Author Edouard Cour revisits one of the greatest Greek myths by painting the often-heroic Herakles as, well . . . somewhat of a jerk. Crude and stubborn at times, in little glimpses we meet a man--half-human, after all--with a psychology more complex than he appears, entangled in guilt over the ghosts who have haunted him since childhood. A mournful sadness seizes him as he crosses the fleeting silhouettes of a woman and her three children. "Friends or foe, all those who cross his path end up stiff and worm food," comments Linos, the ghost of his childhood music teacher. Brimming with pathos and dark humor, this portrait of Herakles is a graphic whirlwind leaving little respite and often revealing beautiful surprises.

There is more material available on Herakles than any other Greek god or hero. His story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents. In literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry. In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media. He was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis. Often referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day. In Herakles, Emma Stafford has successfully tackled the ‘Herculean task’ of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure. Covering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues. Easy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient Greece’s most popular hero.

Herakles and Hercules: two names for a figure of pervasive appeal in Antiquity. He was a hero of myth and a god with cult associations. He was ancestor of Macedonian kings, patron of Carthaginian generals and of Roman emperors, and a role model for Stoic philosophers. As a performer of the famous labours, wanderer, liberator, madman and murderer of kin, Herakles-Hercules has retained his fascination down to the present. The eleven new studies in this volume explore why this figure appealed so widely in Antiquity. They examine his role in ancient myth and philosophy, drama and art, as well as in politics and propaganda, warfare and religion.

Herakles was one of the greatest of all Greek heroes, and his exploits have been celebrated in paintings, songs, poetry, and sculpture. This one-of-a-kind account of the great mythological hero includes a helpful map and a pronunciation guide for those sometimes hard-to-pronounce classical names. Full color.

In this first study of the Greek and Roman exploration for over half a century, Duane W. Roller presents an important examination of the impact of the Greeks and Romans on the world through the Pillars of Herakles and beyond the Mediterranean Roller chronicles a detailed account of the series of explorers who were to discover the entire Atlantic coast; north to Iceland, Scandinavia and the Baltic, and south into the Africa tropics. His account examines these early pioneers and their discoveries, and contributes a brand new chapter to the history of exploration. Based not only on the literary evidence, but also personal knowledge of the areas from the Arctic to west Africa, the book looks at the people, from the earliest Greeks, through the Carthaginians to the Romans, and examines their exploration of this vast and largely unfamiliar territory. Discussing for the first time the relevance of Iceland and the Arctic to Greco-Roman culture, this groundbreaking work is an enthralling and informative read that will be an invaluable study resource for Greek and Roman history courses

While traveling in Greece, Miss Burt found the children of the Primary Schools reading these stories in the lower grades, the book being one used next above the primer. The interest was enthusiastic, and she brought home a copy of the book, which she has now arranged as a second reading-book for our own schools. The rapidity of action in the stories of Herakles, Jason, and the other Heroes of the Myth, the prowess and courage and untiring endurance of the men, render the characters worthy subjects of thought to young mind , and have secured the stories a permanent place in educational literature.

"The first half of the volume is devoted to the exposition of the ancient evidence, literary and iconographic, for the traditions of Heracles' life and deeds. After a chapter each on the hero's childhood and his madness, the canonical cause of his Twelve Labors, each of the Labors themselves receives detailed treatment in a dedicated chapter. The 'Parerga' or 'Side-Labors' are then treated in a similar level of detail in seven further chapters. In the second half of the book the Heracles tradition is analysed from a range of thematic perspectives. After consideration of the contrasting projections of the figure across the major literary genres, Epic, Tragedy, Comedy, Philosophy, and in the iconographic register, a number of his myth-cycle's diverse fils rouges are pursued: Heracles' fashioning as a folkloric quest-hero; his relationships with the two great goddesses, the Hera that persecutes him and the Athena that protects him; and the rationalisation and allegorisation of his cycle's constituent myths. The ways are investigated in which Greek communities and indeed Alexander the Great exploited the figure both in the fashioning of their own identities and for political advantage. The cult of Heracles is considered in its Greek manifestation, in its syncretism with that of the Phoenician Melqart, and in its presence at Rome, the last study leading into discussion of the use made of Heracles by the Roman emperors themselves and then by early Christian writers. A final chapter offers an authoritative perspective on the limitless subject of Heracles' reception in the western tradition"--

The award-winning poet reinvents a genre in a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is. A NEW YORK TIMES NOTABLE BOOK OF THE YEAR National Book Critics Circle Award Finalist "Anne Carson is, for me, the most exciting poet writing in English today." --Michael Ondaatje "This book is amazing--I haven't discovered any writing in years so marvelously disturbing." --Alice Munro "A profound love story . . . sensuous and funny, poignant, musical and tender." --The New York Times Book Review "A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday." --The Village Voice