This important contribution about ancient coins in India has been written jointly by Osmund Bopearachchi and Wilfried Pieper. It is an impressive volume of 289 pages with 59 plates which presents a private collection of ancient coins patiently gathered trough the years. In Part one, W.Pieper develops a historical commentary about the earliest coinages of India, the imperial period of late Magadha and Maurya rule ( ca late IVth-early IInd centuries B.C.), Ujjain and Eran, the Satavahanas (ca Ist century B.C.-early IInd century A.D.), and tribal republics and kingdoms in post-Mauryan northern India ( ca 200 B.C-ca 300 A.D.). This commentary is followed by a detailed catalogue with very precise drawings of more than 600 coins and punch-marked coins. Part two by o. Bopearachhi is organized on the same pattern: a historical commentary about foreign powers in ancient northern India, from the Bactrian Greeks untill the time of the early Kushans followed by a precise catalogue presenting Greek, Graeco-Bactrian and Indo-Greek, Indo-Scythian, Indo-Parthian, and early Kushan coins (in fact, more than 300 specimens). The commentary intends to give a general overview of the coins concerned and of their historical context with a more extensive discussion of the series best represented in the collection. For the indigenous Indian coins this is specially true for the coinages of Ujjain, Eran, Taxila and Kausambi, many of which are new and published here for the first time.

Reprint of the original, first published in 1875.

This ninth edition of one of the most comprehensive references for modern world paper money includes current market values for more than 10,600 notes in three grades of condition and over 7,200 photos and illustrations. 8-page color insert.

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

Imagine sending a magazine article to 10 friends-making photocopies, putting them in envelopes, adding postage, and mailing them. Now consider how much easier it is to send that article to those 10 friends as an attachment to e-mail. Or to post the article on your own site on the World Wide Web. The ease of modifying or copying digitized material and the proliferation of computer networking have raised fundamental questions about copyright and patentâ€"intellectual property protections rooted in the U.S. Constitution. Hailed for quick and convenient access to a world of material, the Internet also poses serious economic issues for those who create and market that material. If people can so easily send music on the Internet for free, for example, who will pay for music? This book presents the multiple facets of digitized intellectual property, defining terms, identifying key issues, and exploring alternatives. It follows the complex threads of law, business, incentives to creators, the American tradition of access to information, the international context, and the nature of human behavior. Technology is explored for its ability to transfer content and its potential to protect intellectual property rights. The book proposes research and policy recommendations as well as principles for policymaking.