This charmingly inventive, deliciously improbable seriocomic novel opens at eleven o’clock in the morning of July 14 in the year 2000 on the Avenue d’Angleterre in Beirut. Private George Smith of the American Peace-Keeping Forces in Lebanon is breathlessly chasing a hand grenade—which he threw in the line of duty—down the street. It seems he forgot to pull the pin. At that very moment, one Heloise Svejk is crossing the street from east to west, bearing an empty coffin on her shoulder. From this unlikely encounter is born one of the great love stories of the first year of the twenty-first century, not completely unworthy of that of Heloise’s namesake nine centuries earlier. Private Smith is a reasonably sane soldier, as sane at least as any oversized American of mixed Swedish and Austro-Hungarian descent from Alabama who has not been with a beautiful for two years can be. Now Smith knows, inevitably and irrevocably, why fate has posted him to this godforsaken city. He disappears with Heloise for all the right reasons, but for General Custer, Private Smith’s commanding officer, when you’re gone for five days you’re gone for good, fellow, and Washington is so informed. When news spreads that Smith is not dead but only hopelessly in love, the plot does not merely thicken but gets downright sticky. What will Custer tell the President? What will he tell George’s next of kin, and how will he get back the posthumous award for unusual bravery he sent her? And yes, what about this Heloise they are all drooling over? In page after page, chapter after chapter, these and countless other cosmic questions are discussed and dealt with—with mixed results, as the author is quick to point out. Interspersed with the chapters are intermezzi in which the author muses and comments on George, Heloise, life, love, Harry’s Bar, his father Giuseppe, peach nectar and champagne cocktails (aka “bellinis”), and Cousin Wanda—not to mention Abelard himself, the inquisitive, inflexible, and highly unimaginative friend of the author to whom the intermezzi are addressed.

A meeting place for writers, artists, models, and the stars of stage, screen, and corporate boardrooms, a luxurious restaurant whose fabulous concoctions and timeless decor have often been imitated but never matched, Harry’s Bar in Venice has remained one of the world’s most renowned watering holes for more than sixty years. Ernest Hemingway, Orson Welles, Sinclair Lewis, and other luminaries have tasted its famous cocktails and enjoyed the bar’s original inventions, such as the “carpaccio” appetizer and the now-ubiquitous bellini. Filled with engaging wit and lighthearted charm, Arrigo Cipriani’s history of Harry’s Bar is a delight to read—and the next best thing to a table at Harry’s Bar itself.

This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.

Widely recognized as the godfather of modern American cooking and a mentor to such rising celebrity chefs as Mario Batali, Jeremiah Tower is one of the most influential cooks of the last thirty years. Now, the former chef and partner at Chez Panisse and the genius behind Stars San Francisco tells the story of his lifelong love affair with food -- an affair that helped to spark an international culinary revolution. Tower shares with wit and honesty the real dish on cooking, chefs, celebrities, and what really goes on in the kitchen. Above all, Tower rhapsodizes about food -- the meals choreographed like great ballets, the menus scored like concertos. No other book reveals more about the seeds sown in the seventies, the excesses of the eighties, and the self-congratulations of the nineties. No other chef/restaurateur who was there at the very beginning is better positioned than Jeremiah Tower to tell the story of the American culinary revolution.

This charmingly inventive, deliciously improbable seriocomic novel opens at eleven o'clock in the morning of July 14 in the year 2000 on the Avenue d'Angleterre in Beirut. Private George Smith of the American Peace-Keeping Forces in Lebanon is breathlessly chasing a hand grenade--which he threw in the line of duty--down the street. It seems he forgot to pull the pin. At that very moment, one Heloise Svejk is crossing the street from east to west, bearing an empty coffin on her shoulder. From this unlikely encounter is born one of the great love stories of the first year of the twenty-first century, not completely unworthy of that of Heloise's namesake nine centuries earlier. Private Smith is a reasonably sane soldier, as sane at least as any oversized American of mixed Swedish and Austro-Hungarian descent from Alabama who has not been with a beautiful for two years can be. Now Smith knows, inevitably and irrevocably, why fate has posted him to this godforsaken city. He disappears with Heloise for all the right reasons, but for General Custer, Private Smith's commanding officer, when you're gone for five days you're gone for good, fellow, and Washington is so informed. When news spreads that Smith is not dead but only hopelessly in love, the plot does not merely thicken but gets downright sticky. What will Custer tell the President? What will he tell George's next of kin, and how will he get back the posthumous award for unusual bravery he sent her? And yes, what about this Heloise they are all drooling over? In page after page, chapter after chapter, these and countless other cosmic questions are discussed and dealt with--with mixed results, as the author is quick to point out. Interspersed with the chapters are intermezzi in which the author muses and comments on George, Heloise, life, love, Harry's Bar, his father Giuseppe, peach nectar and champagne cocktails (aka "bellinis"), and Cousin Wanda--not to mention Abelard himself, the inquisitive, inflexible, and highly unimaginative friend of the author to whom the intermezzi are addressed.

Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey’s Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.

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