In the tradition of Portnoy's Complaint and Alison Bechdel's Fun Home, Donna Minkowitz's Growing Up Golem is an incisive, often funny memoir about growing up inspired by the Jewish legend of the golem. The author's mother told Minkowitz and her sisters as children that she could do kabalistic magic, and growing up, Minkowitz believed it. Her mother, a compulsively creative and unusually powerful figure, exerted even more sway over Minkowitz and her sisters than mothers typically do over their offspring, so it is the "magical realist" premise of the book that instead of giving birth to her, her mother actually created Minkowitz as her own personal golem: a little clay servant designed to do anything it is ordered to. In the book, Minkowitz struggles to control her own life, even as she publicly appears to be a radical, take-no-prisoners lesbian journalist. In her career, dating, even with friends - and especially with her own eccentric, hyper-sexualized, intellectual family - Minkowitz finds herself compelled to do what other people want, to horrible and hilarious effect. In sex, for example, she often feels like "a giant robot dildo." Matters come to a head when a disabling arm injury renders her almost helpless - unable to use a computer or even lift a glass of water. She must find a way to work, find people who love her, and stand up for her own desires - against the bossing she's always tolerated from girlfriends, mother, and anyone else she meets - before her injury gets even worse.

The vividly told, gloriously illustrated memoir of an artist born with disabilities who searches for freedom and connection in a society afraid of strange bodies “Golem Girl is luminous; a profound portrait of the artist as a young—and mature—woman; an unflinching social history of disability over the last six decades; and a hymn to life, love, family, and spirit.”—David Mitchell, author of Cloud Atlas WINNER OF THE BARBELLION PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS What do we sacrifice in the pursuit of normalcy? And what becomes possible when we embrace monstrosity? Can we envision a world that sees impossible creatures? In 1958, amongst the children born with spina bifida is Riva Lehrer. At the time, most such children are not expected to survive. Her parents and doctors are determined to "fix" her, sending the message over and over again that she is broken. That she will never have a job, a romantic relationship, or an independent life. Enduring countless medical interventions, Riva tries her best to be a good girl and a good patient in the quest to be cured. Everything changes when, as an adult, Riva is invited to join a group of artists, writers, and performers who are building Disability Culture. Their work is daring, edgy, funny, and dark—it rejects tropes that define disabled people as pathetic, frightening, or worthless. They insist that disability is an opportunity for creativity and resistance. Emboldened, Riva asks if she can paint their portraits—inventing an intimate and collaborative process that will transform the way she sees herself, others, and the world. Each portrait story begins to transform the myths she’s been told her whole life about her body, her sexuality, and other measures of normal. Written with the vivid, cinematic prose of a visual artist, and the love and playfulness that defines all of Riva's work, Golem Girl is an extraordinary story of tenacity and creativity. With the author's magnificent portraits featured throughout, this memoir invites us to stretch ourselves toward a world where bodies flow between all possible forms of what it is to be human. “Not your typical memoir about ‘what it’s like to be disabled in a non-disabled world’ . . . Lehrer tells her stories about becoming the monster she was always meant to be: glorious, defiant, unbound, and voracious. Read it!”—Alice Wong, founder and director, Disability Visibility Project

A golem to the rescue! Grundy Golem was the size of an inconsequence, and nobody had any respect for him—including Grundy! To prove himself, he volunteered to ride the Monster Under the Bed to the Ivory Tower to find little Ivy’s long-lost dragon, Stanley Steamer. After many adventures, he reached the Tower, to learn that the evil Sea Hag kept lovely Rapunzel imprisoned there, her body destined to be used to maintain the witch’s immortality. Grundy managed to free the damsel, and they fled together. As the descendant of Jordan the Barbarian and Bluebell Elf, Rapunzel could become any size, even that of any Golem’s dreamgirl. But Grundy knew she was surely fated for someone better than he. Besides, the Sea Hag still pursued them to destroy him and get her back. And he still hadn’t found Stanley Steamer.

Introduction: The Golem condition -- 1. The face of destruction: Paul Wegener's World War I Golem films -- 2. The Golem cult of 1921 New York: between redemption and expulsion -- 3. Our enemies, ourselves: Israel's monsters of 1948 -- 4. Supergolem: revenge after the Holocaust -- 5. Pacifist computers and Jewish cyborgs: fighting for the future

"You think you're a fairy godmother or something?" I asked."Or something," Michael agreed. Edda is tired of her nickname, 'Mouse', and wants to be braver. But when her house is burgled on her twelfth birthday, Edda is more afraid than ever. That is until new boy Michael Scot starts school. There's something peculiar -- and very annoying -- about know-it-all Michael. He claims to be a great alchemist who can help Edda overcome her fears by teaching her to build a golem. But surely they can't bring a giant mud monster to life? Can they? Winner of the Kelpies Prize 2011.

