin, to discover how a select, influential group of visual authors has used the camera for an ambitious project of cultural interpretation and social commentary. The chapters in Reading Magnum are devoted to themes generated by a close reading of the archive—war and conflict, portraiture, geography, cultural life, social relations, and globalization. These themes are further developed by evocative portfolios of images, which suggest something of the depth and range of the photo agency, and by tracing the trajectory of several iconic images from annotated press print to distribution to eventual publication. Volume editor Steven Hoelscher provides an overview of the Magnum enterprise, and Alison Nordström offers an appreciation of the Magnum archive as a material record of information about the making and disseminating of photographs that is being lost as images on paper are replaced by images on screen. As a whole, the book's unique reading of the Magnum archive reveals patterns of intention, aesthetic vision, and political perspective that become legible only by viewing both the physical objects and the recorded images that constitute this remarkable collection.