Het beeld van de figuren Maria, Maria Magdalena, Martha en andere vrouwen in het evangelie van Johannes, waarin zij worden voorgesteld als toeschouwers en ooggetuigen.

Describes the author's deep friendship with a mysterious intellectual who introduced her to the culture and people of El Salvador in the 1970s, a tumultuous period in the country's history, inspiring her work as an unlikely activist.

The incredible true story of a woman who risked everything to put her brother, a murderous psychopath and one of the world's most infamous crime bosses, behind bars. Astrid Holleeder is in hiding because she had the courage to write this book. Her brother Willem Holleeder, best known for his involvement in the 1983 kidnapping of the CEO and chairman of Heineken brewing company, is one of the most notorious criminals in contemporary history. For decades, Wim ruled over his family mafia-style, threatening death if any of them betrayed him. Astrid and her sister, Sonja, watched as their brother eliminated anyone who got in his way, and they lived in terror of inciting his rage, unable to protect even their own young children from his violence. Trained as a lawyer, Astrid served as her brother's unwilling confidante. Now, she's turning the tables on him. Charged for his involvement in multiple assassinations, including that of his former partner and brother-in-law, Holleeder is finally on trial for murder, all due to the shocking testimony of his own family. An international bestseller that has sold more than 500,000 copies in Holland, this stunning, edge-of-your seat memoir chronicles Astrid's terrifying experience working as a double agent, preserving her brother's trust just so that she could get enough information to put him away for life. Judas is the intimate account of Astrid's deeply personal betrayal, set against the backdrop of their haunting family history and the astonishing world of the criminal underground.

Visions of Hell... In A Divine Revelation of Hell, over a period of thirty nights, God gave Mary K. Baxter visions of hell and commissioned her to tell people still alive on earth to reject sin and evil, and to choose life in Christ. Here is an account of the place and beings of hell contrasted with the glories of heaven. Follow Mary in her supernatural journey as she enters with Jesus into a gateway to hell and encounters the sights, sounds, and smells of that dark place of torment, including its evil spirits, cells, pits, jaws, and heart. Be an eyewitness to the various punishments of lost souls and hear their shocking stories. This book is a reminder that each of us needs to accept the miracle of salvation before it is too late—and to intercede for those who do not yet know Christ. Time is running out.

Tim Tebow discusses what he has learned from the highs and lows of his career with the NFL, along with sharing wisdom from Scripture and stories of people who have impacted his life.

New York Times Bestseller • On the 40th anniversary of The Band’s legendary The Last Waltz concert, Robbie Robertson finally tells his own spellbinding story of the band that changed music history, his extraordinary personal journey, and his creative friendships with some of the greatest artists of the last half-century. Robbie Robertson's singular contributions to popular music have made him one of the most beloved songwriters and guitarists of his time. With songs like "The Weight," "The Night They Drove Old Dixie Down," and "Up on Cripple Creek," he and his partners in The Band fashioned a music that has endured for decades, influencing countless musicians. In this captivating memoir, written over five years of reflection, Robbie Robertson employs his unique storyteller’s voice to weave together the journey that led him to some of the most pivotal events in music history. He recounts the adventures of his half-Jewish, half-Mohawk upbringing on the Six Nations Indian Reserve and on the gritty streets of Toronto; his odyssey at sixteen to the Mississippi Delta, the fountainhead of American music; the wild early years on the road with rockabilly legend Ronnie Hawkins and The Hawks; his unexpected ties to the Cosa Nostra underworld; the gripping trial-by-fire “going electric” with Bob Dylan on his 1966 world tour, and their ensuing celebrated collaborations; the formation of the Band and the forging of their unique sound, culminating with history's most famous farewell concert, brought to life for all time in Martin Scorsese's great movie The Last Waltz. This is the story of a time and place--the moment when rock 'n' roll became life, when legends like Buddy Holly and Bo Diddley criss-crossed the circuit of clubs and roadhouses from Texas to Toronto, when The Beatles, Hendrix, The Stones, and Warhol moved through the same streets and hotel rooms. It's the story of exciting change as the world tumbled through the '60s and early 70’s, and a generation came of age, built on music, love and freedom. Above all, it's the moving story of the profound friendship between five young men who together created a new kind of popular music. Testimony is Robbie Robertson’s story, lyrical and true, as only he could tell it.

Publisher Description

Testimony is an invaluable source of knowledge. We rely on the reports of those around us for everything from the ingredients in our food and medicine to the identity of our family members. Recent years have seen an explosion of interest in the epistemology of testimony. Despite the multitude of views offered, a single thesis is nearly universally accepted: testimonial knowledge is acquired through the process of transmission from speaker to hearer. In this book, Jennifer Lackey shows that this thesis is false and, hence, that the literature on testimony has been shaped at its core by a view that is fundamentally misguided. She then defends a detailed alternative to this conception of testimony: whereas the views currently dominant focus on the epistemic status of what speakers believe, Lackey advances a theory that instead centers on what speakers say. The upshot is that, strictly speaking, we do not learn from one another's beliefs - we learn from one another's words. Once this shift in focus is in place, Lackey goes on to argue that, though positive reasons are necessary for testimonial knowledge, testimony itself is an irreducible epistemic source. This leads to the development of a theory that gives proper credence to testimony's epistemologically dual nature: both the speaker and the hearer must make a positive epistemic contribution to testimonial knowledge. The resulting view not only reveals that testimony has the capacity to generate knowledge, but it also gives appropriate weight to our nature as both socially indebted and individually rational creatures. The approach found in this book will, then, represent a radical departure from the views currently dominating the epistemology of testimony, and thus is intended to reshape our understanding of the deep and ubiquitous reliance we have on the testimony of those around us.