While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.

Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression. Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects. Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.

It’s 1998, and China’s political and military leaders are torn by ideological divisions. Amid these seething rivalries, Andrew Callahan arrives in Beijing fresh out of Harvard, planning to spend an adventurous year studying Mandarin and teaching at the renowned International Affairs University. The IAU is known as a training ground for diplomats and spies. But Andrew has no idea that his budding relationship with the attractive and self-assured dean’s assistant, Lily Jiang, will also entangle him in a conspiratorial web of worldwide proportions. A CIA officer approaches Andrew and informs him that Lily’s father is a top Chinese general caught in a power struggle. The general wants to defect but won’t do so without his wife and daughter. Even more shocking is that the Agency needs Andrew’s assistance for Lily to evade round-the-clock surveillance and escape to the US. If Andrew agrees, he’ll face lethal odds against China’s ruthless security services to help pull off one of the greatest intelligence coups in American history. If he refuses, it could cost Lily and her family their lives. Set against the backdrop of a beautiful culture at a turbulent time, China Hand is the story of a reluctant spy and a mission whose deadly consequences continue to reverberate today.

How to design and paint your own beautiful ceramics, without the need for kiln-firing.

Accompanies an exhibition held at the J. Paul Getty Museum, 8 February-1 May 2011.

Traditional Chinese painting is one of the purest art forms in existence, continuing as it does the techniques and themes that have been employed over centuries to create the most exquisite works in ink and wash. Whether meticulously realist or vibrantly expressive, often expertly combining skilful calligraphy with stunning draughtsmanship, these works all pay homage to what went before them. Focusing on classical painting, especially the colour-infused work of the Ming (1368–1644) and Qing dynasties (1644–1912), this delightful book reveals the fascinating history of Chinese painting. From Dai Jin to Ma Quan; from dramatic mountainscapes and tranquil rivers, through intricate and vivid depictions of animals and flowers, to peaceful pastoral scenes and busy tableaux of court life, the engaging text and lush reproductions ensure an enchanting read.

Information on "origins and development of the Chinese written language" precedes the extensive catalog of marks, including marks in regular kaishu script, marks in zhuanshu seal scripts, symbols used as marks, directory of marks, and list of potters.

This catalogue accompanies the exhibition The Artful Recluse: Painting, Poetry, and Politics in Seventeenth-Century China, organized by Susan S. Tai in collaboration with Peter C. Sturman and presented at the Santa Barbara Museum of Art, Santa Barbara, California, October 20, 2012-January 20, 2013, and the Asia Society, New York, March 5-June 2, 2013.

A second addition, also known as Ning Yeh's "Gold Edition" updates his original guide of step-by-step instructions for Chinese Brush Painting.