First Published in 2000. Throughout the nineteenth century, the study of geometry remained at the core of educational curricula in the United States, strongly affecting how educated Americans construed their world. This book examines how each of Nathaniel Hawthorne's romances presents a different geometric figure that becomes representative of the work's themes and narrative designs. These geometric figures, when approached from the perspective of Victor Turner's symbolic anthropology, server as cultural mediators, combining geometric symbology with a unique narrative perspective to offer metaphors of personal and cultural boundaries, Freidman presents the literary text as the point of intersection among such disciplines as cultural anthropology, history, mathematics and American literature.

Offering innovative, psychoanalytic readings of Nathaniel Hawthorne’s mature novels, this volume expertly applies Freudian theory to present new insights into the psychology of Hawthorne’s characters and their fates. By critically examining scenes in which protagonists confront past traumas, Diamond underscores the transformative potential which Hawthorne attributes to confrontations with the unconscious. Psychoanalytic narrative technique is used to illuminate psychological crises of the protagonists in The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, and The Marble Faun, showing the transformations they undergo to be central to our understanding of the trajectory and resolution of Hawthorne’s romances. The text will benefit researchers, academics, and educators with an interest in applied psychoanalysis, psychoanalytic technique, and Freud in particular. Since its conclusions challenge many currently held critical views, this volume is especially relevant to those interested in interdisciplinary literary studies, Hawthorne studies, 19th century literature and romanticism.

An authoritative and lively account of the development of the genre, by leading experts in the field.

Explores the connections between British and American Romanticism, focusing on the novels of Elizabeth Inchbald (1753-1821) and Nathaniel Hawthorne (1804-64). This study argues that Inchbald and Hawthorne are representative of a larger British/American cultural confluence during the eighteenth and nineteenth centuries.

Gale Researcher Guide for: Nathaniel Hawthorne and the American Romance is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

This volume argues that by focusing on British and American backgrounds, readers have underestimated the impact of Asia and "the East" on American novelist and short story writer Nathaniel Hawthorne's (1804-1864) writing. The central force in Hawthorne's intellectual development was New England Puritanism. It fascinated even when it sometimes repelled him. It exercised a pull on his imagination which a lifetime of varied experience did not loosen. The author recreates Hawthorne's heritage and examine his readings in material dealing with the East; he examines three of Hawthorne's "early tales" that were all written before 1830; and he looks at Hawthorne's "The Story Teller", the two-volume book of sketches and tales Hawthorne unsuccessfully tried to publish in 1834 and issued piecemeal thereafter in periodicals as annuals. The author also evaluates the role of the Eastern world in Hawthorne's view of Romance and studies some of Hawthorne's "remarkable" heroines -- Beatrice Rapaccini, Hester, Zenobia, and Miriam in particular. The author maintains that the Puritan element in Hawthorne's ancestry has been overstressed and that insufficient attention has been paid to the equally important travel-adventure-exploration aspect of Hawthorne's heritage and craft.

Intended for teachers and students of American Literature, this book is the first comprehensive analysis of romantic tendencies in postmodernist American fiction. The book challenges the opinion expressed in the Columbia History of the American Novel (1991) and propagated by many influential scholars that the mainstream of postmodernist fiction is represented by the disjunctive and nihilistic work of such writers as Kathy Acker, Donald Barthelme, and Robert Coover. Professor Alsen disagrees. He contends that this kind of fiction is not read and taught much outside an isolated but powerful circle in the academic community. It is the two-part thesis of Professor Alsen's book that the mainstream of postmodernist fiction consists of the widely read work of the Nobel Prize laureates Saul Bellow and Toni Morrison and other similar writers and that this mainstream fiction is essentially romantic. To support his argument, Professor Alsen analyzes representative novels by Saul Bellow, J.D. Salinger, Norman Mailer, Flannery O'Connor, John Updike, Kurt Vonnegut, Philip Roth, Thomas Pynchon, Toni Morrison, the later John Barth, Alice Walker, William Kennedy, and Paul Auster. Professor Alsen demonstrates that the traits which distinguish the fiction of the romantic postmodernists from the fiction of their disunctive and nihilist colleagues include a vision of life that is a form of philosophical idealism, an organic view of art, modes of storytelling that are reminiscent of the nineteenth-century romance, and such themes as the nature of sin or evil, the negative effects of technology on the soul, and the quest for transcendence.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

A widowed florist, her ten-year-old daughter, and the paramedic who delivered the girl a decade earlier... Paramedic Andrew Herrin delivered Gretchen Samuels's daughter on the side of the road when she and her husband couldn't make it to the hospital in time. When their paths cross again in small-town Hawthorn Harbor, she's a widow and the baby is ten-year-old Dixie. Dixie gets along great with Drew, and Gretchen finds herself falling in love with the man who's rescued her on the side of the road twice now. But when Drew's ex-girlfriend comes back to town, Gretchen's trust issues rear their ugly head. The day Drew drove by Gretchen's van changed his whole life. He wants her and her daughter in his life, but he can't keep reassuring her that he and his ex are over. Way over. Can Drew and Gretchen find their way toward true love? Start this sweet/clean contemporary beach romance series filled with second-chance romances by USA Today bestselling author Elana Johnson.