From the Preface:On the frontier, says conventional wisdom, a structured society did not exist and social control was largely absent; law enforcement and the criminal justice system had limited, if any, influence; and danger--both from man and from the elements--was ever present. This view of the frontier is projected by motion pictures, television, popular literature, and most scholarly histories. But was the frontier really all that violent? What was the nature of the violence that did occur? Were frontier towns more violent that cities in the East? Has America inherited a violent way of life from the frontier? Was the frontier more violent than the United States is today? This book attempts to answer these questions and others about violence and lawlessness on the frontier and do so in a new way. Whereas most authors have drawn their conclusions about frontier violence from the exploits of a few notorious badmen and outlaws and from some of the more famous incidents and conflicts, I have chosen to focus on two towns that I think were typical of the frontier--the mining frontier specifically--and to investigate all forms of violence and lawlessness that occurred in and around those towns.

From the Preface:On the frontier, says conventional wisdom, a structured society did not exist and social control was largely absent; law enforcement and the criminal justice system had limited, if any, influence; and danger--both from man and from the elements--was ever present. This view of the frontier is projected by motion pictures, television, popular literature, and most scholarly histories. But was the frontier really all that violent? What was the nature of the violence that did occur? Were frontier towns more violent that cities in the East? Has America inherited a violent way of life from the frontier? Was the frontier more violent than the United States is today? This book attempts to answer these questions and others about violence and lawlessness on the frontier and do so in a new way. Whereas most authors have drawn their conclusions about frontier violence from the exploits of a few notorious badmen and outlaws and from some of the more famous incidents and conflicts, I have chosen to focus on two towns that I think were typical of the frontier--the mining frontier specifically--and to investigate all forms of violence and lawlessness that occurred in and around those towns.

One of the great lawmen of the Old West, Bob Paul (1830–1901) cast a giant shadow across the frontiers of California and Arizona Territory for nearly fifty years. Today he is remembered mainly for his friendship with Wyatt Earp and his involvement in the stirring events surrounding the famous 1881 gunfight near the OK Corral in Tombstone, Arizona. This long-overdue biography fills crucial gaps in Paul’s story and recounts a life of almost constant adventure. As told by veteran western historian John Boessenecker, this story is more than just a western shoot-’em-up, and it reveals Paul to be far more than a blood-and-thunder gunfighter. Beginning with Paul’s boyhood adventures as a whaler in the South Pacific, the author traces his journey to Gold Rush California, where he served respectively as constable, deputy sheriff, and sheriff in Calaveras County, and as Wells Fargo shotgun messenger and detective. Then, in the turbulent 1880s, Paul became sheriff of Pima County, Arizona, and a railroad detective for the Southern Pacific. In 1890 President Benjamin Harrison appointed him U.S. marshal of Arizona Territory. Transcending local history, Paul’s story provides an inside look into the rough-and-tumble world of frontier politics, electoral corruption, Mexican-U.S. relations, border security, vigilantism, and western justice. Moreover, issues that were important in Paul’s career—illegal immigration, smuggling on the Mexican border, youth gangs, racial discrimination, ethnic violence, and police-minority relations—are as relevant today as they were during his lifetime.

Introduces some of the gunfighting legends of the West, both criminals and law officials, and attempts to explore the realism of accounts of their feats

The short, bloody career of "Bronco Bill" Walters and his gang captures the devil-may-care violence of the Wild West. In this detailed narrative of the gang's crime spree in territorial New Mexico and Arizona, two experts in outlaw history offer a gunshot-by-gunshot account of how some especially dangerous outlaws plied their trade in 1898. William Walters reached New Mexico Territory from Texas in the late 1880s and quickly gained a reputation for his ability to sit a horse and for his violent ways. The Bronco Bill Gang skillfully dissects his propensity for trouble and shows how he soon found himself in the territorial penitentiary. In the spring of 1898, after a sojourn stealing horses in Arizona, Walters and four apprentice outlaws turned to armed robbery, holding up passenger trains on the Santa Fe Railroad in Grants and Belén, New Mexico. By the time a Wells Fargo posse captured Bronco Bill, two of the outlaws, two deputies, and a Navajo tracker had been killed in gunfights. Anyone with a taste for western history or an interest in New Mexico and Arizona in the bad old days will find this book irresistible. The authors' attention to the ways Bill and his men fell into a life of crime shows us the real West, where cowboys and gunmen could wind up on either side of the law. The Bronco Bill Gang is the first book to explore this fabled band of outlaws who crisscrossed the American Southwest.

Delve into the world of the Wild West and the gunslingers that populated its dusty towns and saloons.

The trial of O. J. Simpson was a sensation, avidly followed by millions of people, but it was also, in a sense, nothing new. One hundred years earlier the Lizzie Borden trial had held the nation in thrall. The names (and the crimes) may change, but the appeal is enduring—and why this is, how it works, and what it means are what Lawrence Friedman investigates in The Big Trial. What is it about these cases that captures the public imagination? Are the “headline trials” of our period different from those of a century or two ago? And what do we learn from them, about the nature of our society, past and present? To get a clearer picture, Friedman first identifies what certain headline trials have in common, then considers particular cases within each grouping. The political trial, for instance, embraces treason and spying, dissenters and radicals, and, to varying degrees, corruption and fraud. Celebrity trials involve the famous—whether victims, as in the case of Charles Manson, or defendants as disparate as Fatty Arbuckle and William Kennedy Smith—but certain high-profile cases, such as those Friedman categorizes as tabloid trials, can also create celebrities. The fascination of whodunit trials can be found in the mystery surrounding the case: Are we sure about O. J. Simpson? What about Claus von Bulow—tried, in another sensational case, for sending his wife into a coma.? An especially interesting type of case Friedman groups under the rubric worm in the bud. These are cases, such as that of Lizzie Borden, that seem to put society itself on trial; they raise fundamental social questions and often suggest hidden and secret pathologies. And finally, a small but important group of cases proceed from moral panic, the Salem witchcraft trials being the classic instance, though Friedman also considers recent examples. Though they might differ in significant ways, these types of trials also have important similarities. Most notably, they invariably raise questions about identity (Who is this defendant? A villain? An innocent unfairly accused?). And in this respect, The Big Trial shows us, the headline trial reflects a critical aspect of modern society. Reaching across the nineteenth and twentieth centuries to the latest outrage, from congressional hearings to lynching and vigilante justice to public punishment, from Dr. Sam Sheppard (the “fugitive”) to Jeffrey Dahmer (the “cannibal”), The Rosenbergs to Timothy McVeigh, the book presents a complex picture of headline trials as displays of power—moments of “didactic theater”" that demonstrate in one way or another whether a society is fair, whom it protects, and whose interest it serves.

For many people, the cinematic vigilante has been shaped by Charles Bronson's character in Death Wish and its sequels. But screen vigilantes have taken many guises, from Old West lynch mobs and rogue police officers to rape-avengers and military-trained equalizers. This book recounts the varied representations of such characters in films like The Birth of a Nation, which celebrated the violence of the Ku Klux Klan, and Taxi Driver, Falling Down and You Were Never Really Here, in which the vigilante impulse was symptomatic of mental instability. Also considered is the extent to which fictional vigilantism functions as social commentary and to what degree it is simply stoking popular fears.