Literature: overrated. Morality: expendable. Midnight is right for some over-the-top sex and violence, and this Grindhouse double feature is packing the aisles with blood 'n' guts! Check your good taste at the door, because GRINDHOUSE is back, and it's meaner, badder and dirtier than ever, with two brand-new exploitation opuses from writer Alex de Campi.

If humankind was not meant to get nasty, we wouldn't have evolved the capacity to make COMICS! Celebrate your proclivity for freaky foulness with another volume in Grindhouse's sweet, sweet flipbook series, this time chronicling mastermind Alex de Campi's collaborations with Chris Peterson and Nolan Woodard on the Bee Vixens from Mars sequel Blood Lagoon, and Ulises Farinas and Ryan Hill on the star-bound sex romp Nebulina! Collects Grindhouse: Drive In, Bleed Out issues #5-#8!

Literature: overrated. Morality: expendable. Midnight is right for some over-the-top sex and violence, and this Grindhouse double feature is packing the aisles with blood 'n' guts and T 'n' A! Gasp as insatiable alien insects overtake a Southern town with only a one-eyed deputy to stop them in "Bee Vixens from Mars"! Shudder as the sexy lady convicts of Block E revolt against an insane warden in "Prison Ship Antares"! Tremble in anticipation at the gallery of shocking "coming attractions"! Get filthy with this unique experience from Alex de Campi's Grindhouse: Doors Open at Midnight!

A sick and twisted double feature, including Blood Lagoon and Nebulina! Literature: overrated. Morality: expendable. Midnight is right for some over-the-top sex and violence, and this Grindhouse double feature is packing the aisles with blood 'n' guts! Check your good taste at the door, because Grindhouse is back, and it's meaner, badder and dirtier than ever, with two brand-new exploitation opuses from writer Alex de Campi (Smoke/Ashes [Dark Horse, 2013]). Celebrate your proclivity for freaky foulness with another volume in Grindhouse's flipbook series.

Works issued upside-down and back-to-back.

A social and cultural history of exploitation films, which were produced on the fringes of Hollywood and often dealt with subjects forbidden by the Production Code.

The notorious Beast House, the scene of brutal murders for almost a century, is a bigger tourist attraction than ever. There's one very speical tour, given only at midnight on Saturday nights, that's intended for the hardcore fans who will do anything to learn the house's hideous secrets. But not everyone will survive it!

Exploding off the page with over 1,000 of the best examples of exploitation, grindhouse, and pulp film poster design comes The Art of the B-Movie Poster, a collection of incredible posters from low-budget films from the 1940s, 50s, 60s, and 70s. Once relegated to the underground and midnight movie circuit, these films and their bombastic advertisements are experiencing a surge of mainstream popularity driven by fans appreciative of the artistic skill, distinctive aesthetic, and unabashed sensationalism they relied on to make a profit, with the quality of the poster often far surpassing that of the film itself. The book celebrates this tradition with sections divided into "moral panic" films, action, horror, sci-fi, and of course, sex, each introduced with short essays by genre experts such as Kim Newman, Eric Schaffer, Simon Sheridan, Vern, and author Stephen Jones, winner of the Horror Writer's Association 2015 Bram Stoker Award for Non-Fiction. Edited by Adam Newell and featuring an introduction by author and filmmaker Pete Tombs, The Art of the B-Movie Poster is a loving tribute to the artwork and artists that brought biker gangs, jungle girls, James Bond rip-offs and reefer heads to life for audiences around the world.

A genre as enduring and wide-ranging as horror is full of neglected gems. This unique and comprehensive guide, packed with photographs of the most terrifying scenes in cinema history of horror, decade by decade, and provides a witty and informative critique over 300 films.