Haruhi Suzumiya is an energetic Japanese girl who craves excitement and adventure! The members of the SOS Brigade try their best to keep Haruhi happy, because if they don't -- she could accidentally destroy the universe! Seriously! Haruhi-ism collects the spectacular artwork of Noizi Ito, the artist behind the original Haruhi Suzumiya novel series. Included are book and DVD covers, magazine pin-ups, rare promo images, and more!

Kyon is your ordinary high school freshman who has long given up on his childhood dreams of encountering the fantastic and supernatural...or so he thought. From the very first day of school, his classmate-the beautiful but eccentric Haruhi Suzumiya-makes it very clear that her only desire is to meet aliens, time travelers, and psychics! A chance conversation between the two inspires Haruhi to form the SOS Brigade, a school club created for the sole purpose of gathering together such supernatural beings. The initial members consist of the mute bookworm Yuki Nagato, the timid but voluptuous Miharu Asahina, and the polite and ever-smiling Itsuki Koizumi. By the end of this first volume, Kyon quickly finds out that these seemingly "helpless victims" of Haruhi's are actually members of secret organizations-both futuristic and alien-with the single aim of keeping watch over Haruhi Suzumiya as she is the pinnacle of some major calamity on the horizon...

Boisterous, impulsive Haruhi Suzumiya commands the spotlight wherever she goes! But the SOS Brigade chief wouldn't be any kind of chief at all without a supporting cast of club members to command as well. And there's no one she loves ordering around as much as Kyon! In this collection of short comics and illustrations by various artists, the boys of the SOS Brigade will at last have their moment to shine!

"Can't get enough of Haruhi and the SOS Brigade? Then Haruhi Suzumiya Illustrations: Autumn & Winter is the art book for you! Haruhi Suzumiya Illustrations collects the fantastic key visuals and promotional artwork from the hit Haruhi Suzumiya anime series. Autumn & Winter features Haruhi and the whole gang in schoolgirl uniforms, winter clothes, elegant dresses, holiday outfits, and more, as they get into hijinks both in an out of school."--Publisher description.

As the second year of high school begins, Haruhi's cynical and sarcastic confidant Kyon, the only "normal" member of the SOS Brigade, finds himself meeting Sasaki, an old friend from his days in junior high. Haruhi and Sasaki's shared friendship with Kyon and, possibly, shared abilities, causes tension between the two and Kyon knows Haurhi's dissatisfaction can have dire consequences! Kyon and Sasaki's chance meeting could affect his future, the future of the SOS Brigade, and the world forever. This ninth volume of the Haruhi Suzumiya series is the first to use two alternate stories for the same plot with different endings. The story continues in the next novel, The Surprise of Haruhi Suzumiya.

There's even more to be told of the antics of the SOS Brigade--under Haruhi's leadership the possibilities for fun and mayhem are endless! Join your favorite characters in this huge collection of brand-new adventures and illustrations from a wide range of artists and storytellers! Jam-packed with more time travelers, aliens, espers, and Haruhi than Kyon can handle, this anthology is the perfect addition to any collection!

Kyon knew it was only a matter of time before he would have to return to December 18th of the previous year, to the three days when the SOS Brigade and his supernatural friends suddenly disappeared. Back then, Kyon was cruelly stabbed by alien rogue Ryouko Asakura and nearly bled out on the school roof. How will he fare this time around?

Haruhi holds the fate of the universe in her hands . . . lucky for you she doesn't know it! Meet Haruhi - a cute, determined girl, starting high school in a city where nothing exciting happens and absolutely no one understands her. Meet Kyon - the sarcastic guy who sits behind Haruhi in homeroom and the only boy Haruhi has ever opened up to. His fate is now tied to hers. Meet the S.O.S. Brigade - an after-school club organized by Haruhi with a mission to seek out the extraordinary. Oh, and their second mission? Keeping Haruhi happy . . . because even though she doesn't know it, Haruhi has the power to destroy the universe. Seriously. The phenomenon that took Japan by storm - with more than 4.5 million copies sold - is now available in the first-ever English edition.

Two stories continue the adventure in Volume 8 of the Haruhi Suzumiya series. Editor-in-Chief, Straight Ahead!Since the beginning of the year, the SOS Brigade has been masking as the Literature Club to be recognized as an official high school organization. But when the new student council president threatens to disband the group, the members must write a collection of literature. Naturally, Haruhi assume the role of editor-in-chief and leads the team to publication with hilarious results. Wandering ShadowFrom writers to detectives, the SOS Brigade does it all. When fellow classmate Sanaka comes to the club seeking help, the team (well, Haruhi) is up to the task. A well-trodden popular park path has suddenly begun to terrify the neighborhood dogs, and Haruhi suspects that its being haunted by animal spirits. It looks like the SOS Brigade is about to perform its first first canine exorcism!

An argument for the centrality of the visual culture of waste—as seen in works by international contemporary artists—to the study of our ecological condition. Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition. Boetzkes examines a series of works by an international roster of celebrated artists, including Thomas Hirschhorn, Francis Alÿs, Song Dong, Tara Donovan, Agnès Varda, Gabriel Orozco, and Mel Chin, among others, mapping waste art from its modernist origins to the development of a new waste imaginary generated by contemporary artists. Boetzkes argues that these artists do not offer a predictable or facile critique of consumer culture. Bearing this in mind, she explores the ambivalent relationship between waste (both aestheticized and reviled) and a global economic regime that curbs energy expenditure while promoting profitable forms of resource consumption.