Begin to process your grief and remember those you've lost using the art form of origami. Learn to fold an origami swan using square, origami paper, and befriend the often confusing and sometimes unsettling feelings experienced during bereavement and after loss. With each origami swan you fold, think of the one you lost and honor their memory. Learn that grief has no timeline and carries no expiration. Your feelings, as confusing as they may be, are a valid and necessary part of the healing journey. Begin the journey today with this beautifully illustrated book. Using black-and-white nature illustrations paired with pressed florals and grasses, Michèle Saint-Michel takes you by the hand and leads you down the path toward healing. Step-by-step instructions assist even those unfamiliar with origami to fold a paper swan. Each swan folded is a chance to spend a little time with the one you've lost. Using Japanese design aesthetics like Ma and wabi-sabi, author and artist Michèle Saint-Michel builds a robust world where escape is possible-a world of magical, flightless birds, where grief and loss can begin to be embodied and safely explored.

Readers call William's poetry "breath-taking", "refreshing" and "relatable to anyone". The Grief We’re Given explores the collective and personal experience of grief and grieving through themes and tropes such as relationships, love, loss, nature, eternity, and hope as a thinning, but exuberant, door. How are we to learn to grieve when it feels unrelenting? How are we to adore and memorialize small moments of appreciation? How are we to shape our grief into something worth celebrating, and begin to understand the grief we give?

Three intertwining voices span the twentieth century to tell the unknown story of the Jews in Ireland. A heartbreaking portrait of what it means to belong, and how storytelling can redeem us all. At the start of the twentieth century, a young girl and her family emigrate from Lithuania in search of a better life in America, only to land on the Emerald Isle instead. In 1958, a mute Jewish boy locked away in a mental institution outside of Dublin forms an unlikely friendship with a man consumed by the story of the love he lost nearly two decades earlier. And in present-day London, an Irish journalist is forced to confront her conflicting notions of identity and family when her Jewish boyfriend asks her to make a true leap of faith. These three arcs, which span generations and intertwine in revelatory ways, come together to tell the haunting story of Ireland’s all-but-forgotten Jewish community. Ruth Gilligan’s beautiful and heartbreaking Nine Folds Make a Paper Swan explores the question of just how far we will go to understand who we really are, and to feel at home in the world.

A gifted writer, seventeen-year-old Anna O’Mally is headed for the stars. Or she was until her uncle Joe died. Anna worshipped the ground Joe walked on ... until she discovers that she didn’t know him as well as she thought she did.

A teen copes with her grandmother's coma by becoming obsessed with a mystery bird that she cannot identify in Adrienne Kisner's sharp and poignant YA novel, The Confusion of Laurel Graham. Seventeen-year-old Laurel Graham has a singular, all-consuming ambition in this life: become the most renowned nature photographer and birder in the world. The first step to birding domination is to win the junior nature photographer contest run by prominent Fauna magazine. Winning runs in her blood—her beloved activist and nature-loving grandmother placed when she was a girl. One day Gran drags Laurel out on a birding expedition where the pair hear a mysterious call that even Gran can’t identify. The pair vow to find out what it is together, but soon after, Gran is involved in a horrible car accident. Now that Gran is in a coma, so much of Laurel's world is rocked. Her gran's house is being sold, developers are coming in to destroy the nature sanctuary she treasures, and she still can't seem to identify the mystery bird. Laurel’s confusion isn’t just a group of warblers—it’s about what means the most to her, and what she’s willing to do to fight to save it. Maybe--just maybe-if she can find the mystery bird, it will save her gran, the conservatory land, and herself.

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Hiroshima-born Sadako is lively and athletic--the star of her school's running team. And then the dizzy spells start. Soon gravely ill with leukemia, the "atom bomb disease," Sadako faces her future with spirit and bravery. Recalling a Japanese legend, Sadako sets to work folding paper cranes. For the legend holds that if a sick person folds one thousand cranes, the gods will grant her wish and make her healthy again. Based on a true story, Sadako and the Thousand Paper Cranes celebrates the extraordinary courage that made one young woman a heroine in Japan.

Much like her previous book Soft Landing, the author invites you on a personal journey. When she was 8 years old, she experienced her first death and although not realizing it until much later, knew at a very young age how to provide compassionate care to someone who was dying. The first half of this book clearly indicates that she has been on the hospice path a very long time. The second half of the book contains her first blogs. She started writing a blog hoping to educate and inspire anyone who sits at the bedside caring for another as they near the end of their life. She shares her tools and lessons hoping to remove any fear you might have and inspire you to be fully present for someone else. Her heart is a kind and gentle heart and you will see this as you read her words.

At age 39, Ariel Gore has everything she’s always wanted: a successful writing career, a long-term partnership, a beautiful if tiny home, a daughter in college and a son in preschool. But life’s happy endings don’t always last. If it’s not one thing, after all, it’s your mother. Her name is Eve. Her epic temper tantrums have already gotten her banned from three cab companies in Portland. And she’s here to announce that she’s dying. “Pitifully, Ariel,” she sighs. “You’re all I have.” Ariel doesn’t want to take care of her crazy dying mother, but she knows she will. It’s the right thing to do, isn’t it? And, anyway, how long could it go on? “Don’t worry,” Eve says. “If I’m ever a burden, I’ll just blow my brains out.” Amidst the chaos of clowns and hospice workers, pie and too much whiskey, Ariel’s own ten-year relationship begins to unravel. Darkly humorous and intimately human, The End of Eve redefines the meaning of family and everything we’ve ever been taught to call “love.”

Poetry. Richard Fox weaves lyrical magic in his SWAGGER & REMORSE, a book-length series of poems at once intimate ('I'd rather be a river than anything else') and richly metaphysical ('Trees look inside the houses, see all the wood & cannot look away'). They help us to consider grief -'I'll always / think of you as I pretend to eat the living air or pull / an origami swan out of nowhere / or out of someone's ear' - with humor and mystery and an elegant humanity. I recommend these distilled and powerful poems, with their birds and trees and houses and fires and rivers and hands and salt and blood to anyone who would like a fresh pair of eyes - 'Once a year the flowers on this very porch take wing / as if they just remembered something' - and a whole new landscape to marvel over -Maureen Seaton.