A woman lost in a nightmare Shealy O'Leary thought the ancient Book of Fennore a myth until she and her father are sucked into the past-and into the cursed no-man's land called Fennore. There Shealy learns that she has a rare power that their enemy seeks. Aided by the dangerous and compelling warrior, Tiarnan, Shealy must find her father and learn how to wield her gift to save those she loves or die in this waking nightmare... A man desperate to regain his honor After failing both his land and people, Tiarnan was damned to spend eternity in the black heart of Fennore. His only hope comes in the shape of a beautiful, frightened woman from the future. For she possesses a gift she is unaware of. A gift with the power to save ...or destroy them all. A desire that drives their destiny Together, Shealy and Tiarnan begin their perilous quest-a mission that draws them closer and closer together. And as the odds against them mount, so does their passion. The intensity of their bond electrifies the couple, their love powering Shealy's gift and Tiarnan's strength. But their newfound connection threatens to ruin them both-and bring to life a long ago prophecy of devastation and betrayal...

Murder in the streets. And passion in the shadows... New Orleans, 1902 A killer walks the streets of New Orleans, eviscerating men and leaving them in the streets, and for madam Trula Boudreaux, it's bad for business. Trula needs help but she's not prepared for Zeke Barnes, the charming would-be savior who darkens her doorway-or the yearning he awakens. For while Trula knows well the delights of lust, she avoids love at all costs... Investigating the killer was one thing, but Zeke can't help but be enchanted by the gorgeous mystery woman who runs an exclusive brothel. Caught between his duty to protect the city and his clear-as-day desire for Trula, Zeke sets about capturing Trula's heart-or at least a place in her bed. But with every moment Trula resists, Zeke falls into greater danger. For his investigation into the haunted city and madam doesn't just risk his heart but both their lives.

When Phoebe begins spending time with Brett, a gorgeous guy in her college course, she receives threatening, anonymous notes. Brett's jealous ex, Wendy, is the obvious culprit, so why does Phoebe have the sense that the notes are from someone else--someone with supernatural powers?

Through an examination of post-1997 Thai cinema and video art Arnika Fuhrmann shows how vernacular Buddhist tenets, stories, and images combine with sexual politics in figuring current struggles over notions of personhood, sexuality, and collective life. The drama, horror, heritage, and experimental art films she analyzes draw on Buddhist-informed conceptions of impermanence and prominently feature the motif of the female ghost. In these films the characters' eroticization in the spheres of loss and death represents an improvisation on the Buddhist disavowal of attachment and highlights under-recognized female and queer desire and persistence. Her feminist and queer readings reveal the entangled relationships between film, sexuality, Buddhist ideas, and the Thai state's regulation of heteronormative sexuality. Fuhrmann thereby provides insights into the configuration of contemporary Thailand while opening up new possibilities for thinking about queer personhood and femininity.

New in the breathtaking series of sorcery, Irish lore, time travel, and exquisite romance. Within Meaghan Ballagh surges the blood of a sorceress whose ancient love for a druid ended in treachery. When Meaghan is thrust into the past, she feels the desire between the sorceress and the handsome druid once again rise inside her. To survive, she must piece together the history of the woman who haunts her and the man who needs her.

Traumatized by the events of We Take Me Apart, the unlikely heroine of Desire: A Haunting leads a silent life in the cottage that has been in her family since Hester Prynne first bequeathed it to Pearl--whose endearingly cranky spirit remains. So begins this strange friendship between "dog" and a ghost calling herself "Ogie." A different kind of love story, Desire is about how dog and Ogie learn to care for each other after only pretending to at first, about how they adopt a ghost child named William whose fascination with holidays brings celebration to the cottage, and about how long-ago dresses made from flowers stitch the three of them closer and invites new spirit into their lives.

For half a century, cultural production in Colombia has labored under the weight of magical realism—above all, the works of Gabriel García Márquez—where ghosts told stories about the country’s violent past and warned against a similarly gruesome future. Decades later, the story of violence in Colombia is no less horrific, but the critical resources of magical realism are depleted. In their wake comes "spectral realism." Juliana Martínez argues that recent Colombian novelists, filmmakers, and artists—from Evelio Rosero and William Vega to Beatriz González and Erika Diettes—share a formal and thematic concern with the spectral but shift the focus from what the ghost is toward what the specter does. These works do not speak of ghosts. Instead, they use the specter to destabilize reality by challenging the authority of human vision and historical chronology. By introducing the spectral into their work, these artists decommodify well-worn modes of representing violence and create a critical space from which to seek justice for the dead and disappeared. A Colombia-based study, Haunting without Ghosts brings powerful insight to the politics and ethics of spectral aesthetics, relevant for a variety of sociohistorical contexts.

This highly original book provides an engaging and critical introduction to the knowledge economy. The knowledge economy is a potent force pervading global and national policy circles. Yet few people outside the field of economics understand its central ideas and practices. This book makes these accessible. But it does much more. It provokes 'conversations' between the knowledge economy and those marginalized economies that haunt it: the risk, gift, libidinal and survival economies. These illuminate the knowledge economy's shortcomings and point to alternative possible systems of exchange and sets of values. This multi-disciplinary study takes the knowledge economy out of the hands of the economists and brings it into creative tension with the ideas of key thinkers from sociology, anthropology, philosophy and ecology. Illustrating the benefits of conversing with the ghosts of alternative economies, this provocative book will unsettle the way in which the knowledge economy is understood. Groundbreaking and globally applicable, it has been authored by internationally respected authors and its conceptual breadth pertains to a range of disciplines and gives it its wide appeal.

London, 1926: Henry Twist's heavily pregnant wife leaves home to meet a friend. On the way, she is hit by a bus and killed, though miraculously the baby survives. Henry is left with nothing but his new daughter - a single father in a world without single fathers. He hurries the baby home, terrified that she'll be taken from him. Racked with guilt and fear, he stays away from prying eyes, walking her through the streets at night, under cover of darkness. But one evening, a strange man steps out of the shadows and addresses Henry by name. The man says that he has lost his memory, but that his name is Jack. Henry is both afraid of and drawn to Jack, and the more time they spend together, the more Henry sees that this man has echoes of his dead wife. His mannerisms, some things he says ... And so Henry wonders, has his wife returned to him? Has he conjured Jack himself from thin air? Or is he in the grip of a sophisticated con man? Who really sent him? Set in a postwar London where the Bright Young Things dance into dawn at garden parties hosted by generous old Monty, The Haunting of Henry Twist is a novel about the limits and potential of love and of grief. It is about the lengths we will go to hold on to what is precious to us, what we will forgive of those we love, and what we will sacrifice for the sake of our own happiness.