Paris, 1989: Alone in her luminous apartment on Île Saint-Louis, Sylvie discovers a mysterious letter among her late lover Julien’s possessions, launching her into a decades-old search for a child who vanished in the turbulence of the Second World War. She is unaware that she is watched over by Julien’s ghost, his love for her powerful enough to draw him back to this world, though doomed now to remain a silent observer. Sylvie’s quest leads her deep into the secrets of Julien’s past, shedding new light on the dark days of Nazi-occupied Paris. A timeless story of love and loss, Haunting Paris matches emotional intensity with lyrical storytelling to explore grief, family secrets, and the undeniable power of memory.

Filled with archival images and original illustrations, this book takes young readers on a tour of the White House, examining its history and the ghosts believed to reside there. Full color.

The thrilling sequel to Victoria Schwab's New York Times bestselling City of Ghosts! Trouble is haunting Cassidy Blake . . . even more than usual.She (plus her ghost best friend, Jacob, of course) are in Paris, where Cass's parents are filming their TV show about the world's most haunted cities. Sure, it's fun eating croissants and seeing the Eiffel Tower, but there's true ghostly danger lurking beneath Paris, in the creepy underground Catacombs.When Cass accidentally awakens a frighteningly strong spirit, she must rely on her still-growing skills as a ghosthunter -- and turn to friends both old and new to help her unravel a mystery. But time is running out, and the spirit is only growing stronger.And if Cass fails, the force she's unleashed could haunt the city forever.#1 New York Times bestselling author Victoria Schwab returns to the spooky and heart-pounding world of City of Ghosts, delivering thrilling new adventures and an unforgettable spin on friendship. (Because sometimes, even psychic ghost best friends have secrets. . .)

"The Haunting Past is a brief but richly textured treatment of the role of the historian in dealing with information about contemporary political and legal matters."—Libraries and Culture

Virginia Woolf began writing reviews for the Guardian 'to make a few pence' from her father's death in 1904, and continued until the last decade of her life. The result is a phenomenal collection of articles, of which this selection offers a fascinating glimpse, which display the gifts of a dazzling social and literary critic as well as the development of a brilliant and influential novelist. From reflections on class and education, to slyly ironic reviews, musings on the lives of great men and 'Street Haunting', a superlative tour of her London neighbourhood, this is Woolf at her most thoughtful and entertaining.

"A considerable tour de force by any standard." ?New York Times Book Review"

A New York Times bestseller The Haunting of Sunshine Girl,in active development for television by The Weinstein Company, a hit paranomal YA series based on the wildly popular YouTube channel about an "adorkable" teenager living in a haunted house. Shortly after her sixteenth birthday, Sunshine Griffith and her mother Kat move from sunny Austin, Texas, to the rain-drenched town of Ridgemont, Washington. Though Sunshine is adopted, she and her mother have always been close, sharing a special bond filled with laughter and inside jokes. But from the moment they arrive, Sunshine feels her world darken with an eeriness she cannot place. And even if Kat doesn't recognize it, Sunshine knows that something about their new house is just ... creepy. In the days that follow, things only get stranger. Sunshine is followed around the house by an icy breeze, phantom wind slams her bedroom door shut, and eventually, the laughter Sunshine hears on her first night evolves into sobs. She can hardly believe it, but as the spirits haunting her house become more frightening-and it becomes clear that Kat is in danger-Sunshine must accept what she is, pass the test before her, and save her mother from a fate worse than death.

“That’s a lot of horse hockey, Hamilton.” Described by the New York Times as “classic activist theater” and “a cross between ‘A Christmas Carol’ and a trial at The Hague’s International Criminal Court.” "In this, his latest work, the protean Ishmael Reed--the legendary artist and prolific writer--continues to burnish his already sterling reputation by dismantling the 'Creation Myth' of the founding of the U.S., as represented in the incredibly profitable play and musical, Hamilton. Reed, a verbal acrobat of global renown, demonstrates here why he is widely considered to be the leading intellectual in the U.S. today." -Gerald Horne, author of The Counter-Revolution of 1776: Slave Resistance and the Origins of the USA This powerful play, originally produced at the Nuyorican Poets Café, comprehensively dismantles the phenomenon of Lin-Manuel Miranda and Hamilton. Reed uses the musical’s crimes against history to insist on a radical, cleareyed way of looking at our past and our selves. Both durable and timely, this goes beyond mere corrective – it is a meticulously researched rebuttal, an absorbing drama, and brilliant rallying cry for justice. The perfect tie-in to both the success of and backlash to Hamilton, it is the major voice in contrast to the recent movie. It captures both the earnest engagement that fans of the musical desire, as well as the exhausted disbelief of those who can’t stand it. Teachers, students and fans of drama, literature, and history will find much to love. It is written by one of America’s most respected and original writers, who is eagerly promoting it, and who is long overdue for a renaissance.

