In Grk Takes Revenge, Tim and his intrepid dog Grk rush off to Paris to protect their friend Max, who has gone there to confront an evil dictator. In Grk Down Under, Tim travels to Australia to rescue Grk, who gets caught in the middle of a hostage situation. Exotic locales and action-packed adventures will keep readers turning the pages and cheering on these unlikely heroes!

From Action/Adventure novelist Michael Kasner comes a covert military thriller series! Formed by an elite cadre of government officials, the five member Black OPS team goes where the law can’t - to seek retribution for acts of terror directed against Americans anywhere in the world. BLACK OPS - BOOK ONE: AMERICA CAUGHT IN A CARIBBEAN UPRISING! The strident call to action comes from Cuba as an unprecedented wave of violence against Americans that Castro’s inheritors can’t-or won’t- control. When the U.S. offers of military support are turned down, the five member Black OPS force is dispatched on a clandestine down and dirty mission... In the tradition of Don Pendleton's Executioner Mack Bolan and Warren Murphy's Destroyer classic paperback book series!

Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera.

At 6'4" and 375 pounds, Jack Garcia looked the part of a mobster, and he played his part so perfectly that his Mafia bosses never suspected he was an undercover agent for the FBI. 'Big Jack Falcone', as he was known inside La Cosa Nostra, learned all the inside dirt about the Gambino organized crime syndicate and its illegal activities - from extortion and loan-sharking to assault and murder. The result was a string of busts and a quarter of a million dollar contract put out on his life. A fascinating inside look at the struggle between law enforcement and organized crime, MAKING JACK FALCONE sheds new light on two organizational cultures that continue to exert an unparalled grip on our imagination.

Wes Britton's Spy Television (2004) was an overview of espionage on the small screen from 1951 to 2002. His Beyond Bond: Spies in Fiction and Film (2004) wove spy literature, movies, radio, comics, and other popular media together with what the public knew about actual espionage to show the interrelationships between genres and approaches in the past century. Onscreen and Undercover, the last book in Britton's Spy Trilogy, provides a history of spies on the large screen, with an emphasis on the stories these films present. Since the days of the silent documentary short, spying has been a staple of the movie business. It has been the subject of thrillers, melodramas, political films, romances, and endless parodies as well. But despite the developing mistrust of the spy as a figure of hope and good works, the variable relationship between real spying and screen spying over the past 100 years sheds light on how we live, what we fear, who we admire, and what we want our culture—and our world—to become. Onscreen and Undercover describes now forgotten trends, traces surprising themes, and spotlights the major contributions of directors, actors, and other American and English artists. The focus is on movies, on and off camera. In a 1989 National Public Radio interview, famed author John Le Carre said a spy must be entertaining. Spies have to interest potential sources, and be able to draw people in to succeed in recruiting informants. In that spirit, Wes Britton now offers Onscreen and Undercover.

This book provides a detailed picture of the life of these Greek mercenaries, analyzing who they were and from what section of society they came. It explores their motivations, their relationships and connections, both with each other and those with whom they served, and shows how mercenaries were recruited, paid and maintained. Matthew Trundle reviews a variety of evidence, including Xenophon's detailed account of how over ten thousand Greeks tried and failed to establish the Persian prince Cyrus on his brother's Imperial throne, the fragments of a fourth century play about the first ever soldier of fortune, and inscriptions prohibiting Athenians from taking service with their neighbours. The result is a fresh look at the significance of mercenaries in ancient Greek society, economy and politics, and their part in the process that shaped the great Empire of Alexander the Great and the Hellenistic world.

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.

Is conflict inherent to the politics of borders? Recent global events, erupting from national, religious, class, racial and gender boundaries would suggest it is. From the inhumanity of post-Brexit British immigration policy to the violent suppression of women's freedom in Iran, to Russia's territorial invasion of Ukraine, and most immediately to the violent conflagration engulfing Palestine, border hostilities seem everywhere characterised by fearful and toxic intolerance of what is deemed other. This book examines the writing of award-winning European novelists to suggest an alternative perspective, one that redresses time-sanctioned hierarchies of mind over body, of ideals over physical reality. It explores novelistic representations of power, war, sacrifice, heroism, national history and identity, all issues more conventionally viewed within a male consensus. The fiction offers a cultural and imaginative response to border conflicts of all kinds, ethical, bodily, religious, and geographical, often drawing upon the writers' own personal experience of threatening divisions. Examining works by Virginia Woolf, Jenny Erpenbeck, Olga Tokarczuk, Herta Müller, Anna Burns, Chika Unigwe, Maylis de Kerangal, Magda Szabó, Elena Ferranti, Alki Zei, Elif Shafak, and Oksana Zabuzhko, it uses an integrated interdisciplinary approach to combine literary readings with detailed historical and political understanding of cultural context. Coming from many different cultures and histories, these writers speak a common condemnation of all hierarchies of worth and of exceptionalist identities whether sanctified by religion, nature, or tradition. Morris shows how their stories, read here in translation, also articulate a strikingly unified vision of a radical ecological understanding of human relations based on physical continuity and co-existence rather than borders dividing an idealised 'us' from a denigrated 'them'.

Police officer Gabriel Carter goes undercover in Las Vegas as a male prostitute to stop a human trafficker.