Jinx's best friend Tommy, a human girl who ended up in hell after accidentally feeding her nasty stepfather to a circus lion, faces adventures of her own... The Bookseller's Children's Preview praised THE D'EVIL DIARIES as 'brilliantly funny and clever'. Don't miss the sequel!

Presents portraits of real and fictional role models for women, from sports, science, politics, and entertainment, including Dian Fossey, Aretha Franklin, Joan Baez, Anita Hill, and Agent Dana Scully

Once upon a time, Jezebel was a powerful succubus, capable of seducing men and sucking out their souls. But that was before Hell put a bounty on her head. Now her only chance to escape a fate far worse than death is to live as a mortal, losing herself in a sea of unfamiliar humanity, in a place where sinners walk hand-in-hand with saints - a place like Belle's strip club in New York City. Working as an exotic dancer is a piece of cake for a former demon that once specialised in sex. But she hadn't counted on meeting sexy Paul Hamilton, a man haunted by his past. Goodbye, succubus; hello, love struck. Learning all about how complicated - and pleasurable - love can be, Jezebel thinks she's turned her back on Hell. But Hell hasn't stopped looking for her as the secrets Jezebel holds are the most dangerous of all. Demons are closing in, which is enough to make Jezebel shiver in her G-string. But it's her love for Paul that's going to have deadly consequences . . .

Contains 3 previously published collections of sketches of women who were notable in their times. Wild women (Autumn Stephens, c1992) refers to the 19th century, Uppity women of ancient times (Vicki León, c1995) to pre-450 A.D., and Hell's belles (Seale Ballenger, c1997) to the American South.

Over 150 humorous, startling, and outrageous quotes--such as "I knew right away that Rock Hudson was gay when he did not fall in love with me" (Gina Lollobrigida)--prove that the feminine spirit is alive and well and as sassy as ever.

This romance of a female demon and the lengths she goes to protect her lover “will captivate fans of Sherrilyn Kenyon and Laurell K. Hamilton.” —Romantic Times Once upon a time, Jezebel was a powerful succubus, capable of seducing men and sucking out their souls. But that was before Hell put a bounty on her head. Now her only chance to escape a fate far worse than death is to live as a mortal, losing herself in a sea of unfamiliar humanity, in a place where sinners walk hand-in-hand with saints--a place like New York City. Working as an exotic dancer is a piece of cake for a former demon who once specialized in sex. But she hadn’t counted on meeting sexy Paul Hamilton, a man haunted by his past. Good-bye, succubus; hello, lovestruck. But Hell hasn't stopped looking for her. The secrets Jezebel holds are the most dangerous of all, the kind every demon in the Underworld would do their worst to protect. Demons are closing in, which is enough to make Jezebel shiver in her G-string. But it's her love for Paul that's going to have deadly consequences . . . “Hell’s Belles will enchant paranormal fans.” —Romance Reviews Today “Had me hooked from the first sentence . . . I’ll be reading this one again and again.” —MaryJanice Davidson, New York Times–bestselling author of the Undead series

She's hot as Hell & she rules it too! One female Devil & the seven males she's chosen. Can she go after what she wants while making sure all Hell doesn't break loose & fight for her destiny at the same time? Join Annabelle in her quest to rule Hell & find love while she's at it. My name is Annabelle Pandora. I'm the original Lucifer's great-granddaughter. Hell is mine now. My twin brother, Shax, is a Dark Angel and my best friend but we have a secret. One that is needling at me and that I need to fix. As I find my way around ruling my Kingdom, I'm pursued at every turn, but not all the males are after my sexy bod. Some of them want to destroy me, and not in the hot breaking furniture, crashing through walls destruction. From a seductive Incubus, to the alphahole Horseman of War and several in between, including my human therapist, I find myself falling into feelings that I didn't even know I was capable of, let alone wanted. But, can I trust them? I am the Devil herself, and every Demon in Hell would jump at the chance to rule by my side. Can I open up my dark heart to let in more than just passion and lust while I figure things out? And while I'm at it, what in the Hell is Shax up to? A Dark 'n Dirty Hell Fantasy Reverse Harem. Scenes of M/M & contains possible triggers.

'Life-writing' is a generic term meant to encompass a range of writings about lives or parts of lives, or which provide materials out of which lives or parts of lives are composed. These writings include not only memoir, autobiography, biography, diaries, autobiographical fiction, and biographical fiction, but letters, writs, wills, written anecdotes, depositions, marginalia, lyric poems, scientific and historical writings, and digital forms (including blogs, tweets, Facebook entries). On Life-Writing offers a sampling of approaches to the study of life-writing, introducing readers to something of the range of forms the term encompasses, their changing fortunes and features, the notions of 'life,' 'self' and 'story' which help to explain these changing fortunes and features, recent attempts to group forms, the permeability of the boundaries between forms, the moral problems raised by life-writing in all forms, but particularly in fictional forms, and the relations between life-writing and history, life-writing and psychoanalysis, life-writing and philosophy. The essays mostly focus on individual instances rather than fields, whether historical, theoretical or generic. Generalizations are grounded in particulars. For example, the role of the 'life-changing encounter,' a frequent trope in literary life-writing, is pondered by Hermione Lee through an account of a much-storied first meeting between the philosopher Isaiah Berlin and the Russian poet Anna Akhmatova; James Shapiro examines the history of the 'cradle to grave' life-narrative, as well as the potential distortions it breeds, by focusing on Shakespeare biography, in particular attempts to explain Shakespeare's so-called 'lost years'.