The Toxic Spew is back, and in even more trouble than usual. WOOP WOOP WOOP! ALARM ALARM ALARM! It's chaos once more on the bridge of the Toxic Spew. But this time, the ship's problems are of a most human nature - they've run out of food! Mutiny, cannibalism and plain old theft are suggested as potential problem-solvers, but Captain Harvey politely requests that the crew buck their ideas up and think of something else. At which point the ISS is mentioned - no, not the International Space Station! - the Interstellar Service Station . . . But the ISS is spookily deserted when the team arrive, and it's not long before Harvey suspects there's something fishy going on... and he's not just talking about the Spew's malfunctioning rubbish chute. Can Harvey unite his crew one more time and solve the mystery of the abandoned space station? Will Scrummage really eat Yargal if they don't find some food? And will Harvey EVER get home? Join the gang for another rip-roaring, space-hopping and (frankly) stomach-turning adventure on the universe's worst intergalactic rubbish truck - and see if you can spot the special input from kids on The Story Adventure!

As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about the artists and including largely unpublished artwork from the depths of the Walt Disney Archives and the Disney Animation Research Library, this ebook offers a window into the most inspiring work created by the best Disney artists during the studio's early golden age. They Drew as They Pleased is the first in what promises to be a revealing and fascinating series of books about Disney's largely unexamined concept artists, with six volumes spanning the decades between the 1930s and 1990s. Copyright ©2015 Disney Enterprises, Inc. All rights reserved.

The Enchanted Palace gardens have been transformed into an amazing fairground and Nixie the Bad, Bad Fairy is buzzing with excitement. She LOVES the fair, and races to go on all of the fastest rides. But Nixie's impatient nature soon gets her into trouble, and it's not long before her wonky wand is causing chaos.

When magic strikes and Joe Jefferson is transformed from an ordinary schoolboy into a powerful warrior, his simple life is greatly altered as dangerous tasks to slay ogres, wrestle dragons, and confront villains are bestowed upon him by the residents of Muddle Earth who are in desperate need of a hero such as he.

When medieval wizardry meets cool street magic, what could possibly go wrong . . .? Wilfred is a young magical apprentice determined to become the best and most wise wizard that ever was. Unfortunately for him, he's not very good. He's got the raw talent, but he doesn't concentrate! In fact, he's become (rather unkindly) known as 'Wilfred the UNwise'. And when one of Wilf's spells goes badly wrong, he's suddenly in more trouble than ever before. A mix-up which sees him catapulted into the future - and more specifically, into Bel's hometown. Bel is an aspiring magician too - she wants to be an amazing street magician like her heroes on TV. She's even got a stage-name sorted, and unlike Wilf, she practises all the time - maybe just a little too much . . . Wilf is delighted by her skills, and begs to learn from Bel. She's not so sure, but agrees that they'll have to work together to try to work out how to get Wilf back to his own time. If only Wilf would stop messing around! Can these two young magicians work together, or will Wilf be stuck here forever?

Blends history and memoir in an account that in alternating chapters explores the author's quest to understand the impact of his brothers on his life and the complex relationships between iconic brothers, including the Thoreaus, the Van Goghs, and the Marxes.

The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.

Nixie the bad, bad fairy isn't really that bad . . . at least, she doesn't think she is. But sometimes she has to be a teeny-tiny bit bad because that goody, goody fairy, Adorabella, is just too . . . well . . . just too GOOD. Fairy dust and magic are fine, but when your wand's as mischievous as you are, sometimes you have to rely on your own genius inventions to get you out of trouble!

Overview: Provides a history of the Corona Satellite photo reconnaissance Program. It was a joint Central Intelligence Agency and United States Air Force program in the 1960s. It was then highly classified.

Snow days are for sledging, skating and snowball battles and no-one is safe from Nixie's expertly aimed snowballs or her mischievous wonky wand. But one fairy is missing out on all of the fun, where is Fidget the butterfly fairy? It's up to Nixie to find her and prove that she's not such a bad, bad fairy but a rather ingenious one!