Sir Henry J. Wood (1869-1944), co-founder and chief conductor of the Proms, is often noted for his championing of the leading composers of the day, including Richard Strauss, Debussy, Rachmaninov, Ravel and Vaughan Williams. He also played pivotal role in advocating and performing the music of J.S. Bach. Sir Henry J. Wood (1869-1944), co-founder and chief conductor of the Proms for nearly half a century, is often noted for his championing of the leading composers of the day, including Richard Strauss, Debussy, Rachmaninoff, Ravel, Sibelius, and Vaughan Williams. Less known is the part Wood played in advocating and performing the music of J.S. Bach, much of which, incredibly, was unknown in England at the turn of the twentieth century. This book uncoversWood's pivotal role in the English Bach revival. Wood's performances of works such as the St Matthew Passion and B Minor Mass caused a stir; the Brandenburg Concertos and Orchestral Suites became staple fixtures in the musical calendar; and his orchestral arrangements of Bach's solo works and cantata arias were key to the popularisation of the composer in England. Largely untouched, the hundreds of Bach scores individually marked up by Wood, now preservedin his archive at the Royal Academy of Music, London, reveal the minutiae of his thoughts on performance and offer a fascinating parallel to his available recordings from the period. Illuminating a significant new aspect of the musical life of England before World War II, the book also demonstrates that Wood's advocacy continues to influence perceptions of Bach even today. DR HANNAH FRENCH is an academic, broadcaster, and Baroque flautist based in London. She broadcasts regularly on Radio 3 and has appeared as a TV presenter and commentator for the BBC Proms.

Collects twelve previously unpublished essays by one of Britain's most eminent historians, David Cannadine, including his inaugural and valedictory lectures at the Institute of Historical Research. A unique volume discussing the study and nature of History itself and a range of key topics and periods in British and Imperial History.

What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.

The techniques of orchestral command as demonstrated by several renowned conductors.

Too many working professionals still subscribe to the old Milton-Friedman logic that "businesses' sole purpose is to generate profit for shareholders." In this revolutionary book, authors John Wood and Amalia McGibbon show once and for all that cause is not the enemy of commercialism, but perhaps the new key to it. Based on over 100 interviews with entrepreneurs, executives and front-line staff, Wood and McGibbon provide a breath-taking tour of this new and inspiring world. You'll learn from mom-and-pop shops and corporate giants like Google and Goldman Sachs why corporate social responsibility is more than just a buzzword or publicity stunt, but instead represents the new competitive advantage. You'll learn how to: - win the war for talent - create a compelling bond with customers - motivate employees - reduce attrition - appease the regulators - and create a positive buzz on social media Purpose Incorporated is a "permission slip" to those businesspeople who want to have a positive impact on the world, but worry the corner office or cubicle isn't the place for it.

The classic chronicle of life and self-reliance in the great Northern Forest, reissued for its many fans “Cache Lake Country is a gem for many reasons—a simple narrative, the ways in which it conveys the work-a-day joys and exertions of life in the wilderness, the woodscraft techniques it illustrates, and the slow and pleasurable way in which the soul of a serene man is revealed.” —The New York Times Over half a century ago, John Rowlands set out by canoe into the wilds of Canada to survey land for a timber company. After paddling alone for several days, he came upon "the lake of my boyhood dreams," which he named Cache Lake because there was stored the best that the north had to offer?timber for a cabin; fish, game, and berries to live on; and the peace and contentment he felt he could not live without. This is his story, containing both folklore and philosophy, with wisdom about the woods and the demand therein for inventiveness. It includes directions for making moccasins, stoves, shelters, outdoor ovens, canoes, and hundreds of other ingenious and useful gadgets.

The Maine Woods was the second volume collected from his writings after Thoreau's death. Of the material which composed it, the first two divisions were already in print. "Ktaadn and the Maine Woods" was the title of a paper printed in 1848 in The Union Magazine, and "Chesuncook" was published in The Atlantic Monthly in 1858. The book was edited by his friend William Ellery Channing. It was during his second summer at Walden that Thoreau made his first visit to the Maine woods. It was probably in response to a request from Horace Greeley that he wrote out the narrative from his journal, for Mr. Greeley had shown himself eager to help Thoreau in putting his wares on the market. In a letter to Emerson, January 12, 1848, Thoreau writes: "I read a part of the story of my excursion to Ktaadn to quite a large audience of men and boys, the other night, whom it interested. It contains many facts and some poetry." He offered the paper to Greeley at the end of March, and on the 17th of April Greeley responded: "I inclose you $25 for your article on Maine scenery, as promised. I know it is worth more, though I have not yet found time to read it; but I have tried once to sell it without success. It is rather long for my columns, and too fine for the million; but I consider it a cheap bargain, and shall print it myself if I do not dispose of it to better advantage. You will not, of course, consider yourself x under any sort of obligation to me, for my offer was in the way of business, and I have got more than the worth of my money." But this generous, high-minded friend was thinking of Thoreau's business, not his own, for in October of the same year he writes, "I break a silence of some duration to inform you that I hope on Monday to receive payment for your glorious account of 'Ktaadn and the Maine Woods,' which I bought of you at a Jew's bargain and sold to The Union Magazine...