Heir to the wise Daniel, Hâsib is a young woodcutter promised to a great future. When his greedy companions abandon him in the middle of the forest, he meets the Queen of Serpents. She then tells her story, a fabulous adventure filled with gods and demons, princes and prophets. From Kabul to Cairo, journeys intertwine with intrigues and spiritual quests while the fabulous nights follow one another. An enchanting and intricately designed interpretation of the story of Hâsib Karîm ad-Dîm, through which David B. opens for us the gates of the Thousand and One Nights. For mature readers.

Notorious for the delight he took in tweaking the sexual taboos of the Victorian age-as well as the delight he took in the resulting shock of his bashful peers-British adventurer, linguist, and author CAPTAIN SIR RICHARD FRANCIS BURTON (1821-1890) is perhaps best remembered for his unexpurgated translation of the Eastern classic The One Thousand and One Nights, more famously known today as The Arabian Nights. Originating in Persian, Indian, and Arabic sources as far back as the ninth century AD, this collection of bawdy tales-which Burton was the first to bring to English readers in uncensored form-has exerted incalculable influence on modern literature. It represents one of the earliest examples of a framing story, as young Shahrazad, under threat of execution by the King, postpones her death by regaling him with these wildly entertaining stories over the course of 1,001 nights. The stories themselves feature early instances of sexual humor, satire and parody, murder mystery, horror, and even science fiction. Burton's annotated 16-volume collection, as infamous as it is important, was first published between 1885 and 1888, and remains an entertainingly naughty read. Volume V includes: [ "The Loves of the Boy and Girl at School" [ "The Caliph Harun Al-Rashid and the Three Slave-Girls" [ "The Water-Carrier and the Goldsmith's Wife" [ "The Woman's Trick Against Her Husband" [ "The Devout Woman and the Two Wicked Elders" [ "The Mad Lover" [ "The Angel of Death and the Rich King" [ "The Shipwrecked Woman and Her Child" [ "The Pious Black Slave" [ "The Blacksmith Who Could Handle Fire Without Hurt" [ "The Queen of Serpents" [ and many others.

This volume explores a dimension of reality usually scoffed at by rational-thinking individuals living in modern industrialized societies, but still experienced by these same individuals when they are in a stage of sleep known as rapid eye movement (REM) sleep; this is the stage in which vivid and bizarre dreams are a person’s living reality. While in this stage, we believe what we experience is real, but then deny its reality upon awakening as we go about our daily routines. Yet, in many cases, a dream with vivid imagery and bizarre goings on is communicating with the dreamer in an archaic language directly associated with an “Otherworld” reality. This reality exists within us and expresses concepts and ideas about our realm of existence that pertain to our waking lives, as well as to an alternate, archaic life with its own language and ideas transcending physical reality. By studying various myths and folk tales, along with cinematic portrayals of otherworldly experiences, commentary from modern individuals, and reports from traditional shamans who are experts at traversing the Otherworld reality, this text discerns the features and characteristics of this supernatural realm. Contemporary research into the Otherworld marks this realm as corresponding to the unconscious substratum of the human psyche, what C.G. Jung referred to as the collective unconscious. Certain scientists have found evidence of its connection with various aspects of brain functioning, suggesting that the brain in many ways encourages a belief in the Otherworld. However, it would be a mistake to call the Otherworld a figment of the human imagination, since this realm seems to have a type of physical existence. The book considers the Otherworld to exist and provides reasons why rational-thinking individuals are hesitant to accept its existence even when their brains are telling them: the Otherworld is real, and you have just experienced it.

