It is tempting to see ancient Egyptian religion as something relatively static, with a single pantheon whose nature and activities did not change throughout the three-thousand-year span of the Dynastic Period. However, nothing could be further from the truth.

"Robert Armour's classic text, long cherished by a generation of readers, is now complemented with more than 50 new photographs by Egyptologist Edwin Brock and drawings by Elizabeth Rodenbeck that show the gods in their characteristic forms." "Armour maintains a strong narrative thread with illuminating commentary in his lively retelling of stories from Egyptian mythology, including those of the sun god Ra, the tragic tale of Isis and Osiris, the burlesque of Horus' battle with the evil Seth, and the "gods of the intellect" Thoth and Maat. Now with an updated bibliography and new appendices, this book is sure to inform and enchant a new generation of readers."--Jacket.

The composition, which the editors entitle the "Book of Thoth", is preserved on over forty Graeco-Roman Period papyri from collections in Berlin, Copenhagen, Florence, New Haven, Paris, and Vienna. The central witness is a papyrus of fifteen columns in the Berlin Museum. Written almost entirely in the Demotic script, the Book of Thoth is probably the product of scribes of the "House of Life", the temple scriptorium. It comprises largely a dialogue between a deity, usually called "He-who-praises-knowledge" (presumably Thoth himself) and a mortal, "He-who-loves-knowledge". The work covers such topics as the scribal craft, sacred geography, the underworld, wisdom, prophecy, animal knowledge, and temple ritual. Particularly remarkable is one section (the "Vulture Text") in which each of the 42 nomes of Egypt is identified with a vulture. The language is poetic; the lines are often clearly organized into verses. The subject-matter, dialogue structure, and striking phraseology raise many issues of scholarly interest; especially intriguing are the possible connections between this Egyptian work, in which Thoth is called "thrice-great", and the classical Hermetic Corpus, in which Hermes Trismegistos plays the key role. The first volume comprises interpretative essays, discussion of specific points such as the manuscript tradition, script, and language. The core of the publication is the transliteration of the Demotic text, translation, and commentary. A consecutive translation, glossary, bibliography, and indices conclude the first volume. The second volume contains photographs of the papyri, almost all of which reproduce their original size.

Gods and goddesses—in human, animal, and other forms—were central to the ancient Egyptian way of life. Identified with the natural world, daily living, and the afterlife, they maintained order and prevented chaos from permeating the human world. The figures documented in ancient hieroglyphics are given dimension in this absorbing volume, which examines the characteristics and significance of many of the Egyptian gods and goddesses and also looks at related topics such as ancient symbols and the influence of Egyptian mythology on other cultures and belief systems.

The Ptolemaic period witnessed an enormous increase in the number of hieroglyphic signs and iconographic elements (composite crowns, scepters, and cult objects). The ancient scribes exploited this complexity when composing the reliefs used in temple decoration, selecting particular words, hieroglyphic signs, and iconographic elements in order to create interconnected multiple layers of meaning, forming a tapestry of sound and sight. The Theology of Hathor of Dendera examines these techniques on both micro- and macro-levels, from their smallest details to their broadest thematic connections, foregrounding individual techniques to determine the words and phrases singled out for emphasis. By synthesizing their use in the three-dimensional space of the most important cult chamber in the Temple of Hathor at Dendera, this new method of analysis not only reveals the most essential characteristics of the local theology, but also shows how the ancient scribes envisioned the universe and the place of humankind within it.