An anarchist genius attempts to destroy London from his futuristic flying battleship.

Hartmann the Anarchist or The Doom of the Great City is a science fiction novel by Edward Douglas Fawcett first published in 1893.[1] It remained out of print for over 100 years and has only recently been re-published.The plot centers around Mr Stanley, a young moneyed gentleman who aims to stand for election as part of the Labour party in the early 20th century. Through his associations with many of London's most prominent socialists and anarchists, he encounters and befriends Rudolph Hartmann and 'goes along' with Hartmann's plan to attack London using his airship The Attila. Much of London is destroyed by fire and shells in the beginning of their plans to replace civilization with anarchism:"But how is the new order to take shape? How educe system from chaos?""We want no more 'systems,' or 'constitutions' -- we shall have anarchy. Men will effect by voluntary association, and abjure the foulness of the modern wage-slavery and city-mechanisms.""But can you expect the more brutal classes to thrive under this system. Will they not rather degenerate into savagery?""You forget the Attila will still sail the breeze, and she will then have her fleet of consorts.""What! You do not propose, then, to leave anarchy unreasoned?""Not at once -- the transition would be far too severe. Some supervision must necessarily be exercised, but, as a rule, it will never be more than nominal."

In E. Douglas Fawcett's 'Hartmann, the Anarchist; Or, The Doom of the Great City', readers are transported into a dystopian world where an anarchist named Hartmann envisions the destruction of a great city. The book, written in a suspenseful and thought-provoking style, delves into themes of social unrest, political turmoil, and the consequences of unchecked power. Fawcett's literary context reflects the anxieties and uncertainties of the late 19th century, mirroring the growing concerns of industrialization and urbanization. The novel's vivid descriptions and engaging narrative keep readers on the edge of their seats, contemplating the complex relationship between society and the individual. E. Douglas Fawcett, a British author and social thinker, was heavily influenced by the political and social upheavals of his time, which are evident in his works. His background in law and philosophy provided him with a deep understanding of societal structures, which he skillfully weaves into 'Hartmann, the Anarchist'. Fawcett's exploration of anarchist ideologies and their repercussions offers readers a unique perspective on the dangers of radicalism and extremism. For readers interested in thought-provoking literature that explores themes of social unrest, political ideologies, and the consequences of unchecked power, 'Hartmann, the Anarchist; Or, The Doom of the Great City' is a compelling and relevant read. Fawcett's insightful commentary on society and human nature will leave readers reflecting long after they finish the book.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An anarchist genius attempts to destroy London from his futuristic flying battleship.

The autobiography of the early radical leader and her participation in communist, anarchist, and feminist activities

The fifth issue of this classic magazine features: "Hartmann the Anarchist," by E. Douglas Fawcett, plus stories by Algernon Blackwood and Tudor Jenks, and more!

"Hartmann, the Anarchist" is a concept-frightening novel authored by means of E. Douglas Fawcett. This novel takes readers on a philosophical adventure into the thoughts of the titular character, Hartmann, who embodies the complex beliefs and contradictions of anarchism throughout the late nineteenth century. Set in a tumultuous length of political and social upheaval, the tale follows Hartmann, a passionate and idealistic anarchist, as he navigates the ideological battleground of his technology. Fawcett delves deep into the psyche of his protagonist, exploring Hartmann's internal struggles, his dedication to revolutionary ideals, and the moral dilemmas he faces as he grapples with the consequences of his moves. The novel offers a rich tapestry of political and philosophical discourse, showcasing Fawcett's intellectual prowess and his capability to interact readers in a talk about the ethics and consequences of radicalism. Through Hartmann's person, the writer examines the wider themes of freedom, justice, and the human situation. E. Douglas Fawcett's "Hartmann, the Anarchist" stays a vast work inside the canon of anarchist literature, provoking readers to ponder the complexities of modern idea and the moral implications of challenging hooked up authority.

This study investigates the overlaps between political discourse and literary and cinematic fiction, arguing that both are informed by, and contribute to, the cultural imaginary of terrorism. Whenever mass-mediated acts of terrorism occur, they tend to trigger a proliferation of threat scenarios not only in the realm of literature and film but also in the statements of policymakers, security experts, and journalists. In the process, the discursive boundary between the factual and the speculative can become difficult to discern. To elucidate this phenomenon, this book proposes that terror is a halfway house between the real and the imaginary. For what characterizes terrorism is less the single act of violence than it is the fact that this act is perceived to be the beginning, or part, of a potential series, and that further acts are expected to occur. As turn-of-the-century writers such as Stevenson and Conrad were the first to point out, this gives terror a fantastical dimension, a fact reinforced by the clandestine nature of both terrorist and counter-terrorist operations. Supported by contextual readings of selected texts and films from The Dynamiter and The Secret Agent through late-Victorian science fiction to post-9/11 novels and cinema, this study explores the complex interplay between actual incidents of political violence, the surrounding discourse, and fictional engagement with the issue to show how terrorism becomes an object of fantasy. Drawing on research from a variety of disciplines, The Cultural Imaginary of Terrorism will be a valuable resource for those with interests in the areas of Literature and Film, Terrorism Studies, Peace and Conflict Studies, Trauma Studies, and Cultural Studies.