Sir Richard Francis Burton (1821–1890) was a British explorer, geographer, translator and diplomat. Burton's best-known achievements include a well-documented journey to Mecca, in disguise; an unexpurgated translation of One Thousand and One Nights; the publication of the Kama Sutra in English and an expedition with J. H. Spake to discover the source of Nile. Musaicum Books present his greatest works as an author, translator and explorer. His works and the works about his life act as the true legacy of his untamed travel spirit and eternal curiosity. Content Translations: Kama Sutra of Vatsyayana Book of Thousand Nights and A Night (Complete Edition) The Perfumed Garden of the Cheikh Nefzaoui Ananga Ranga Vikram and the Vampire Travel Writings: First Footsteps in East Africa Personal Narrative of a Pilgrimage to Al-Madinah & Meccah To the Gold Coast for Gold Two Trips to Gorilla Land and the Cataracts of the Congo Unexplored Syria Historical Research: A New System of Sword Exercise for Infantry The Sentiment of the Sword: A Country-House Dialogue Poetry: The Kasîdah of Hâjî Abdû El-Yezdî The Gulistan of Sa'di Priapeia Carmina of Caius Valerius Catullus Poem to His Wife Alma Minha Gentil, Que Te Partiste Em Quanto Quiz Fortuna Que Tivesse Eu Cantarei De Amor Tao Docemente No Mundo Poucos Annos, E Cansados Que Levas, Cruel Morte? Hum Claro Dia Ah! Minha Dinamene! Assim Deixaste Biography and Further Readings: Life of Sir Richard Burton by Thomas Wright Romance of Isabel Lady Burton: The Story of Her Life Journal of the Discovery of the Source of the Nile by J. H. Speke What Led to the Discovery of the Nile by J. H. Speke Arabian Society in the Middle Ages Behind the Veil in Persia and Turkish Arabia

The present is, I believe, the first complete translation of the great Arabic compendium of romantic fiction that has been attempted in any European language comprising about four times as much matter as that of Galland and three times as much as that of any other translator known to myself; and a short statement of the sources from which it is derived may therefore be acceptable to my readers. Three printed editions, more or less complete, exist of the Arabic text of the Thousand and One Nights; namely, those of Breslau, Boulac (Cairo) and Calcutta (1839), besides an incomplete one, comprising the first two hundred nights only, published at Calcutta in 1814. Of these, the first is horribly corrupt and greatly inferior, both in style and completeness, to the others, and the second (that of Boulac) is also, though in a far less degree, incomplete, whole stories (as, for instance, that of the Envier and the Envied in the present volume) being omitted and hiatuses, varying in extent from a few lines to several pages, being of frequent occurrence, whilst in addition to these defects, the editor, a learned Egyptian, has played havoc with the style of his original, in an ill-judged attempt to improve it, producing a medley, more curious than edifying, of classical and semi-modern diction and now and then, in his unlucky zeal, completely disguising the pristine meaning of certain passages. The third edition, that which we owe to Sir William Macnaghten and which appears to have been printed from a superior copy of the manuscript followed by the Egyptian editor, is by far the most carefully printed and edited of the three and offers, on the whole, the least corrupt and most comprehensive text of the work. I have therefore adopted it as my standard or basis of translation and have, to the best of my power, remedied the defects (such as hiatuses, misprints, doubtful or corrupt passages, etc.) which are of no infrequent occurrence even in this, the best of the existing texts, by carefully collating it with the editions of Boulac and Breslau (to say nothing of occasional references to the earlier Calcutta edition of the first two hundred nights), adopting from one and the other such variants, additions and corrections as seemed to me best calculated to improve the general effect and most homogeneous with the general spirit of the work, and this so freely that the present version may be said, in great part, to represent a variorum text of the original, formed by a collation of the different printed texts; and no proper estimate can, therefore, be made of the fidelity of the translation, except by those who are intimately acquainted with the whole of these latter. Even with the help of the new lights gained by the laborious process of collation and comparison above mentioned, the exact sense of many passages must still remain doubtful, so corrupt are the extant texts and so incomplete our knowledge, as incorporated in dictionaries, etc, of the peculiar dialect, half classical and half modern, in which the original work is written. One special feature of the present version is the appearance, for the first time, in English metrical shape, preserving the external form and rhyme movement of the originals, of the whole of the poetry with which the Arabic text is so freely interspersed. This great body of verse, equivalent to at least ten thousand twelve-syllable English lines, is of the most unequal quality, varying from poetry worthy of the name to the merest doggrel, and as I have, in pursuance of my original scheme, elected to translate everything, good and bad (with a very few exceptions in cases of manifest mistake or misapplication), I can only hope that my readers will, in judging of my success, take into consideration the enormous difficulties with which I have had to contend and look with indulgence upon my efforts to render, under unusually irksome conditions, the energy and beauty of the original, where these qualities exist, and in their absence, to keep my version from degenerating into absolute doggrel.

