The Worst It Can Be is a Disaster is the autobiography of Braham Murray, founding director of the Royal Exchange Manchester which in 2006 celebrated its thirtieth anniversary. With a foreword by Sir Tom Courtenay. Born into a Jewish family, Braham Murray struggled against his parents' expectations that he should follow them into the world of commerce; instead he became at twenty-two the youngest artistic director in the country when he took over Century Theatre, a theatre company based in Manchester. Detailing his relationships and the theatrical successes and flops along the way, the narrative takes us through his early years with Century Theatre, with the 69 Theatre Company, and the birth of the Royal Exchange Manchester in the heart of Manchester in 1976. Twenty years later, the theatre rose from the ashes of the IRA bomb brilliantly opening a new production on time just ten days after the bomb had destroyed the city centre. The role and influence of the author's Jewish heritage and of his key collaborators - including Caspar Wrede and Michael Elliott - are explored in this illuminating and inspiring account of one of English theatre's great directors. 'Braham's passion is sometimes overwhelming, sometimes annoying but completely inspirational. It's his passion that the Royal Exchange has thrived on, and this book is full of his passion for the theatre.' Robert Lindsay

'On A Balcony is devoted to the 14th century [B.C.] and the Pharaoh Ikhnaton, his sister-wife Nefertiti, the sculptor Tutmose, and the rivalry his religion of Aton brought to Egypt and its then current cult of Amon... presenting Ikhnaton's imposition of a new religion upon those who look on him as a god.' Kirkus Review'A fascinating study in royal neuroticism.' John Davenport, Observer 'A weird, subtle and compelling novel.' Time & Tide'What is important about Mr Stacton is his originality. We cannot guess how his book is going to develop. We cannot trace influences on his writing or fit him into any preconceived literary scheme...There is a self-confidence about his writing that has no trace of vanity.' Times Literary Supplement.

On Quinnipeague, hearts open under the summer stars and secrets float in the Sweet Salt Air... Charlotte and Nicole were once the best of friends, spending summers together in Nicole's coastal island house off of Maine. But many years, and many secrets, have kept the women apart. A successful travel writer, single Charlotte lives on the road, while Nicole, a food blogger, keeps house in Philadelphia with her surgeon-husband, Julian. When Nicole is commissioned to write a book about island food, she invites her old friend Charlotte back to Quinnipeague, for a final summer, to help. Outgoing and passionate, Charlotte has a gift for talking to people and making friends, and Nicole could use her expertise for interviews with locals. Missing a genuine connection, Charlotte agrees. But what both women don't know is that they are each holding something back that may change their lives forever. For Nicole, what comes to light could destroy her marriage, but it could also save her husband. For Charlotte, the truth could cost her Nicole's friendship, but could also free her to love again. And her chance may lie with a reclusive local man, with a heart to soothe and troubles of his own. Bestselling author and master storyteller Barbara Delinsky invites you come away to Quinnipeague...

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For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night--and the remainder of the novel--to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts--plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.

The Sheik is a book by Edith Maude Hull, an English novelist of the early twentieth century. It was her most popular and was the basis for the film of the same name. The novel opens in an hotel in the Algerian city of Biskra. A dance is being held, hosted by Diana Mayo and her brother. It transpires that Diana, who doesn't know what love is and doesn't want to know, is planning to go on a month long trip into the desert, taking no-one with her but the Arab guides. Nobody thinks this to be a sensible idea. It doesn't take long until Diana is kidnapped by the eponymous Sheik, Ahmed ben Hassen - it turns out her guide had been bribed - and the desert Sheik takes Diana to his tent and forces her to submit to his will.

The Oxford History of the United States is by far the most respected multi-volume history of our nation. The series includes three Pulitzer Prize winners, two New York Times bestsellers, and winners of the Bancroft and Parkman Prizes. Now, in the newest volume in the series, one of America's most esteemed historians, Gordon S. Wood, offers a brilliant account of the early American Republic, ranging from 1789 and the beginning of the national government to the end of the War of 1812. As Wood reveals, the period was marked by tumultuous change in all aspects of American life--in politics, society, economy, and culture. The men who founded the new government had high hopes for the future, but few of their hopes and dreams worked out quite as they expected. They hated political parties but parties nonetheless emerged. Some wanted the United States to become a great fiscal-military state like those of Britain and France; others wanted the country to remain a rural agricultural state very different from the European states. Instead, by 1815 the United States became something neither group anticipated. Many leaders expected American culture to flourish and surpass that of Europe; instead it became popularized and vulgarized. The leaders also hope to see the end of slavery; instead, despite the release of many slaves and the end of slavery in the North, slavery was stronger in 1815 than it had been in 1789. Many wanted to avoid entanglements with Europe, but instead the country became involved in Europe's wars and ended up waging another war with the former mother country. Still, with a new generation emerging by 1815, most Americans were confident and optimistic about the future of their country. Named a New York Times Notable Book, Empire of Liberty offers a marvelous account of this pivotal era when America took its first unsteady steps as a new and rapidly expanding nation.

Discover the powerful emotional depth of Margaret Wade Campbell Deland's The Iron Woman. This profound novel examines the struggles of a strong, determined woman navigating the complexities of family, society, and personal hardship. As Deland weaves her tale, you’ll be captivated by the resilience of the titular Iron Woman as she faces life’s challenges with courage and grace. Her indomitable spirit in the face of adversity resonates throughout the novel. But can even the strongest iron eventually bend under the pressures of life? What happens when the burden becomes too heavy to bear? Experience a story filled with emotional depth and complex relationships. Deland’s insightful portrayal of personal strength and sacrifice will strike a chord with anyone who has faced hardship in their own lives. Are you ready to explore the strength and vulnerability of The Iron Woman?Immerse yourself in a narrative that highlights resilience and determination. This novel is a testament to the endurance of the human spirit in the face of overwhelming obstacles. Don’t wait to dive into this emotionally rich story. Purchase The Iron Woman today and experience a tale of fortitude and grace under pressure.Get your copy of The Iron Woman now and be inspired by a character whose strength defies the odds.

The Iron Woman is a novel of manners set in the 19th century fictional locale of Mercer, an Ohio River community that represents Pittsburgh, Pennsylvania. The novel tells the story of Mrs. Maitland, a leathery old widow who owns and operates an iron mill. Her devotion to a Puritanical work ethic alienates her son Blair, who though he stands to inherit the business, is headstrong and in love with Elizabeth Ferguson, a match Mrs. Maitland disapproves of.