Lady Mairi Macdonald, daughter of the Lord of the Isles, and blessed in ways other women of her time never even dream of, is the kingdom's most sought-after bride. But no man has touched her heart, least of all the prince everyone expects her to wed. Then Lachlan "The Wily" Maclean, a Highland warrior with a network of spies that keeps him the most well-informed man in the kingdom, joins the Court of the Isles. He passionately wants Mairi, and although she scorns his impudent ways, she gasps at his touch . . . Accustomed to fighting for what he wants, Lachlan forms a daring plan to win her, only to ignite the jealousy of a powerful, implacable enemy who expects to win not only Mairi but the entire Kingdom of the Isles.

An Australian chicken breeder, Mr McFowler, fails to win competitions with his prized chicken, Hector, but he discovers Hector has another talent: dancing to Mr McFowler's old Scottish records. Mr McFowler sees an opportunity and has Hector form a highland dancing troupe which eventually woos audiences at the Edinburgh Tattoo.

Old and New World Highland Bagpiping provides a comprehensive biographical and genealogical account of pipers and piping in highland Scotland and Gaelic Cape Breton.The work is the result of over thirty years of oral fieldwork among the last Gaels in Cape Breton, for whom piping fitted unself-consciously into community life, as well as an exhaustive synthesis of Scottish archival and secondary sources. Reflecting the invaluable memories of now-deceased new world Gaelic lore-bearers, John Gibson shows that traditional community piping in both the old and new world Gàihealtachlan was, and for a long time remained, the same, exposing the distortions introduced by the tendency to interpret the written record from the perspective of modern, post-eighteenth-century bagpiping. Following up the argument in his previous book, Traditional Gaelic Bagpiping, 1745-1945, Gibson traces the shift from tradition to modernism in the old world through detailed genealogies, focusing on how the social function of the Scottish piper changed and step-dance piping progressively disappeared. Old and New World Highland Bagpiping will stir controversy and debate in the piping world while providing reminders of the value of oral history and the importance of describing cultural phenomena with great care and detail.

Lord Purdey was shaking with anger. 'Bring back the lynx? Over my dead body!" The environmental protestors murmured, and Rory stepped forward. 'Your hunting has destroyed our hills and left them treeless wastes, devoid of wildlife. It's time that changed.' 'Listen, you lentil-eating cat lover,' Purdey barked through the megaphone, 'men like me own Scotland. If we want to kill anything that moves and turn the whole damn place into a theme park, we'll do it.' Someone from the group of protestors hurled a turnip. It struck Purdey and he crumpled to the ground. Just as the archaic class system he represents must eventually fall, Angus thought with a grin. In his first two bestselling books, The Last Hillwalker and Bothy Tales, John D. Burns invited readers to join him in the hills and wild places of Scotland. In Sky Dance, he returns to that world to ask fundamental questions about how we relate to this northern landscape – while raising a laugh or two along the way. Anyone who has gazed at the majesty of the Scottish mountains will know this place and want to return to it. Now, as wild land is threatened like never before, it's time we asked ourselves what kind of future we want for the Highlands.

Barry Shears is a native of Glace Bay, Cape Breton, Nova Scotia, and an acknowledged expert on the history of traditional piping in Nova Scotia and its intrinsic connection to the Gaelic language, music and culture. An award-winning musician, Barry has performed at concerts and festivals throughout North America, as well as in Scotland and Europe. He has previously published several books of bagpipe music and history.