"In tide of yore and in time long gone before, there was a King of the Kings of the Banu Sásán in the Islands of India and China, a Lord of armies and guards and servants and dependents . . . So he succeeded to the empire; when he ruled the land and forded it over his lieges with justice so exemplary that he was beloved by all the peoples of his capital and of his kingdom." The Book of the Thousand Nights and A Night is a collection of Middle Eastern, West Asian and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the Arabian Nights.The stories proceed from an original tale of ruler Shahryār and his wife Scheherazade where some stories are framed within other stories, while others begin and end of their own accord. This edition contains more than 1001 tales of romance, erotica, supernatural and adventure along with copious notes transport you into the land of magic and nostalgia.

Sir Richard Francis Burton (1821–1890) was a British explorer, geographer, translator and diplomat. Burton's best-known achievements include a well-documented journey to Mecca, in disguise; an unexpurgated translation of One Thousand and One Nights; the publication of the Kama Sutra in English and an expedition with J. H. Spake to discover the source of Nile. E-artnow present his greatest works as an author, translator and explorer. His works and the works about his life act as the true legacy of his untamed travel spirit and eternal curiosity. Content Translations: Kama Sutra of Vatsyayana Book of Thousand Nights and A Night (Complete Edition) The Perfumed Garden of the Cheikh Nefzaoui Ananga Ranga Vikram and the Vampire Travel Writings: First Footsteps in East Africa Personal Narrative of a Pilgrimage to Al-Madinah & Meccah To the Gold Coast for Gold Two Trips to Gorilla Land and the Cataracts of the Congo Unexplored Syria Historical Research: A New System of Sword Exercise for Infantry The Sentiment of the Sword: A Country-House Dialogue Poetry: The Kasîdah of Hâjî Abdû El-Yezdî The Gulistan of Sa'di Priapeia Carmina of Caius Valerius Catullus Poem to His Wife Alma Minha Gentil, Que Te Partiste Em Quanto Quiz Fortuna Que Tivesse Eu Cantarei De Amor Tao Docemente No Mundo Poucos Annos, E Cansados Que Levas, Cruel Morte? Hum Claro Dia Ah! Minha Dinamene! Assim Deixaste Biography and Further Readings: Life of Sir Richard Burton by Thomas Wright Romance of Isabel Lady Burton: The Story of Her Life Journal of the Discovery of the Source of the Nile by J. H. Speke What Led to the Discovery of the Nile by J. H. Speke Arabian Society in the Middle Ages Behind the Veil in Persia and Turkish Arabia

"In tide of yore and in time long gone before, there was a King of the Kings of the Banu Sásán in the Islands of India and China, a Lord of armies and guards and servants and dependents . . . So he succeeded to the empire; when he ruled the land and forded it over his lieges with justice so exemplary that he was beloved by all the peoples of his capital and of his kingdom."_x000D_ The Book of the Thousand Nights and A Night is a collection of Middle Eastern, West Asian and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the Arabian Nights.The stories proceed from an original tale of ruler Shahryār and his wife Scheherazade where some stories are framed within other stories, while others begin and end of their own accord. This edition contains more than 1001 tales of romance, erotica, supernatural and adventure along with copious notes transport you into the land of magic and nostalgia.

The Complete Works of Sir Richard Francis Burton (Illustrated & Annotated Edition) is a rich collection of the literary masterpieces of the esteemed author. Known for his adventurous spirit and linguistic abilities, Burton's works vary from travel narratives to translations of classical texts. This unrivaled compilation showcases his remarkable literary style, blending vivid descriptions with insightful commentary. The annotations provide valuable context to each piece, enhancing the reader's understanding of Burton's profound insights into different cultures and societies. Richard Francis Burton, a seasoned explorer and polymath, drew inspiration for his works from his extensive travels to exotic lands and his deep knowledge of languages. His unconventional lifestyle and bold pursuits greatly influenced his writings, making them a captivating blend of personal experiences and scholarly observations. Burton's unparalleled dedication to understanding the world around him shines through in this comprehensive collection, offering a unique glimpse into the mind of a true literary pioneer. I highly recommend The Complete Works of Sir Richard Francis Burton to any reader fascinated by travel literature, cultural studies, or historical explorations. This meticulously curated edition is a testament to Burton's enduring legacy and a testament to the power of exploration and intellectual curiosity.