Comprises Slick's Letter and thirty-three stories.

Thomas Chandler Haliburton (1796–1865) was one of pre-confederation Canada's best-known authors. His popular 'Sam Slick the Clockmaker' character was a household name not only in his home country, but also in England and the United States. Born in Windsor, Nova Scotia, Haliburton was not only a writer, but also a lawyer, judge, politician, and historian. He gained fame for his writing in 1836 with The Clockmaker: or, the Sayings and Doings of Samuel Slick of Slickville for a Halifax newspaper. It became a hit in England and was followed by six sequels. Although Haliburton tried to put Sam Slick aside and work in other genres, he found himself invariably returning to the character in his later books. This commitment to Slick resulted in a curious effacement of Haliburton's own personal gentlemanly identity, which he spent the second half of his life affirming by fostering links with socially well connected family in England. In the public imagination, however, he remained linked with Sam Slick. Based on over ten years of archival research, Richard A. Davies's scholarly biography of Haliburton is the first since 1924. It is an engaging examination of a controversial and contradictory Canadian writer and significant figure in the history of pre-confederation Nova Scotia.

Reproduction of the original: The Clockmaker by Thomas Chandler Haliburton

The year is 1835. Thomas Poker has been sent to Nova Scotia by Britain's Ministry of the Interior to investigate possible covert American activity in the province. On hearing stories of a certain Yankee peddler - a clockmaker named Samuel Slick of Slickville, Connecticut - Poker contrives to meet him and, posing as 'The Squire', convinces Slick to take him on a tour of the province. In this tour, Sam Slick shares the secret of his successful clock-selling business, his opinion of Nova Scotia and 'Bluenoses', and his unique thoughts on going ahead. The Squire takes notes, convinced Slick has a secret agenda which includes the annexation of Nova Scotia to America, and hatches a few plots of his own. With this dramatic adaptation of Thomas Chandler Haliburton's The Clockmaker, playwright Andrew Gillis moves Canada's first best-selling literary character from page to stage.

In a nation struggling to establish its own identity, all kinds of Americans, for all kinds of reasons, were enchanted with Europe. A European trip, whether extravagant or modest, could serve social advancement, aesthetic enrichment, or personal curiosity. Travel allowed men and women, the descendants of European settlers or African slaves, to shed their familiar surroundings and comfortable personas, adopt new roles, and measure themselves against the European experience. These travelers were often also writers. Throughout the nineteenth century, celebrated authors and beginners alike published newspaper columns, magazine articles, guidebooks, travel essays, letters, and novels based on their European journeys. In Going Abroad, Stowe examines not only classic works by such writers as Irving, Fuller, Twain, James, and Adams, but also lesser-known works by African-American authors, journalists, feminist writers, and diarists. Travel and the writing of it were important, Stowe argues, in molding a peculiarly democratic, yet essentially class-based, sense of personal and group identity. Combining literary and cultural analysis, he suggests new ways of understanding nineteenth-century Americans' concept of their nation and its place in the world. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Wanda Sykes reduces people to tears -- tears of laughter. She's done so as a stand-up comic, a sitcom star, and a sports commentator for years now, and in the process she's gained a huge fan base nationwide. Now that she's conquered television, she's applying her genius to her first book, Yeah, I Said It. Here, Wanda presents hilarious and uncensored commentary on sex, family, politics, celebrities, and much more than she could ever say in a sound bite. But then again, she's a genius with a sound bite too. Here's what she says about men and football. "I used to think that football took place in this overbearing male-only environment that bled masculine domination. But the more I attend, the more I realize these football fans could actually be experiencing the straight man's gay pride parade. You see men painting each other's faces in bright colors. You see men proud to wear another man's last name on their shirt. You see some men wear no shirt at all....Hot wieners on every corner as you walk up to the main competition. Men open the back of their trunks for a little tailgating." Here's what she says about women: "Women are taking stripper classes in hopes their men will stop going to strip clubs....You can't compete with those strippers....You gotta have...the stripper mentality. In other words, the ability to lie like a dog for a measly buck. A stripper will tell your man anything for a dollar. 'Oow, I thought you were Brad Pitt.' " An uproarious and irreverent collection from one of today's foremost comedic talents, Yeah, I Said It is Wanda Sykes at her uncensored best. Here, she channels her sharp wit into funny bits on the truth as she sees it from the halls of government in Washington, D.C., to the red carpets and boardrooms of Hollywood. Imbued with her razor-sharp voice, these essays showcase Sykes's sidesplitting candor and her trademark brand of comedy.

Presents an account of the life and works of Thomas Chandler Haliburton as one of the foremost of Canada's men of letters to demonstrate that the truth about Haliburton is decidedly more interesting than fiction.