KANSAS CITY HAUNTINGSHISTORY AND MYSTERY OF THE PARIS OF THE PLAINSBY BECKY RAYFounded on the confluence of two rivers, Kansas City is a place of history, mystery, legend, and lore. The city helped settle the West as the gateway to the Oregon and Santa Fe Trails, and when the railroads arrived, it was considered the Crossroads of the Country. During the Civil War, the Missouri-Kansas border became the first battlefield in the bloody conflict. The Kansas City Stockyards put the city on the national map, as did the horrific massacre at Union Station, Kansas City jazz, and the crime and corruption of the Pendergast era and the years of Prohibition. With all that history, is it any wonder that Kansas City is one of the most haunted cities in America?Take a trip back in time to the early days of the city and discover how the events of the past created the hauntings that still linger in Kansas City today. Go behind the scenes of the most spirited places in the region with author Becky Ray as she reveals a colorful collection of favorite haunts, stories you've never heard before, and takes you behind locked doors for the true stories behind some of your favorite local haunts!You'll be shocked and terrified by historical tales of crime and murder with lurid stories of gangsters, killers, thieves, and cold-blooded murderers that haunt the stories of the Bobby Greenlease Kidnapping, the Union Station Massacre, Kansas City Strangler, the Bridge Murder Case, the Prospect Corridor Killer, and more!Then search for the phantoms of the Savoy Hotel, the Muehlebach, Hotel President, the Folly Theater, Power and Light Building, Epperson House, Sauer Castle, and even journey out beyond the city borders to the Belvoir Winery and Inn, Vaile Mansion, Elms Hotel and Spa, Glore Psychiatric Museum, and much more!Part history book, part true crime thriller, and part ghost book, this volume is sure to have you looking over your shoulder as you turn the pages at night!

The love between a daughter and her mother—and the dark secrets they keep from each other—are at the heart of this wildly imaginative novel that combines elements of The Handmaid’s Tale, Stranger Things, and Twin Peaks. “I love Heartbreaker’s outlandishness, its sizzling energy—the bright, fierce music in every sentence.”—Leni Zumas, author of Red Clocks It’s 1985. Pony Darlene Fontaine has lived all her fifteen years in “the territory,” a settlement founded decades ago by a charismatic cult leader. In this strange town run on a sinister economic resource, the women crimp their hair and wear shoulder pads, and the teenagers listen to Nazareth and Whitesnake on their Walkmans. Pony’s family lives in the bungalow at the farthest edge of town, where the territory borders the rest of the wider world—a place none of the townspeople have ever been. Except for Billie Jean Fontaine, Pony’s mother. When Billie Jean arrived in the territory seventeen years prior—falling from the open door of a stolen car—the residents took her in and made her one of their own. She was the first outsider they had ever laid eyes on. Pony adores and idolizes her mother, but like everyone else in the territory she is mystified by her. Billie Jean refuses to describe the world she came from. One night, Billie Jean grabs her truck keys, bolts barefoot into the cold October darkness—and vanishes. Beautiful, beloved, and secretive, Billie Jean was the first person to be welcomed into the territory. Now, with a frantic search under way for her missing mother, Pony fears: Will she be the first person to leave it too? Told from the three unforgettable perspectives of a daughter, a killer dog, and a teenage boy named Supernatural, this novel is startling in its humor and wrenching in its wisdom about the powers, limits, and dangers of love. Heartbreaker is an electrifying page-turner about a woman reinventing herself in order to survive—and a daughter who must race against the clock to untangle the mysteries left in her mother’s wake. Praise for Heartbreaker “A fierce exploration of memory and zeitgeist . . . Heartbreaker is a darkly comedic weirdo of a book that pulls the string of nostalgia from one side while unraveling it from the other.”—The Paris Review “This is a book like no other. It’s eerie, it's cult-y, it's so very exciting, and I never wanted it to end.”—Buzzfeed, Best Books of Fall 2018 “Claudia Dey renders 1985 in perfectly crimped, shoulder-padded detail. . . . Come for the Shyamalanian premise. Stay for the hard-rock soundtrack.”—Chicago Tribune