Growing up in the new South Africa is based on rich ethnographic research in one area of Cape Town, together with an analysis of quantitative data for the city as a whole. The authors, all based at the time in the Centre for Social Science Research at the University of Cape Town, draw on varied disciplinary backgrounds to reveal a world in which young people's lives are shaped by an often adverse environment and the agency that they themselves exercise. This book should be read by anyone, whether inside or outside of the university, interested in the well-being of young South Africans and the social realities of post-apartheid South Africa.

#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

Ufrieda Ho’s compelling memoir describes with intimate detail what it was like to come of age in the marginalized Chinese community of Johannesburg during the apartheid era of the 1970s and 1980s. The Chinese were mostly ignored, as Ho describes it, relegated to certain neighborhoods and certain jobs, living in a kind of gray zone between the blacks and the whites. As long as they adhered to these rules, they were left alone. Ho describes the separate journeys her parents took before they knew one another, each leaving China and Hong Kong around the early 1960s, arriving in South Africa as illegal immigrants. Her father eventually became a so-called “fahfee man,” running a small-time numbers game in the black townships, one of the few opportunities available to him at that time. In loving detail, Ho describes her father’s work habits: the often mysterious selection of numbers at the kitchen table, the carefully-kept account ledgers, and especially the daily drives into the townships, where he conducted business on street corners from the seat of his car. Sometimes Ufrieda accompanied him on these township visits, offering her an illuminating perspective into a stratified society. Poignantly, it was on such a visit that her father—who is very much a central figure in Ho’s memoir—met with a tragic end. In many ways, life for the Chinese in South Africa was self-contained. Working hard, minding the rules, and avoiding confrontations, they were able to follow traditional Chinese ways. But for Ufrieda, who was born in South Africa, influences from the surrounding culture crept into her life, as did a political awakening. Paper Sons and Daughters is a wonderfully told family history that will resonate with anyone having an interest in the experiences of Chinese immigrants, or perhaps any immigrants, the world over.

This book is a short collection of memories about being white and living in South Africa during Apartheid. I wrote this book for the reader to easily understand what it was like to live in this environment. It is not a history lesson, but some personal experiences that I went through living in South Africa at the time. Living through apartheid I never even realized that it even existed, because we were brought up to believe that it was normal. Life was paradise for me and hell for others! Many of us did not know or care, and even if we did try to change the system, it would have resulted in prison or death. We believed that changing apartheid would have caused the country to fall into the hands of the communists, and many white people were fearful that black rule would have destroyed South Africa and their lives. The other side of the coin is that I cant comprehend what the lives of most blacks was like, which was excruciatingly difficult, something that I didnt personally experience. Our history books never taught us anything good about blacks. I cant remember ever learning anything positive that blacks did. What I did learn was that they were lazy, uneducated, dangerous, and drank a lot. Stay away from them, and if they bother you call the police. There were serious injustices in South Africa, and many black people suffered under the Apartheid Regime.

I was born in Harare, the capital of Zimbabwe. My dad was a freedom fighter, waging war for an independent state: South Sudan. We lived in a small country town, in the deep south of Western Australia. I never knew black people could be Muslim until I met my North African friends. My mum and my dad courted illegally under the Apartheid regime. My first impression of Australia was a housing commission in the north of Tasmania. Somalis use this term, “Dhaqan Celis”. “Dhaqan” means culture and “Celis” means return. Learning to kick a football in a suburban schoolyard. Finding your feet as a young black dancer. Discovering your grandfather’s poetry. Meeting Nelson Mandela at your local church. Facing racism from those who should protect you. Dreading a visit to the hairdresser. House- hopping across the suburbs. Being too black. Not being black enough. Singing to find your soul, and then losing yourself again. Welcome to African Australia. Compiled by award-winning author Maxine Beneba Clarke, with curatorial assistance from writers Ahmed Yussuf and Magan Magan, this anthology brings together voices from the regions of Africa and the African diaspora, including the Caribbean and the Americas. Told with passion, power and poise, these are the stories of African-diaspora Australians. Contributors include Faustina Agolley, Santilla Chingaipe, Carly Findlay, Khalid Warsame, Nyadol Nyuon, Tariro Mavondo and many, many more. ‘A deeply moving and unforgettable read – there is something to learn from each page. FOUR AND A HALF STARS’ —Books+Publishing ‘A complex tapestry of stories specific in every thread and illuminating as a whole ... The wonderful strength of this anthology lies in the easily understood and the never imagined.’ —Readings ‘In the face of structural barriers to health care, education, housing and employment, the narratives in Growing Up African are tempered with stories of deep courage, hope, resilience and endurance.’ —The Conversation ‘Growing Up African in Australia is almost painfully timely. It speaks to the richness of a diaspora that is all too often deprived of its nuances ... Lively, moving, and often deeply affecting, it is an absolute must-read. FOUR AND A HALF STARS’ —The AU Review

My Race is the memoir of a gifted Jewish athlete growing up under the apartheid system of South Africa. As both an outsider excluded from the conservative Christian mainstream and an insider who reaped many of the benefits of a society founded on white supremacy, South African track star Lorraine Lotzof Abramson had a unique vantage point on the apartheid experience. Her grandparents left Eastern Europe to escape oppression, only to find themselves in another oppressive society. This time, by virtue of their white skin, they were on the same side of the fence as the oppressors. Lorraine's first-hand account shares her ambitions, her achievements, her losses, her family ties and her growing unease with the system of social inequality that simultaneously excluded her and celebrated her. Along the way, Lorraine learns that the real race the marathon that is a long and eventful human life is a journey towards compassion.

