Women in today’s advanced capitalist societies are encouraged to “lean in.” The media and government champion women’s empowerment. In a cultural climate where women can seemingly have it all, why do so many successful professional women—lawyers, financial managers, teachers, engineers, and others—give up their careers after having children and become stay-at-home mothers? How do they feel about their decision and what do their stories tell us about contemporary society? Heading Home reveals the stark gap between the promise of gender equality and women’s experience of continued injustice. Shani Orgad draws on in-depth, personal, and profoundly ambivalent interviews with highly educated London women who left paid employment to take care of their children while their husbands continued to work in high-powered jobs. Despite identifying the structural forces that maintain gender inequality, these women still struggle to articulate their decisions outside the narrow cultural ideals that devalue motherhood and individualize success and failure. Orgad juxtaposes these stories with media and policy depictions of women, work, and family, detailing how—even as their experiences fly in the face of fantasies of work-life balance and marriage as an egalitarian partnership—these women continue to interpret and judge themselves according to the ideals that are failing them. Rather than calling for women to transform their feelings and behavior, Heading Home argues that we must unmute and amplify women’s desire, disappointment, and rage, and demand social infrastructure that will bring about long-overdue equality both at work and at home.

Presents a comprehensive guide to caring for newborns, and contains information on health care, feeding, sleeping habits, traveling, sickness, and more.

Wilson, a first-round draft pick of the Detroit Tigers in 1980, played 10 seasons in Major League Baseball. Injuries and disappointment shortened his career, and when investments soured causing business ventures to fail, he found himself living in pain and misery. In that pain, he came to know what it meant to truly have a relationship with God.

The third book in Naomi Reed's award-winning trilogy, following on from My Seventh Monsoon and No Ordinary View. 'In Nepal, whenever the water ran out, or the electricity cuts were worse than normal, or the monsoon seemed interminably long, or the motorbike stopped, or the Maoists forced another strike, or my home-school patience ran out, I would think about Australia. I would think about our real home with hot water and electricity and cheese and lettuce and chocolate and olives and friends ... where I would belong and be understood and known and everything would be alright again. Then, in the middle of 2006 we returned to Australia and it wasn't like that at all. It wasn't immediately home and I didn't immediately feel like I belonged or that I was understood or known. And I spent years wondering why not, and getting confused by the answers.' This is a book for anyone who has felt the pain of being in between homes or jobs or countries or roles or relationships. It's about our deep-seated human need to belong and enjoy purpose and community. After their six years in Nepal, Naomi Reed and her husband Darren and their three sons returned from Nepal to Australia and struggled with identity and disorientation. In this, Naomi's fifth book, she shares her story honestly and openly, allowing the narrative to lead the reader into prayer and reflection. By the end of it, you will feel a deeper and more profound understanding of what it means to belong to God and hope for heaven.

Kid's baseball is a special time and place for kids all over America. On baseball diamonds behind schools, in the middle of cities, and in suburban parks all over the country, boys and girls from all walks of life meet to play the nation's favorite sport. Coached and encouraged by their dedicated parents, these kids enjoy the game in its purest, simplest, and most innocent form. The essence of neighborhood baseball is captured in this collection of photographs by Harry Connolly. Selected from over 5,000 images shot over five years, these beautiful duotone photographs show the unguarded emotions of the young players, their coaches, and their parents - victory, defeat, love, and most of all, pride. Best-selling novelist Stephen King introduces the photographs with a compelling essay about his own Little League experience as part-time coach and full-time scorekeeper for his son's team, which went to the Maine state championships. Baltimore Oriole Cal Ripken, Jr.'s foreword is a warm, personal account of the star's own Little League lessons, failures, and triumphs.

Claudia and her younger sister, Jenny, live with their parents, Louisa and Cormack Muldoon, in their grandmother's house in Blodwen Street. Louisa has a good job in a dress shop on Scotland Road and Cormack is a supervisor at the nearby tobacco manufactory. They assume they are settled for life, but then Grandpa Muldoon has a seizure and begs his son to return to Kilnevin and the family croft.

People who witnessed this true story still can't believe what happened. It was so inspiring that Hollywood came calling and retold the story of a small school's baseball team in the motion picture "The Final Season." It's about family, about faith being tested and affirmed; it rings with the truth that if you never give up, incredible things can happen. Sean Astin, the star of "Rudy" and the "Lord of the Rings" trilogy, played Coach Kent Stock in this movie filmed mostly in eastern Iowa.

These contemplative essays, written for seekers and wanderers, explore the complexity of the scripture of place, the geography of the heart, the landscape of imagination, and the topography of memory. Thoughtful and rich in spirit, this book discusses a personal relationship to place and prayer. Dark, serious, joyful, and funny, it is a perfect companion on a trek through the woods or in the comfort of your own home.

A novel based on the true story of Tom and Roxa Malone, residents of the Ohio River Valley in the nineteenth century. In 1862, Tom tries to enlist in the Pennsylvania Volunteers but is rejected because he is too young. Two years later Tom goes to work asa