A compelling work of ethnography, memoir, and fiction that explores the emancipatory power of transcending boundaries.

Harmattan tells the story of Haoua, a young girl growing up in the Republic of Niger. Spirited independent and intelligent, she has benefitted from a loving and attentive mother. Haoua worships her elder brother, Abdelkrim, a serving soldier who sends money home to support the family. But, on his last home visit, Abdelkrim quarrels with their father accusing him of gambling away their money and being the cause of their mother's worsening health. As civil strife mounts in Niger, Haoua begins to fear for Abdelkrim's safety. Her mother's illness is much more serious than anyone had recognised and her father has threatening plans. Approaching her twelfth birthday, Haoua is vulnerable for the very first time in her life...

We all experience qualms and anxieties when we move from the known to the unknown. Though our fulfillment in life may depend on testing limits, our faintheartedness is a reminder of our need for security and our awareness of the risks of venturing into alien worlds. Evoking the hot, dust-filled Harmattan winds that blow from the Sahara to the Gulf of Guinea, this book creatively explores what it means to be buffeted by the unforeseen and the unknown. Celebrating the life-giving potential of people, places, and powers that lie beyond our established worlds, Harmattan connects existential vitality to the act of resisting prescribed customs and questioning received notions of truth. At the book's heart is the fictional story of Tom Lannon, a graduate student from Cambridge University, who remains ambivalent about pursuing a conventional life. After traveling to Sierra Leone in the aftermath of its devastating civil war, Tom meets a writer who helps him explore the possibilities of renewal. Illustrating the fact that certain aspects of human existence are common to all people regardless of culture and history, Harmattan remakes the distinction between home and world and the relationship between knowledge and life.

Winner of the 1991 Commonwealth Writers' Prize. Syl Cheney-Coker's acclaimed debut novel, The Last Harmattan of Alusine Dunbar traces the history of a nation's rise and fall, as prophesied by an ancient sorcerer. A military general sits in one of Malagueta's prison cells, awaiting his execution. He has just failed to overthrow the government. In the same land, over two centuries ago, the wife of a formerly enslaved man takes her first steps towards freedom. From the creation of Malagueta to its devastating fall, Alusine Dunbar, the wizened old diviner, has prophesied it all. And what he sees, he calls a tragedy. One of Sierra Leone's most renowned novelists and poets, Sly Cheney-Coker creates a world teeming with magical realism as he paints the journey from precolonial Africa to its shaky independence.

This is a travelogue of a different order: the searing beauty and somber reality of West Africa are distilled into poetic moments of refreshingly honest insight, a world transformed through the wide eyes of a new traveler.

In this collection, Nigerian poet Tanure Ojaide adopts the persona of a homeboy griot returning from travels to be confronted by the devastation wrought by oil greed, politics, and technology upon his beloved Niger Delta; its environment, civilisation and people. It becomes a tragedy of corruption, suffering and dispossession in sharp contrast to the eco-sensitive animism of his youth. Angry, elegiac and lyrical, this collection allows the reader insight far beyond the reach of journalism or prose.

Phenological report contained in vols. 3-71, issued as a supplement to vols. 73-74, missing from vols. 56-58, 60-62.

What does it mean to live against a wall? Travel to the world’s most disputed edges to meet the people who live alongside the razor wire, concrete, and steel and how the structure of the walls has influenced their lives. In this ambitious first person narrative, Marcello Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier. From Native American reservations on the U.S.-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they pen in. He learns that while every wall fails to accomplish what it was erected to achieve – the walls are never solutions – each wall succeeds at something else. Some walls define Us from Them with Medieval clarity. Some walls encourage fear or feed hate. Some walls steal. Others kill. And every wall inspires its own subversion, either by the infiltrators who dare to go over, under, or around them, or by the artists who transform them.