An extraordinary, literary memoir from a gay white South African, coming of age at the end of apartheid in the late 1970s. Glen Retief's childhood was at once recognizably ordinary--and brutally unusual. Raised in the middle of a game preserve where his father worked, Retief's warm nuclear family was a preserve of its own, against chaotic forces just outside its borders: a childhood friend whose uncle led a death squad, while his cultured grandfather quoted Shakespeare at barbecues and abused Glen's sister in an antique-filled, tobacco-scented living room. But it was when Retief was sent to boarding school that he was truly exposed to human cruelty and frailty. When the prefects were caught torturing younger boys, they invented "the jack bank," where underclassmen could save beatings, earn interest on their deposits, and draw on them later to atone for their supposed infractions. Retief writes movingly of the complicated emotions and politics in this punitive all-male world, and of how he navigated them, even as he began to realize that his sexuality was different than his peers'.

The host of The Daily Show, Trevor Noah, shares his personal story and the injustices he faced while growing up half black, half white in South Africa under and after apartheid in this New York Times bestselling young readers' adaptation of his adult memoir. “A piercing reminder that every mad life--even yours--could end up a masterpiece." --JASON REYNOLDS, New York Times bestselling author We do horrible things to one another because we don’t see the person it affects. . . . We don’t see them as people. Trevor Noah, host of The Daily Show on Comedy Central, shares his remarkable story of growing up in South Africa with a black South African mother and a white European father at a time when it was against the law for a mixed-race child to exist. But he did exist--and from the beginning, the often-misbehaved Trevor used his keen smarts and humor to navigate a harsh life under a racist government. In a country where racism barred blacks from social, educational, and economic opportunity, Trevor surmounted staggering obstacles and created a promising future for himself thanks to his mom’s unwavering love and indomitable will. This honest and poignant memoir adapted from the #1 New York Times bestseller Born a Crime: Stories from a South African Childhood will astound and inspire readers as well as offer a fascinating perspective on South Africa’s tumultuous racial history. BORN A CRIME IS SOON TO BE A MAJOR MOTION PICTURE STARRING OSCAR WINNER LUPITA NYONG'O!

The New York Times Bestseller from the author of Travel Light, Move Fast "One of the gutsiest memoirs I've ever read. And the writing--oh my god the writing."—Entertainment Weekly A child of the Rhodesian wars and daughter of two deeply complicated parents, Alexandra Fuller is no stranger to pain. But the disintegration of Fuller’s own marriage leaves her shattered. Looking to pick up the pieces of her life, she finally confronts the tough questions about her past, about the American man she married, and about the family she left behind in Africa. A breathtaking achievement, Leaving Before the Rains Come is a memoir of such grace and intelligence, filled with such wit and courage, that it could only have been written by Alexandra Fuller. Leaving Before the Rains Come begins with the dreadful first years of the American financial crisis when Fuller’s delicate balance—between American pragmatism and African fatalism, the linchpin of her unorthodox marriage—irrevocably fails. Recalling her unusual courtship in Zambia—elephant attacks on the first date, sick with malaria on the wedding day—Fuller struggles to understand her younger self as she overcomes her current misfortunes. Fuller soon realizes what is missing from her life is something that was always there: the brash and uncompromising ways of her father, the man who warned his daughter that "the problem with most people is that they want to be alive for as long as possible without having any idea whatsoever how to live." Fuller’s father—"Tim Fuller of No Fixed Abode" as he first introduced himself to his future wife—was a man who regretted nothing and wanted less, even after fighting harder and losing more than most men could bear. Leaving Before the Rains Come showcases Fuller at the peak of her abilities, threading panoramic vistas with her deepest revelations as a fully grown woman and mother. Fuller reveals how, after spending a lifetime fearfully waiting for someone to show up and save her, she discovered that, in the end, we all simply have to save ourselves. An unforgettable book, Leaving Before the Rains Come is a story of sorrow grounded in the tragic grandeur and rueful joy only to be found in Fuller’s Africa.

"Boet,"said Kevin, "there's a jazz somewhere down by the assembly hall where okes can do what they smaak, and I hear from reliable sources that it's lekker down there." Like most children of the 1970s and 1980s, Richard Poplak grew up obsessed with pop culture. Watching The Cosby Show, listening to Guns N'Roses, and quoting lines from Mad Max movies were part of his everyday life. But in Richard's country, South Africa, censorship in the newspapers, military training at school, and different rules for different races were also just a part of everyday life. It was, as Richard says, "a different kind of normal." Ja, No, Man articulates what it was like to live through Apartheid as a white, Jewish boy in suburban Johannesburg. Told with extraordinary humour and self-awareness, Richard's story brings his gradual understanding of the difference between his country and the rest of the world vividly to life. A startlingly original memoir that veers sharply from the quotidian to the bizarre and back again, Ja, No, Man is an enlightening, darkly hilarious, and, at times, disturbing read.