Ted Docker was an Australian of Irish descent who as a young man wanted to change the world, joining first the Industrial Workers of the World and then helping form the Communist Party of Australia. He was steadfastly loyal to the Soviet Union and by historical record a stern hard-liner. This is not the whole story.

Elsie Levy was born in the Jewish East End of London, came to Sydney with her family when she was 14, and joined the Communist Party of Australia when she was a young woman. In this book, her son explores her disaporic Jewish identity, both English and Australian, and in the process journeys into Jewish cultural histories. We meet important cultural figures such as Leonard Woolf, Freud, Schnitzler, Veza Canetti and Ida Rubinstein. This journey leads also to English anti-Semitism, including, shockingly, Bloomsbury. In turning to Communism and marrying out, Elsie Levy became one of history's undutiful daughters.

John Docker grew up in Bondi, the son of Communist parents, his mother Jewish from the East End of London and his father of Irish descent. His Bondi is not the site of sunny mindlessness but rather a place of intense immigrant and political life. This book traces his often comic experiences at Bondi Wellington Primary School and Randwick Boys High School. At the University of Sydney from 1963, he became a teenage Leavisite and participated in the anarchistic New Left. With Ann Curthoys he travelled on the Hippie Trail through Asia to London, which became for both the scene of what Gorky referred to as the University of Life.

This book is an exercise in ethical criticism. It draws on and works with ideas and suggestions from two of its notable exponents, Wayne C. Booth and Martha C. Nussbaum, who propose that we regard cultural texts as “friends” with whom we can enjoy productive conversations that address contemporary challenges and developments, such as coercive control in gender relations, imperial and colonial thinking, and the centuries-long history of slavery. Throughout, attention is drawn to female agency in figures from Joan of Arc, Lady Mary Wortley Montagu, and Rebecca in Sir Walter Scott’s Ivanhoe through to Princess Diana. The book begins by looking closely at The Thousand and One Nights in terms of its wayward narratology, its displays of female power, and its significance for arguments over the relationship between the Enlightenment and the conceptual underpinnings of the Holocaust. Montesquieu in Persian Letters and Voltaire in Zadig destabilise any certainty that the Enlightenment was straightforward or easily definable. After evoking a slavery thread in chapters on Jane Austen’s Persuasion and Mansfield Park, Patricia Rozema’s film Mansfield Park, and Jamaica Kincaid’s Annie John, the book concludes with a radical re-reading of Middlemarch.

An ambitious and wide-ranging book by a well-known author that ranges from discussions of literary texts to an examination of Genesis, Mediterranean cookery, The Thousand and One Nights, Zionism and Anti-Zionism, Jewish mysticism and English Romanticism.1492 takes as a premise the 'lost world' of a shared Indian, Arab and Jewish culture which was destroyed in the early modern period by the expansion of Europe. For Docker, as for Salman Rushdie in The Moor's Last Sigh, the crucial event of 1492 was not the discovery of the Americas but the almost simultaneous final defeat of Moorish Spain in the fall of Granada and the expulsion of the Jews of Spain. Besides destroying the great Islamic-Judaic culture in Spain, it marked the beginning of nationalisms based on race, religion and language. Like the Crusades, it created a notion of Europe in opposition to a previous Mediterranean civilization and one of its direct results was the Spanish inquisition. 1492 was also the beginning of several diasporas and, in the course of examining several 19th-and 20th-century works that deal with the 'Wandering Jew' (Ivanhoe, Ulysses), the author goes on to look at a number of literary texts as a vehicle for speculating about various consequences and complications for cultural and intellectual history which followed from this 'lost ideal.'>

The Jewish journey is central to the Jewish experience but has received almost no scholarly attention. This multi-disciplinary collection is thus path-breaking and a contribution to wider scholarship. It deals with both physical and spiritual Jewish journeys, as well as cultural and intellectual ones, exploring the relationship between these different categories. It covers a wide chronology and has a global reach including Europe, Israel, the Americas, Asia, and Africa. The essays are scholarly but accessible to a wide readership, reflecting the intrinsic interest of the subject matter. --Book Jacket.

Genocide is commonly understood to be a terrible aberration in human behaviour, performed by evil, murderous regimes such as the Nazis and dictators like Suharto and Pinochet. John Docker argues that the roots of genocide go far deeper into human nature than most people realise.Genocide features widely in the Bible, the literature of ancient Greece and Rome, and debates about the Enlightenment. These texts are studied in depth to trace the origins of violence through time and across civilisations. Developing the groundbreaking work of Raphaël Lemkin, who invented the term 'genocide', Docker guides us from the dawn of agricultural society, through classical civilisation to the present, showing that violence between groups has been integral to all periods of history.This revealing book will be of great interest to those wishing to understand the roots of genocide and why it persists in the modern age.

Fourteen academics and writers from the land down under present papers on aboriginal identity, Asians in Australia, Australians in Asia, bi- and multiculturalism in New Zealand, and whiteness, most of which were presented at the 1998 Sydney conference, Adventures of Identity: Constructing the Multic

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