The Leica M system has been with us since 1954. It rapidly became, and has remained the favorite instrument of photographers, especially photojournalists, who, like Henri Cartier-Bresson, seek to ""catch life in the act"", to record ""the decisive moment"". In this Leica M Compendium Jonathan Eastland describes the whole Leica M system from his experience as a professional photographer. He explains how to use, enjoy and get the best out of the cameras and lenses, regardless of age. The latest lenses can be used on the earliest cameras, and vice-versa, and the Visoflex, although no longer made, is now much easier to use with the M6 and its TTL metering. Advice on planning and shooting a story with the Leica and extensive tables of technical data complete this ideal companion for the practical Leica M photographer, as well as for the Leica collector and enthusiast.

This book is used in conjunction with The Leica Pocket Book and Leica Price Guide and has been compiled from original Leitz sources. The book has two aims: the first is to act as the constant pocket companion for the Leica Collector in his travels; the second is to help Leica enthusiasts who want to study fascinating accessories in greater depth. It covers the whole period from 1924 to Spring 1996 and will enable the reader to place an individual accessory in its historical context with contemporary Leica models and lenses. Readers wishing to study Leica accessories further and looking for a more suitable bedside companion are referred to the author’s Leica Collectors Guide which also includes comprehensive accounts of Leitz enlargers, projectors and binoculars.

Over 10,000 monographs currently in print about practice and research in the medical and biomedical sciences. Entries arranged by general medical specialties (e.g., allergy, geriatrics, surgery), then by subspecialties or other topics, andthen by authors. Most entries include author, title, publisher, publication, date, pages, price, and brief annotation. Author index.

It always was The Dream: The Hasselblad 500cNever mind that it was impractical for a photographer without a studio, or that it cost a bundle, or that the odds against ever owning one were big.There it was, a monolith above all other cameras.It was in the pages of the photo magazines, as advertisements occasionally, as part of an article occasionally.The two beacons of perfection, allegedly, were the Hasselblad 500c and the Leica whatever.For some reason, the Leica never caused a spark in me back then. Now, sure, but not then.Canon, Minolta, Nikon and Olympus cameras also were dreams, at the top of many of my wish lists.The Hasselblad 500c, though... that was on a level all its own.Then, suddenly, digital photography dawned and everyone was ditching their film gear. A fellow photographer said, "Hey, do you still want a Hasselblad because a friend of mine's selling one."It still was more than two weeks' salary, but it was cheaper than it had been. I had to have it.And it is an amazing camera