On a cold Monday morning before school begins, two children make a gruesome discovery. Hanging from the roof of the school gymnasium are the bodies of five naked and heavily disfigured men. Detective Chief Superintendent Konrad Simonsen and his team from the Murder Squad in Copenhagen are called in to investigate this horrific case - the men hanging in a geometric pattern; the scene so closely resembling a public execution. When the identities of the five victims and the disturbing link between them is leaked to the press, the sinister motivation behind the killings quickly becomes apparent to the police. Up against a building internet campaign and even members of his own team, Simonsen finds that he must battle public opinion and vigilante groups in his mission to catch the killers.A nerve-wrenching look at justice and retribution, The Hanging is a spectacular crime tale straight from the heart of Scandinavia.

A Handbook on Hanging is a Swiftian tribute to that unappreciated mainstay of civilization: the hangman. With barbed insouciance, Charles Duff writes not only of hanging but of electrocution, decapitations, and gassings; of innocent men executed and of executions botched; of the bloodlust of mobs and the shabby excuses of the great. This coruscating and, in contemporary America, very relevant polemic makes clear that whatever else capital punishment may be said to be--justice, vengeance, a deterrent--it is certainly killing.

Set on the Hawaiian island of Moloka'i, after the death of their mother and withdrawal of their grief-stricken father, "Blu's Hanging" tells "a poignant yet unsentimental tale" ("San Francisco Chronicle") about the three children left behind.

Reflections on Hanging is a searing indictment of capital punishment, inspired by its author’s own time in the shadow of a firing squad. During the Spanish Civil War, Arthur Koestler was held by the Franco regime as a political prisoner, and condemned to death. He was freed, but only after months of witnessing the fates of less-fortunate inmates. That experience informs every page of the book, which was first published in England in 1956, and followed in 1957 by this American edition. As Koestler ranges across the history of capital punishment in Britain (with a focus on hanging), he looks at notable cases and rulings, and portrays politicians, judges, lawyers, scholars, clergymen, doctors, police, jailers, prisoners, and others involved in the long debate over the justness and effectiveness of the death penalty. In Britain, Reflections on Hanging was part of a concerted, ultimately successful effort to abolish the death penalty. At that time, in the forty-eight United States, capital punishment was sanctioned in forty-two of them, with hanging still practiced in five. This edition includes a preface and afterword written especially for the 1957 American edition. The preface makes the book relevant to readers in the U.S.; the afterword overviews the modern-day history of abolitionist legislation in the British Parliament. Reflections on Hanging is relentless, biting, and unsparing in its details of botched and unjust executions. It is a classic work of advocacy for some of society’s most defenseless members, a critique of capital punishment that is still widely cited, and an enduring work that presaged such contemporary problems as the sensationalism of crime, the wrongful condemnation of the innocent and mentally ill, the callousness of penal systems, and the use of fear to control a citizenry.

Spanning three generations, Hanging Bridge reveals what happened in Clarke County, Mississippi in 1919 and 1942, when two horrific lynchings took place. The first the first of four young people, including a pregnant woman and the second, of two teenaged boys accused of harassing a white girl.

A history of mentalities, emotions, and attitudes rather than of policies and ideas, it analyses responses to the scaffold at all social levels: among the crowds which gathered to watch executions; among 'polite' commentators from Boswell and Byron on to Fry, Thackeray, and Dickens; and among the judges, home secretary, and monarch who decided who should hang and who should be reprieved. Drawing on letters, diaries, ballads, broadsides, and images, as well as on poignant appeals for mercy which historians until now have barely explored, the book surveys changing attitudes to death and suffering, 'sensibility' and 'sympathy', and demonstrates that the long retreat from public hanging owed less to the growth of a humane sensibility than to the development of new methods of punishment and law enforcement, and to polite classes' deepening squeamishness and fear of the scaffold crowd.

Destined for a Christmas film release from Columbia Pictures, this heartfelt novel by the co-screenwriter of "Sleepless in Seattle" is about a woman trying to keep her life and her loose-cannon family in order. "Delia Ephron is blessed with the driest of wits, the tenderest of hearts, and an uncanny ear for the way people talk."--Armistead Maupin. The movie will star Meg Ryan and Diane Keaton.

What Walter reads that day changes him. Not in any way someone would really notice. He still goes to school, hangs out with his friends Jimmy and Mothball, and tries to avoid the Troll, the town recluse. But something in him has changed. It's as if he can feel a part of him growing—the part that can stand by and watch a house burn down or the life flow out of a fox, without doing anything to stop either. He knows he could—should—do something to help. But some part of him keeps him glued in place, watching with fascination and curiosity. Maybe it would have been better if Walter had never found out the things he did. Maybe he didn't really want to know. But then again, maybe he did. Richly atmospheric, The Hanging Woods is at times disturbing, but it is always riveting. It's a tale of deception, delusion, and the dark places a troubled mind can go.