Tormented by bullies at their Jewish school in Mexico, Sammy Nurko asks his friend Ilan to help build and control, a small, Aztec version of the legendary Golem, then finds his own strength through the poetry of Nezahualcoyotl.

“An intoxicating fusion of fantasy and historical fiction. . . . Wecker’s storytelling skills dazzle." —Entertainment Weekly A marvelous and absorbing debut novel about a chance meeting between two supernatural creatures in turn-of-the-century immigrant New York. Chava is a golem, a creature made of clay by a disgraced rabbi knowledgeable in the ways of dark Kabbalistic magic. She serves as the wife to a Polish merchant who dies at sea on the voyage to America. As the ship arrives in New York in 1899, Chava is unmoored and adrift until a rabbi on the Lower East Side recognizes her for the creature she is and takes her in. Ahmad is a jinni, a being of fire born in the ancient Syrian desert and trapped centuries ago in an old copper flask by a Bedouin wizard. Released by a Syrian tinsmith in a Manhattan shop, Ahmad appears in human form but is still not free. An iron band around his wrist binds him to the wizard and to the physical world. Chava and Ahmad meet accidentally and become friends and soul mates despite their opposing natures. But when the golem’s violent nature overtakes her one evening, their bond is challenged. An even more powerful threat will emerge, however, and bring Chava and Ahmad together again, challenging their very existence and forcing them to make a fateful choice. Compulsively readable, The Golem and the Jinni weaves strands of Yiddish and Middle Eastern literature, historical fiction and magical fable, in a wondrously inventive tale that is mesmerizing and unforgettable.

Comedy Character: 1 female Interior Set "And then I realize, in this sort of strange, hallucinatory moment, that the bug guy is looking kind of good, and the things he's saying about bugs are really kind of fascinating and it is then that I realized that maybe it has been too long since I've been on a date."--So confesses a single mother and self-described restaurant idiot-savant in this thoroughly charming and slyly sweet one-woman play by the author of The Butte

In 1925, earthquakes and a rising sea level left Lower Manhattan submerged under more than thirty feet of water, so that its residents began to call it the Drowning City. Those unwilling to abandon their homes created a new life on streets turned to canals and in buildings whose first three stories were underwater. Fifty years have passed since then, and the Drowning City is full of scavengers and water rats, poor people trying to eke out an existence, and those too proud or stubborn to be defeated by circumstance. Among them are fourteen-year-old Molly McHugh and her friend and employer, Felix Orlov. Once upon a time Orlov the Conjuror was a celebrated stage magician, but now he is an old man, a psychic medium, contacting the spirits of the departed for the grieving loved ones left behind. When a seance goes horribly wrong, Felix Orlov is abducted by strange men wearing gas masks and rubber suits, and Molly soon finds herself on the run. Her flight will lead her into the company of a mysterious man, and his stalwart sidekick, Joe Golem, whose own past is a mystery to him, but who walks his own dreams as a man of stone and clay, brought to life for the sole purpose of hunting witches.

This collection of interrelated stories about a sixteenth-century Prague rabbi and the golem he created became an immediate bestseller upon its publication in 1909. So widely popular and influential was Yudl Rosenberg's book, it is no exaggeration to claim that the author transformed the centuries-old understanding of the creature of clay and single-handedly created the myth of the golem as protector of the Jewish people during times of persecution. In addition to translating Rosenberg's classic golem story into English for the first time, Curt Leviant also offers an introduction in which he sets Rosenberg's writing in historical context and discusses the golem legend before and after Rosenberg's contributions. Generous annotations are provided for the curious reader. The book is full of adventures, surprises, romance, suspense, mysticism, Jewish pride, and storytelling at its best. The Chief Rabbi of Prague, known as the Maharal, brings the golem Yossele to life to help the Jews fight false accusations of ritual murder-the infamous blood libel. More human, more capable, and more reliable as a protector than any golem imagined before, Rosenberg's Golem irrevocably changed one of the most widely influential icons of Jewish folklore.