This study argues that this previously banned author devoted his entire life to articulating a religion of self-liberation in his autobiographical books, examining his life and work within the context of fringe religious movements that were linked with the avant-garde in New York City and Paris at the first of the 20th century. This study shows how these transatlantic movements – including Gurdjieff, Rosicrucianism, and Theosophy – gave him the hermeneutical devices, not to mention the creative license, to interpret texts and symbols from mainline religions in an iconoclastic manner, ranging from obscure Taoist treatises to the mystical works of Jacob Boehme. The influence of numerous philosophical sources widely circulated in his most critical years – particularly Henri Bergson’s Two Sources of Morality and Religion (1932) – also helped him develop a religious view situated between transcendence and immanence, in which self-liberation through the channeled flow of élan vital is the chief objective. Miller’s knowledge of these intellectual currents, along with his involvement with sidestream religious groups, inspired him to meld his religious and literary aims into one perplexing project.

Examining Henry Miller as a religious writer, Nesbit reconstructs his religious milieu by researching unpublished notebooks along with writings that shaped his religious thinking, then interprets his most important works as confessions and testaments.

Incorporating the novels, pamphlets and letters of Henry Miller, Killing the Buddha argues for Miller’s written work to be considered as a whole in relation to the theme of Zen Buddhism, specifically the concept of Satori (awakening). By reading Miller’s literary output and letters as a spiritual journey to awakening, it is possible to chart his development as a writer, and offer insight into his repetitive use of biographical material. Reflecting upon the influence of Otto Rank and Henri Bergson on Miller’s conceptualization of the role of the writer, and then by examining his complex rejection of Surrealism, it is possible to show Miller’s burgeoning Zen Buddhism as a life-long quest for acceptance and authenticity explicitly explored within his work. With close readings of the ‘Obelisk Trilogy’ of the 1930s (Tropic of Cancer, Tropic of Capricorn and Black Spring) and The Rosy Crucifixion Trilogy (1949-1960), Miller’s complex journey to Satori is shown as a continuous progression from his early notorious novels through to the essays and pamphlets of his later career.

An engaging invitation to rediscover Henry Miller—and to learn how his anarchist sensibility can help us escape “the air-conditioned nightmare” of the modern world The American writer Henry Miller's critical reputation—if not his popular readership—has been in eclipse at least since Kate Millett's blistering critique in Sexual Politics, her landmark 1970 study of misogyny in literature and art. Even a Miller fan like the acclaimed Scottish writer John Burnside finds Miller's "sex books"—including The Rosy Crucifixion, Tropic of Cancer, and Tropic of Capricorn—"boring and embarrassing." But Burnside says that Miller's notorious image as a "pornographer and woman hater" has hidden his vital, true importance—his anarchist sensibility and the way it shows us how, by fleeing from conformity of all kinds, we may be able to save ourselves from the "air-conditioned nightmare" of the modern world. Miller wrote that "there is no salvation in becoming adapted to a world which is crazy," and in this short, engaging, and personal book, Burnside shows how Miller teaches us to become less adapted to the world, to resist a life sentence to the prison of social, intellectual, emotional, and material conditioning. Exploring the full range of Miller's work, and giving special attention to The Air-Conditioned Nightmare and The Colossus of Maroussi, Burnside shows how, with humor and wisdom, Miller illuminates the misunderstood tradition of anarchist thought. Along the way, Burnside reflects on Rimbaud's enormous influence on Miller, as well as on how Rimbaud and Miller have influenced his own writing. An unconventional and appealing account of an unjustly neglected writer, On Henry Miller restores to us a figure whose searing criticism of the modern world has never been more relevant.

Scholarly responses to Henry Miller's works have never been numerous and for many years Miller was not a fashionable writer for literary studies. In fact, there exist only three collections of essays concerning Henry Miller's oeuvre. Since these books appeared, a new generation of international Miller scholars has emerged, one that is re-energizing critical readings of this important American Modernist. Henry Miller: New Perspectives presents new essays on carefully chosen themes within Miller and his intellectual heritage to form the most authoritative collection ever published on this author.

The Great and Holy War offers the first look at how religion created and prolonged the First World War, and the lasting impact it had on Christianity and world religions more extensively in the century that followed. The war was fought by the world's leading Christian nations, who presented the conflict as a holy war. A steady stream of patriotic and militaristic rhetoric was served to an unprecedented audience, using language that spoke of holy war and crusade, of apocalypse and Armageddon. But this rhetoric was not mere state propaganda. Philip Jenkins reveals how the widespread belief in angels, apparitions, and the supernatural, was a driving force throughout the war and shaped all three of the Abrahamic religions - Christianity, Judaism, and Islam - paving the way for modern views of religion and violence. The disappointed hopes and moral compromises that followed the war also shaped the political climate of the rest of the century, giving rise to such phenomena as Nazism, totalitarianism, and communism. Connecting remarkable incidents and characters - from Karl Barth to Carl Jung, the Christmas Truce to the Armenian Genocide - Jenkins creates a powerful and persuasive narrative that brings together global politics, history, and spiritual crisis. We cannot understand our present religious, political, and cultural climate without understanding the dramatic changes initiated by the First World War. The war created the world's religious map as we know it today.

America’s Most Unusual Writer... In this fascinating volume, devoted to the work of one of the most dynamic, controversial and unusual living American writers, you will find many eloquent and moving tales by Henry Miller, the author of Tropic of Cancer, Tropic of Capricorn, and many other books. Miller’s frank and original expression of the most intimate thoughts and feelings of men and women, his unique style of writing and his acute observations on modern civilization have brought him international fame. Among the many eminent writers and critics who praise his work are T. S. Eliot, George Orwell, John Dos Passos, Aldous Huxley, Edmund Wilson, and H. L. Mencken. All who enjoy and appreciate good writing will find this brilliant collection of Miller’s stories a new and unforgettable reading experience. “His is one of the most beautiful styles today.”—H. L. Mencken “...a literary live wire.”—St. Louis Post Dispatch “Mr. Miller’s love goes out to the little people, men whom the world has never noticed.”—Nashville Tennessean

As an author, Henry Miller (1891–1980) was infamous for his explicit descriptions of sex, and many of his novels, from The Tropic of Cancer to Black Spring, were banned in the United States on grounds of obscenity. But his books—frequently smuggled into his native country—became a major influence on the Beat Generation of American writers and would eventually lead to a groundbreaking series of obscenity trials that would change American laws on pornography in literary works. In this new critical biography, David Stephen Calonne goes beyond Miller’s notoriety to take an innovative look at the way in which the author’s writings and lifestyle were influenced by his spiritual quests. Charting Miller’s cultivation of his esoteric ideas from boyhood and adolescence to later in his career, Calonne examines how Miller remained deeply engaged with a variety of philosophies, from astrology and Gnosticism to Eastern thinkers. Calonne describes not only the effects this had on Miller’s work, but also to his complex and volatile life—his marriages and love affairs with Beatrice Wickens, June Mansfield, and Anaïs Nin; his years in Paris; and the journey to Greece that resulted in the travelogue The Colossus of Maroussi, the book Miller considered to be his greatest work. After discussing Miller’s final residences in Big Sur and the Pacific Palisades in California, Calonne considers the author’s involvement in the arts, love of painting and music, and friendships with a number of classical musicians. Miller, Calonne reveals, was a quirky, charismatic man of genius who continues to influence popular culture today. Highlighting many areas of the author’s life that have previously been neglected, Henry Miller takes a fascinating revisionary approach to the work of one of American’s most controversial and iconic writers.