Kamrada's study analyses three narratives concerning the greatest heroic figures of the biblical tradition: Jephthah's daughter, Samson and Saul, and includes a consideration of texts about King David. All three characters are portrayed as the greatest and most typical and exemplary heroes of the heroic era. All three heroes have an exceptionally close relationship with the deity all die a traditionally heroic, tragic death. Kamrada argues that within the Book of Judges and the biblical heroic tradition, Jephthah's daughter and Samson represent the pinnacle of female and male heroism respectively, and that they achieve super-human status by offering their lives to the deity, thus entering the sphere of holiness. Saul's trajectory, by contrast, exemplifies downfall of a great hero in his final, irreversible separation from God, and it also signals the decline of the heroic era. David, however, is shown as an astute hero who founds a lasting dynasty, thus conclusively bringing the heroic era in the Deuteronomistic history to a close.

A beautifully illustrated, wonderfully engaging A-to-Z guide to more than 700 major and minor gods and goddesses, characters, creatures, and places of classical Greek and Roman mythology. Classical Mythology A-to-Z is a comprehensive and engrossing guide to Greek and Roman mythology. Written by Annette Giesecke, PhD, Professor of Classics and Chair of Ancient Greek and Roman Studies at the University of Delaware, this brilliant reference offers clear explanations of every character and locale, and captures the essence of these timeless tales. From the gods and goddesses of Mount Olympus and the heroes of the Trojan War to the nymphs, monsters, and other mythical creatures that populate these ancient stories, Giesecke recounts, with clarity and energy, the details of more than 700 characters and places. Each definition includes cross-references to related characters, locations, and myths, as well their equivalent in Roman mythology and cult. In addition to being an important standalone work, Classical Mythology A-to-Z is also written, designed, and illustrated to serve as an essential companion to the bestselling illustrated 75th-anniversary edition of Mythology by Edith Hamilton, including 10 full-color plates and 2-color illustrations throughout by artist Jim Tierney.

The in-depth and well researched material in The World of Classical Myth is presented against a background of history, archaeology, social custom, religion, topography, and monuments. Part One, "Orientation," defines mythology and portrays it as an evolving pattern, constantly undergoing revision to keep pace with the evolution of the culture. Hence, mythology offers an archaeology of a people's changing sense of identity. Part Two, "Transmutations," portrays symbolic forms as eternal and archetypal, never annihilated but merely changing appearance to meet the demands of changing times. Hence, the analysis of the iconography and worship of the twelve Olympian deities paints a picture of their evolution into their Classical identities. Part Three, "The Liminal Hero," describes the two ways of telling a hero's story: either the hero steps forward to found a new world and defeat the past, or he steps back to become the fundament of his present world. Part Four, "Liminal Heroines," delineates the three versions of the heroine's identity -- maiden, mother, and witch -- and explores the portrayal of women in classical mythology. Staples and Ruck follow these themes through the course of Classical Myth, incorporating over 100 illustrations and maps integral to the presentation of the material. The book also offers new perspectives on the goddesses and heroines of classical mythology and on the role of women in antiquity. "It is indeed a cause for some alarm that so important a subject as Greek Mythology has hitherto lacked an adequate primary textbook... Ruck's book may well be the long-awaited remedy. I am impressed not only by his knowledge and organization, but also by his patent concern for student needs." -- Professor C. Robert Phillips, III, Lehigh University

More Than 1,000 Goddesses & Heroines from around the World Groundbreaking scholar Patricia Monaghan spent her life researching, writing about, and documenting goddesses and heroines from all religions and all corners of the globe. Her work demonstrated that from the beginning of recorded history, goddesses reigned alongside their male counterparts as figures of inspiration and awe. Drawing on anthropology, folklore, literature, and psychology, Monaghan’s vibrant and accessible encyclopedia covers female deities from Africa, the eastern Mediterranean, Asia and Oceania, Europe, and the Americas, as well as every major religious tradition.

"Get inspired with 50 fascinating stories of powerful female figures from mythologies around the world. From heroines and deities to leaders and mythical creatures, this collection explores figures of myth who can inspire modern readers with their ability to shape our culture with the stories of their power, wisdom, compassion, and cunning. Featured characters include: Atalanta (Greek heroine and huntress who killed the Caledonia Boar and joined the Argonauts); Sky-Woman (the first woman in Iroquois myth who fell through a hole in the sky and into our world); Clídna (Queen of the Banshees in Irish legend); and La Llorona (a ghostly woman in Mexican folklore who wanders the waterfront). Celebrate these game-changing, attention-worthy female characters with this collection of engaging tales"--

All the wonder, terror and delight of Greek mythology springs forth from the pages of this unique and much-needed anthology. Rhonda Hendricks has not only selected from the works of the ancient authors the best -- and often earliest -- versions of these tales; she has also arranged them so as to give a cumulative view of classical mythology beginning with The Creation and The Birth of Zeus. Of particular interest are: The Ages of Mankind, The Birth of Athena, Oedipus the King, Heracles, Theseus, Jason and Medea, The Judgement of Paris, The Trojan Horse, Pygmalion, and Cupid and Psyche. These texts offer a new perspective on classical mythology and, by so doing, cast a new light on this cornerstone of Western culture.

“A fresh and provocative biography of La Pucelle . . . her transformation from a naive girl to a strong-willed, bold, and gifted captain of war.”—Frederic J. Baumgartner, author of France in the Sixteenth Century France’s great heroine and England’s great scourge: whether a lunatic, a witch, a religious icon, or a skilled soldier and leader, Joan of Arc’s contemporaries found her as extraordinary and fascinating as the legends that abound about her today. But her life has been so endlessly cast and recast that we have lost sight of the remarkable girl at the heart of it—a teenaged peasant girl who, after claiming to hear voices, convinced the French king to let her lead a disheartened army into battle. In the process she changed the course of European history. In The Virgin Warrior, Larissa Juliet Taylor paints a vivid portrait of Joan as a self-confident, charismatic and supremely determined figure, whose sheer force of will electrified those around her and struck terror into the hearts of the English soldiers and leaders. The drama of Joan’s life is set against a world where visions and witchcraft were real, where saints could appear to peasants, battles and sieges decided the fate of kingdoms and rigged trials could result in burning at the stake. Yet in her short life, Joan emboldened the French soldiers and villagers with her strength and resolve. A difficult, inflexible leader, she defied her accusers and enemies to the end. From her early years to the myths and fantasies that have swelled since her death, Taylor “goes deep into Joan of Arc’s heart and soul and shows us the maiden, the warrior and the heroine” (Kate Williams, New York Times bestselling author)./

The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.

Includes bibliographic references and index.

Armenian mythology was strongly influenced by Zoroastrianism, with deities such as Aramazd, Mihr or Anahit, as well as Assyrian traditions, such as Barsamin, but there are fragmentary traces of native traditions, such as Hayk or Vahagn and Astghik. According to De Morgan there are signs which indicate that the Armenians were initially nature worshipers and that this faith in time was transformed to the worship of national gods, of which many were the equivalents of the gods in the Roman, Greek and Persian cultures. Georg Brandes described the Armenian gods in his book: "When Armenia accepted Christianity, it was not only the temples which were destroyed, but also the songs and poems about the old gods and heroes that the people sang. We have only rare segments of these songs and poems, segments which bear witness of a great spiritual wealth and the power of creation of this people and these alone are sufficient reason enough for recreating the temples of the old Armenian gods. These gods were neither the Asian heavenly demons nor the precious and the delicate Greek gods, but something that reflected the characteristics of the Armenian people which they have been polishing through the ages, namely ambitious, wise and good-hearted."