Published in France as La jeune nee in 1975, and now translated for the first time into English, The Newly Born Woman seeks to uncover the veiled structures of language and society that have situated women in the position called 'woman's place.'

Helene Cixous is widely regarded as one of the world's most influential feminist writers and thinkers. "White Ink" brings together her most revealing interviews, available in English for the first time. Spanning over four decades and including a new interview with the editor Susan Sellers, this collection presents a brilliant, running commentary on the subjects at the heart of Cixous' writing.Here, Cixous discusses her books and her creative process, her views on and insights into literature, philosophy, theatre, politics, aesthetics, faith and ethics, human relations and the state of the world. As she responds to interviewers' questions, Cixous is prompted to reflect on her roles and activities as poet, playwright, feminist theorist, professor of literature, philosopher, woman, Jew. Each interview is a remarkable performance, an event in language and thought where Cixous' celebrated intellectual and poetic force can be witnessed 'in action'. The accessibility of the interview format provides an excellent starting-point for readers new to Cixous, while those already familiar with her work will find unexpected insights and fresh elucidations of her thought.

In writing Le Livre de Promethea Häl_ne Cixous set for herself the task of bridging the immeasurable distance between love and language. She describes a love between twoøwomen in its totality, experienced as both a physical presence and a sense of infinity. The result is a stunning example of Pecriture feminine that won kudos when published in France in 1983. Its translation into English by Betsy Wing will extend the influence of a writer already famous for her novels and contributions to feminist theory. In her introduction Betsy Wing notes the contemporary emphasis on "fictions of presence." Cixous, in The Book of Promethea, works to "repair the separation between fiction and presence, trying to chronicle a very-present love without destroying it in the writing."

Helene Cixous is undoubtedly one of the most brilliant and innovative contemporary thinkers. Published here in English for the first time Helene Cixous, Rootprints is an ideal introduction to Cixous's theory and her fiction, tracing her development as a writer and intellectual whose remarkable prespicacity and electrifying poetic force are known world-wide. Unprecedented in its form and content this collection breaks new ground in the theory and practice of auto/biography. Cixous's creative reflections on the past provide occasion for scintillating forays into the future. The text includes: * an extended interview between Cixous and Calle-Gruber, exploring Cixous's creative and intellectual processes * a revealing collection of photographs taken from Cixous's family album, set against a poetic reflection by the author * selections from Cixous's private notebooks * a contribution by Jacques Derrida * original 'thing-pieces' by Calle-Gruber.

Hèléne Cixous -- author, playwright and French feminist theorist -- is a key figure in twentieth-century literary theory. Stigmata brings together her most recent essays for the first time. Acclaimed for her intricate and challenging writing style, Cixous presents a collection of texts that get away -- escaping the reader, the writers, the book. Cixous's writing pursues authors such as Stendhal, Joyce, Derrida, and Rembrandt, da Vinci, Picasso -- works that share an elusive movement in spite of striking differences. Along the way these essays explore a broad range of poetico-philosophical questions that have become characteristic of Cixous' work: * love's labours lost and found * feminine hours * autobiographies of writing * the prehistory of the work of art Stigmata goes beyond theory, becoming an extraordinary writer's testimony to our lives and times.

Three Steps on the Ladder of Writing is a poetic, insightful, and ultimately moving exploration of 'the strange science of writing.' In a magnetic, irresistible narrative, Cixous reflects on the writing process and explores three distinct areas essential for 'great' writing: The School of the Dead--the notion that something or someone must die in order for good writing to be born; The School of Dreams--the crucial role dreams play in literary inspiration and output; and The School of Roots--the importance of depth in the 'nether realms' in all aspects of writing. Cixous's love of language and passion for the written word is evident on every page. Her emotive style draws heavily on the writers she most admires: the Brazilian novelist Clarice Lispector, the Russian poet Marina Tsvetaeva, the Austrian novelists Ingeborg Bachmann and Thomas Bernhard, Dostoyevsky and, most of all, Kafka.

A lucid, original and inventive critical introduction to Helene Cixous (1937-). Royle offers close readings of many of her works, from Inside (1969) to the present. He foregrounds Cixous's importance for 'English literature' as well as creative writing, autobiography, narrative theory, psychoanalysis, ecology, gender studies and queer theory.

This book is an account of, and commentary on, a collection of dreams by the novelist, playwright and theorist Helene Cixous. As such the book presents a rich poetic experience and is a key document in understanding Cixous' writing practice. Jacques Derrida's commentary on Dream I Tell You is published in 'The Frontiers of Theory' series as Geneses, Genealogies, Genres and Genius.Key Features* Importance of Helene Cixous to contemporary literary and French feminist theory.* The poetic, autobiographical quality of the writing.* Significance of the book to the Cixous oeuvre.

Four striking and novel textual studies of major literary figures and emergent authors. Selected from Cixous's seminars taught between 1980 and 1986 at the Universite de Paris VIII (Saint-Denis) and at the College International de Philosphie, the texts chronicle the French intellectual scene with its shifting tastes over the decade following May 1968. Edited, translated, and introduced by Verena Andermatt Conley. Annotation copyrighted by Book News, Inc., Portland, OR

"In 1968-69 I wanted to die, that is to say, stop living, being killed, but it was blocked on all sides," wrote Hélène Cixous, esteemed French feminist, playwright, philosopher, literary critic, and novelist. Instead of suicide, she began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous's life and spirit and a secret book, the first book she ever authored. Originally written in 1970, Tombe is a Homerian recasting of Shakespeare's Venus and Adonis in the thickets of Central Park, a book Cixous provocatively calls the "all-powerful-other of all my books, it sparks them off, makes them run, it is their Messiah." Masterfully translated by Laurent Milesi, Tombe preserves the sonic complexities and intricate wordplay at the core of Cixous's writing, and reveals the struggles, ideas, and intents at the center of her work. With a new prologue by the author, this is a necessary document in the development of Cixous's aesthetic as a writer and theorist, and will be eagerly welcomed by readers as a crucial building block in the foundation of her later work.