15 stories "reproduced from the original magazines--including the campy illustrations and advertisements--and supplemented by an introduction to the pulps and biographical notes on the writers."

Here it is....the third and final volume in the popular Harboiled anthology series bought to you by Dead Guns Press! We might be going out but we're taking the lot of you with us down a road less traveled! Check out these jaw-crushing tales by some of the best crime fiction writers on the market.Enjoy these tales of Femme Fatales, bad dames and the gentle touch of power, sex and corruption in this edition of Hardboiled by these authors:DG BraceyTom BarlowLiz JohnsonBruce HarrisCraig Faustus BuckChristopher DavisPreston LangKaren RobiscoeDonald GlassCallum McSorleyBen FineSarah M. ChenJT SiemsBill BaberAidan ThornMax DeVoe TalleyJoe Prosit

Classic pulp crime thrillers from the 1940s and 1950s. In their time, the Hank Janson novels, with their sleazy covers and no-holds-barred tales, were a guilty pleasure for millions of readers, but incurred the wrath of the establishment! This anthology of ultra-rarities reprints the first three Hank Janson novellas - When Dames Get Tough, Scarred Faces and Kitty Takes The Rap - which initially appeared in 1946 over two volumes (with the latter two collected together under the Scarred Faces title). Literally only a handful of copies of the original editions now survive. Also included in this Telos anthology, as a bonus, are two Hank Janson short stories from the scarce Underworld magazine.

With its focus on dangerous, determined femmes fatales, hardboiled detectives, and crimes that almost-but-never-quite succeed, film noir has long been popular with moviegoers and film critics alike. Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist. Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.

Wearing a low-cut dress or sweater - usually in tatters - and menaced by a group of muscular thugs or a single, scarred villain, the clichéd cover girls of pulp fiction magazines stole the limelight from their rather more spirited sisters concealed within. From the pens of writing legends like Dashiell Hammett, Cornell Woolrich and Raymond Chandler, stories of the greatest grand dames of the pulp genre have been gathered together in this unique volume. Its pages are rich with female jewel thieves of a certain elegance, feisty reporters in pursuit of an exclusive, gun molls with gangster boyfriends, avenging angels, tough broads and out-and-out hoodlums. Tailor-made for pulp novices and hard-boiled fans with a soft spot for the masters, Pulp Fiction: The Dames shows that some writing has an edge that time just can't dull.

The greatest noir romance of all time, Laura won lasting renown as an Academy Award-nominated 1944 film: “an intriguing melodrama. . . . A top-drawer mystery.” (The New York Times) A brutal murder. A tough detective. And a woman who kept men spellbound—even after her death. Laura Hunt was the ideal modern woman: beautiful, elegant, highly ambitious, and utterly mysterious. No man could resist her charms—not even the hardboiled NYPD detective sent to investigate her murder. As this cop probes the mystery of Laura’s death, he finds himself drawn to the mere idea of her. As the circumstances surrounding her death become more intriguing, he comes to a startling realization—he’s in love with a dead woman. But is she even dead? Vera Caspary’s equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters—including a woman who stands as the ultimate femme fatale. Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era.

Has the boss chewed you out? Try this: "I've met a lot of hard-boiled eggs in my time, but you - you re twenty minutes."(Jan Sterling in The Big Carnival). In the cult, crime, and noir films of the 1930S, 40S, and 50s, everyone was supremely eloquent. Now fans of these classics can be equal-ly clever through this inspired collection from the greatest noir movies ever produced. With full-colour reproductions of publicity photos, promotional posters, and film stills, Hard-Boiled is a glamorous look back at the tawdry characters, stylish settings, and memorable lines of that golden era. "I don't pray. Kneeling bags my nylons."-Jan Sterling in The Big Carnival, aka Ace in the Hole

ComicsAlliance and ComicsBlend Best Comic Book of the Year BUST Magazine “Lit Pick” Recommendation Certified Cool™ in PREVIEWS: The Comic Shop’s Catalog “Mike Madrid gives these forgotten superheroines their due. These ‘lost’ heroines are now found—to the delight of comic book lovers everywhere.” —STAN LEE Wonder Woman, Mary Marvel, and Sheena, Queen of the Jungle ruled the pages of comic books in the 1940s, but many other heroines of the WWII era have been forgotten. Through twenty-eight full reproductions of vintage Golden Age comics, Divas, Dames & Daredevils reintroduces their ingenious abilities to mete out justice to Nazis, aliens, and evildoers of all kinds. Each spine-tingling chapter opens with Mike Madrid’s insightful commentary about heroines at the dawn of the comic book industry and reveals a universe populated by extraordinary women—superheroes, reporters, galactic warriors, daring detectives, and ace fighter pilots—who protected America and the world with wit and guile. In these pages, fans will also meet heroines with striking similarities to more modern superheroes, including The Spider Queen, who deployed web shooters twenty years before Spider Man, and Marga the Panther Woman, whose feral instincts and sharp claws tore up the bad guys long before Wolverine. These women may have been overlooked in the annals of history, but their influence on popular culture, and the heroes we’re passionate about today, is unmistakable. Mike Madrid is the author of Divas, Dames & Daredevils: Lost Heroines of Golden Age Comics and The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, an NPR “Best Book To Share With Your Friends” and American Library Association Amelia Bloomer Project Notable Book. Madrid, a San Francisco native and lifelong fan of comic books and popular culture, also appears in the documentary Wonder Women! The Untold Story of American Superheroines.