In the 1890s, attracting the wrong man can be undeadly. When Roz is reported to a witch hunter for talking to her cat, the prim and proper Salem librarian leaves town in a hurry. She doesn't have many options, so she takes a job as a dance hall girl in the wild west. One of the girls is murdered, and Jonah, a reserved but hunky deputy, suspects the local vampire. But Roz knows it wasn't him. She was with him at the time being turned into a vampire against her will. Roz wants to get closer to Jonah. But to find the real killer, she'll have to cozy up to the saloon's rough and rowdy customers instead. Being a vampire might be some protection from the murderer if the method of death wasn't a stake through the heart. Prologue from Have Teeth, Will Bite London at midnight, 1886. The tavern door blew open, letting in chill wind and an even colder customer. Natasha, a voluptuous blonde spilling out of a lightweight black cloak, stepped in. The door slammed shut. The bartender looked up and frowned. He met Natasha's gaze across the smoky, dim-lit distance. Then he turned away fast and began furiously wiping the rough wood bar. Natasha sniffed the air, and her red lips curled up. She wove toward the bar through mostly empty tables with a strange sinuous grace for a woman so large. When she reached one end of the bar, Natasha began to walk along its length. One by one, she scanned the occupants of each stool. In turn, they met her eyes, and she moved on, leaving the mark of varying degrees of nervousness or fear on their faces. Finally, Natasha found an appealing target. She stopped at the side of a young pale-haired man. A roughly dressed workingman--big-boned, baby-faced, and reeking of innocence and purity. Natasha glanced once at the older man on the next stool, and he silently vacated it. She sat down and tossed off her cape, drawing the young workman's eyes to flowing blonde curls that brushed overflowing cleavage. Her impossibly tight girdle created an hourglass figure with a tiny waist. Not having to breathe had its benefits. Natasha stared into the young man's eyes. He seemed nervous, but he couldn't break away from her gaze. His pale skin became paler and somewhat clammy. She heard his heart rate speed up, and his breathing become fast and shallow. “I am Natasha,” she purred. “And you are?” “Sam,” he answered in the toneless voice of a person under compulsion. “Come along, Sam.” Natasha rose from her stool in one smooth motion and glided out of the bar. She didn't stop to pick up her cloak from the floor. It was just a bothersome disguise anyway. Natasha didn’t feel the cold, but her husband, Dr. Vandergreest, insisted she wear it. Why go to so much trouble anyway? It wasn’t as if these people had the power to do anything to her even if they suspected what she really was. Her husband’s tiresome rules were hard to live with--or be undead with--so much of the time. Was it any wonder that she needed a little fun in the evenings? A black carriage waited in front of the tavern. The black-cloaked coachman and two enormous black horses blended into the night's dark shadows. Sam had followed her out as commanded. Natasha turned to him. Sweat dripped down his face in the icy-cold London night. She lifted a pale, shapely arm and gestured toward the complete blackness within the open carriage. "Get inside. I hunger!" she ordered. *** Other books by LD Marr Horror on the darker side: Stalked in the City - In the dystopian near future, there are two classes of people—the users and the used. After having psychic experiences, a former drug addict returns to the New York dance club she hung out at in the past to hunt a kidnapper. A hot but wrong guy distracts her from her search. Talking cat stories on the lighter side: Under another pen name, Trisha McNary, LD Marr also wrote the science fiction series Xeno Relations: Alien Pets, hypnoSnatch, and Bonded in Space.

“Crunch crunch crunch. Teeth are strong and sharp. Crunch crunch crunch. Teeth can help you chew. But teeth are not for biting. Ouch! Biting hurts.” Sooner or later, almost all young children will bite someone—a friend, a parent, a sibling. This upbeat, colorful, virtually indestructible book helps prevent biting and teaches positive alternatives. The companion to our best-selling Hands Are Not for Hitting Board Book, Teeth Are Not for Biting gives reasons why children might want to bite. Little mouths feel sore when new teeth come in; sometimes kids bite when they’re hungry, tired, cranky, frustrated, angry, bored, distressed, or seeking attention. Author Elizabeth Verdick suggests positive things children can do instead of biting: chew a chewy toy, drink a cold drink, get a hug, tell a grown-up. This book also includes helpful tips for parents and caregivers.

Whether we realize it or not, we carry in our mouths the legacy of our evolution. Our teeth are like living fossils that can be studied and compared to those of our ancestors to teach us how we became human. In Evolution’s Bite, noted paleoanthropologist Peter Ungar brings together for the first time cutting-edge advances in understanding human evolution with new approaches to uncovering dietary clues from fossil teeth. The result is a remarkable investigation into the ways that teeth—their shape, chemistry, and wear—reveal how we came to be. Traveling the four corners of the globe and combining scientific breakthroughs with vivid narrative, Evolution’s Bite presents a unique dental perspective on our astonishing human development.

Provides answers to a variety of questions about various poisonous creatures, such as "Do Gila monsters bite humans", "What are killer bees", "Which ant sting hurts the most", and "Are frogs poisonous?"