Fair Stood the Wind for France, first published in 1944, is author H. E. Bates' fictional account of a downed English bomber-pilot and his crew over occupied France during World War II. The men are taken in by a French family who hide them in their home. However, the pilot, injured during the plane's landing, must remain in France to heal, while his crew begin their journey back to friendly territory. The pilot falls in love with the home-owner's daughter, their relationship grows and eventually they travel together across France, seeking a way back to England. Fair Stood the Wind for France rises above the average romance, however. Set against the horrors of war, it takes on a life-affirming force, enhanced by the simple, yet elegant prose of the author. Bates also excels at evoking a sense of place; much of the story occurs over the course of a hot summer in rural France, and there are many beautiful descriptions of the French countryside as it bakes in the summer heat. In 1980, the book was the subject of a 4-part television mini-series by the BBC.

Bates describes a single woodland year in this enchanting book.

Reevaluates the accomplishments of the British writer within the context of major literary movements and cross-currents. It considers all areas of his work including his stories of country life; war stories and novels; his best work, Love for Lydia; and his highly acclaimed nonfiction on environmental issues.

The Larkin family’s rich spirit is tested when Pop has a heart attack in this series finale by the author of The Darling Buds of May. Pop Larkin enjoys the finer things in life, like good food and drink, but too much of it leads him to a mild heart attack. Placed on bedrest and an uncharacteristically strict diet, the family patriarch soon finds himself in low spirits. As nurses try their hand at helping Pop get well, Ma pursues alternative remedies. And Primrose, meanwhile, is in hot pursuit of the dashing Mr. Candy. But when it is discovered the government has plans to run a railroad through the Larkins’ home, it is all hands on deck as the Larkins, their community, and even Pop rise up to prove that the country way of life is always worth fighting for . . . Praise for the Pop Larkin Chronicles “The Larkins live—these novels please us by escaping definition.” —The Guardian “Like Wodehouse’s Jeeves, Bates’ Larkins must continue in their own delightful milieu—in this case the Kentish countryside.” —The New York Times

The earliest of these stories, The Flame, was first published in 1926, having been written a year earlier, when I was twenty; the latest appeared in 1961. The intervening thirty-five years, together with the thirty-five stories I have chosen from that period, therefore give this collection its title, Seven by Five. My aim has been to make the book as widely representative of my work as a short story writer as possible, but I have nevertheless refrained from including any of the war-time stories I wrote under the pseudonym of 'Flying Officer X', any of the stories of Uncle Silas and any novellas, since these all belong, in my view, to quite separate categories. *The title of the British edition.

"If we set H. E. Bates's best tales against the best of Chekhov's," Graham Greene declared, "I do not believe it would be possible, with any conviction, to argue that the Russian was the finer artist." The sampler of H. E. Bates stories presented here shows the merit of that praise and displays the range and aspects of Bates's work from his first published story, "The Flame," to one of his very last, "The Song of the Wren." In his long and prolific literary career, Bates (1905-1974) produced twenty-five novels, a three-volume autobiography, nine books of essays, several plays and children's books, as well as his important and perhaps most enduring achievement, twenty-three collections of short stories. A Month by the Lake & Other Stories displays Bates's extraordinary talent for concisely getting at the heart of the matter. Whether he is dealing with romance in middle age (the title story), or the almost painful clarity of a child's world ("The Cowslip Field"), or encapsulating the disintegration and tragedy of a man and a house and the era and class they represent ("The Flag")-Bates's compassion for humanity remains constant. As Anthony Burgess remarks in his introduction, Bates "achieved such sovereignty of what literary land he inherited that he deserves the homage of our uncomplicated enjoyment... Bates's affection for ordinary people is one of his shining virtues. But he himself, as I knew, and as this compilation should make clear, was, is, far from ordinary." Book jacket.

Short comic novel about an unconventional English farmer and his attempts to snare a husband for his daughter.

The Wedding Party, first published in 1965 (Michael Joseph), is a collection of short stories evoking both the dark and light, and the comedy and tragedy in human nature. Bates employs a deceptive delicateness of touch in his descriptions and character sketches, here mastering the true essentials of the art of the short story; he says much by saying little, what is left out more poignant than the words on the page. With a host of larger than life characters, we meet the scheming and eccentric Aunt Leonora, who fibs her way through the comic tale 'The Picnic'. The collection also unites two loveable rogues Captain Poopdeck and Uncle Silas, and brings us the farcical tale 'Early One Morning' which provide a sharp contrast with the sombre and haunting tones of pieces like 'The Primrose Place' and 'The Winter Sound', and the lyrical but bitter episode of 'The Wedding Party' itself.

The arrival of a French guest heralds christenings and chaos for the Larkin clan in this comic classic by the author of The Darling Buds of May. When Mademoiselle Dupont, the hotel manager from the Larkins’ frightful French holiday, announces she is coming over to be Oscar’s godmother at his christening, Pop and Ma reveal none of their children are baptized. Mariette and Charley are already planning to christen their little Blenheim, but now all seven Larkin children will be joining him. Not that Pop and Ma would turn down a reason to partake of some champagne or Dragon’s Blood . . . But their plan is far from blessed. The second eldest Larkin, Primrose, is infatuated with the handsome young vicar, who already has his hands full dealing with the hell-raising Larkin twins. Of course, that is only the beginning of the Larkins’ troubles, and it will take more than holy water to get them out of this mess. Praise for the Pop Larkin Chronicles “Pop Larkin, Ma and their progeny . . . are essentially English of the rich and ribald England of Chaucer and Shakespeare. A superb and timeless comedy.” —The Scotsman “Like Wodehouse’s Jeeves, Bates’ Larkins must continue in their own delightful milieu—in this case the Kentish countryside.” —The New York Times