Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts. This book takes Woolf's hint as its starting point, asking who made the books of the English Renaissance. It recovering the ways in which women participated as co-authors, editors, translators, patrons, printers, booksellers, and readers.

A Concise Companion to Shakespeare and the Text introduces the early editions, editing practices, and publishing history of Shakespeare’s plays and poems, and examines their influence on bibliographic studies as a whole. The first single-volume book to provide an accessible and authoritative introduction to Shakespearean bibliographic studies Includes a helpful introduction, notes on Shakespeare’s texts, and a useful bibliography Contributors represent both leading and emerging scholars in the field Represents an unparalleled resource for both students and faculty

Economic Imperatives for Women’s Writing in Early Modern Europe addresses the central question of the professionalization of women’s writing before the eighteenth-century from a comparatist perspective, offering intriguing case studies on as yet an underdeveloped area in early modern studies.

This collection examines the diverse material cultures through which early modern women's writing was produced, transmitted, and received. It focuses on the ways it was originally packaged and promoted, how it circulated in its contemporary contexts, and how it was read and received in its original publication and in later revisions and redactions.

Recasts the Reformation as a battleground over memory, in which new identities were formed through acts of commemoration, invention and repression.

This is a study of modernism, sexuality, and subjectivity in the work of two leading women modernists. Each confronted the aspects of her culture and personal history that resulted in a degraded sense of female sexuality and explored how traumatic childhood sexual experiences informed their relationship to female corporeality and fiction-writing.

Modern British and Irish Criticism and Theory offers the student and general reader a comprehensive, critically informed overview of the development of literary and cultural studies from the nineteenth century to the present day. Beginning with Coleridge and Arnold, examining the contribution of cultural commentators and novelists, and considering the institutionalisation of literary criticism in the universities of England, Ireland, Scotland, and Wales, the book addresses in detailed, accessible and rigorous essays the rise and significance of literary and cultural studies. Nearly thirty essays contribute to an understanding of the practice of literary studies presenting the reader with a perceptive series of critical interventions which, themselves, engage in the very locations from which criticism and theory have emerged.A further reading list accompanies each chapter.

Feminism has transformed the academic study of literature, fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards, and analyses the work of pioneers such as Wollstonecraft and Woolf. The second section examines the rise of second-wave feminism and maps its interventions across the twentieth century. A final section examines the impact of postmodernism on feminist thought and practice. This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field. It is essential reading for all students and scholars of feminist writing and literary criticism.

Selected as a Union of American Hebrew Congregations (UAHC) “Significant Jewish Book” Jacob was running away from home. One night he lay down in the wilderness to sleep and had one of the great mystical experiences of Western religion. He dreamed there was a ladder, with angels ascending and descending, stretched between heaven and earth. For thousands of years, people have tried to overhear what the messengers came down to tell Jacob, and us. Now in a daring blend of scholarship and imagination, psychology and history, Lawrence Kushner gathers an inspiring range of interpretations of Genesis 28:16 given by sages, from Shmuel bar Nachmani in third-century Palestine to Hannah Rachel Werbermacher of Ludomir who lived in Poland two hundred years ago. Through a fascinating new literary genre and Kushner’s creative reconstruction of the teachers’ lives and times, we enter the study halls and sit at the feet of these spiritual masters to learn what each discovered about God’s Self and ourselves as they ascend and descend Jacob’s ladder. In this illuminating journey, our spiritual guides ask and answer the fundamental questions of human experience: Who am I? Who is God? What is God’s role in history? What is the nature of evil? How should I relate to God and other people? Could the universe really have a self? Rabbi Lawrence Kushner brilliantly reclaims a millennium of Jewish spirituality for contemporary seekers of all faiths and backgrounds. God Was in This Place & I, i Did Not Know is about God and about you; it is about discovering God’s place in the universe, and yours.