- Chapters covering unification of the kingdom, contact with westerners, the Mahele, the influence of the sugar industry, and the overthrow of the monarchy, rewritten for easier readability - New color illustrations, including paintings by Herb Kawainui K ne, never-before-published portraits of the monarchs, vintage postcards, and then and now photographs - Photographs, drawings, and primary source documents from local archives and collections - Challenging vocabulary defined in the text margins - Appendixes covering the formation of the islands, Hawai'i's geography, and Polynesian migration - A timeline and a bibliography

The arrival of Captain Cook and the debates concerning the territory's admission to statehood are given equal attention in this detailed history.

Not since Willam A. Bryan's 1915 landmark compendium, Hawaiian Natural History, has there been a single-volume work that offers such extensive coverage of this complex but fascinating subject. Illustrated with more than two dozen color plates and a hundred photographs and line drawings, Hawaiian Natural History, Ecology, and Evolution updates both the earlier publication and subsequent works by compiling and synthesizing in a uniform and accessible fashion the widely scattered information now available. Readers can trace the natural history of the Hawaiian Archipelago through the book's twenty-eight chapters or focus on specific topics such as island formation by plate tectonics, plant and animal evolution, flightless birds and their fossil sites, Polynesian migrational history and ecology, the effects of humans and exotic animals on the environment, current conservation efforts, and the contributions of the many naturalists who visited the islands over the centuries and the stories behind their discoveries. An extensive annotated bibliography and a list of audio-visual materials will help readers locate additional sources of information.

Jonathan Osorio investigates the effects of Western law on the national identity of Native Hawaiians in this impressive political history of the Kingdom of Hawaii from the onset of constitutional government in 1840 to the Bayonet Constitution of 1887, which effectively placed political power in the kingdom in the hands of white businessmen. Making extensive use of legislative texts, contemporary newspapers, and important works by Hawaiian historians and others, Osorio plots the course of events that transformed Hawaii from a traditional subsistence economy to a modern nation, taking into account the many individuals nearly forgotten by history who wrestled with each new political and social change. A final poignant chapter links past events with the struggle for Hawaiian sovereignty today.

Surfing has been a significant sport and cultural practice in Hawai‘i for more than 1,500 years. In the last century, facing increased marginalization on land, many Native Hawaiians have found refuge, autonomy, and identity in the waves. In Waves of Resistance Isaiah Walker argues that throughout the twentieth century Hawaiian surfers have successfully resisted colonial encroachment in the po‘ina nalu (surf zone). The struggle against foreign domination of the waves goes back to the early 1900s, shortly after the overthrow of the Hawaiian kingdom, when proponents of this political seizure helped establish the Outrigger Canoe Club—a haoles (whites)-only surfing organization in Waikiki. A group of Hawaiian surfers, led by Duke Kahanamoku, united under Hui Nalu to compete openly against their Outrigger rivals and established their authority in the surf. Drawing from Hawaiian language newspapers and oral history interviews, Walker’s history of the struggle for the po‘ina nalu revises previous surf history accounts and unveils the relationship between surfing and colonialism in Hawai‘i. This work begins with a brief look at surfing in ancient Hawai‘i before moving on to chapters detailing Hui Nalu and other Waikiki surfers of the early twentieth century (including Prince Jonah Kuhio), the 1960s radical antidevelopment group Save Our Surf, professional Hawaiian surfers like Eddie Aikau, whose success helped inspire a newfound pride in Hawaiian cultural identity, and finally the North Shore’s Hui O He‘e Nalu, formed in 1976 in response to the burgeoning professional surfing industry that threatened to exclude local surfers from their own beaches. Walker also examines how Hawaiian surfers have been empowered by their defiance of haole ideas of how Hawaiian males should behave. For example, Hui Nalu surfers successfully combated annexationists, married white women, ran lucrative businesses, and dictated what non-Hawaiians could and could not do in their surf—even as the popular, tourist-driven media portrayed Hawaiian men as harmless and effeminate. Decades later, the media were labeling Hawaiian surfers as violent extremists who terrorized haole surfers on the North Shore. Yet Hawaiians contested, rewrote, or creatively negotiated with these stereotypes in the waves. The po‘ina nalu became a place where resistance proved historically meaningful and where colonial hierarchies and categories could be transposed. 25 illus.

In his most challenging work to date, journalist and author Tom Coffman offers readers a new and much-needed political narrative of twentieth-century Hawaii. The Island Edge of America reinterprets the major events leading up to and following statehood in 1959: U.S. annexation of the Hawaiian kingdom, the wartime crisis of the Japanese-American community, postwar labor organization, the Cold War, the development of Hawaii's legendary Democratic Party, the rise of native Hawaiian nationalism. His account weaves together the threads of multicultural and transnational forces that have shaped the Islands for more than a century, looking beyond the Hawaii carefully packaged for the tourist to the Hawaii of complex and conflicting identities--independent kingdom, overseas colony, U.S. state, indigenous nation--a wonderfully rich, diverse, and at times troubled place. With a sure grasp of political history and culture based on decades of firsthand archival research, Tom Coffman takes Hawaii's story into the twentieth century and in the process sheds new light on America's island edge.