A mad director, off his meds, is making a movie about how he murders the producers who ruined his career. The movie is in his mind. The murders are real. Tommy Veasy, a pot-smoking homicide detective--our hero--who writes poetry to help him solve cases and ward off despair, thinks he sees a pattern in these seemingly accidental deaths. His colleagues think he's being dramatic. But the bodies keep piling up. The staff of a syndicated TV show in its tenth year, formerly an international hit but now only being aired in Montenegro and Botswana, worries about how they will maintain their Hollywood lifestyles when they become unemployable. How will the producer finance his two-hooker-a-weekend habit? How will the staff writer pay private school tuition, an underwater mortgage, tennis club dues, the housekeeper, the gardener, cable TV bills, the couples' therapist, et al.? Not a big problem: the mad director has planted a bomb in the office phone and is frantically trying to set it off. And meanwhile, a home invader keeps invading the wrong homes, to everyone's perplexity. In other words: it's just another day in paradise.

Greenlight: California Prisons By: Tony “Bandit” Alvarado Greenlight: California Prisons is based on crimes, murders, and ordered hits by mobsters in the 1990s. Tony "Bandit" Alvarado became a full-fledged "Lowco" of the Lowell Street Gang in 1990 by putting in work, pushing weight, early initiation, being a regulator and an enforcer, showing loyalty within his crew, and using criminal behavior toward his enemies to gain respect. This story is based on those events.

When private detective Johnny Liddell arrives in the resort town of Waterville, he's expecting a simple case. But the mysterious death of his client, Nancy Hayes, quickly draws him into a dangerous web of secrets. As Johnny digs deeper, he uncovers a counterfeiting ring with ties to the town's corrupt underworld. Navigating treacherous alliances and dodging attempts on his life, Johnny realizes there's more to Nancy's death than meets the eye. With the help of the alluring singer Lorna Matthews and the town's only honest cop, Johnny must outwit ruthless mobsters and crooked officials to unravel the truth.

It has never been shown that human emissions of the gas of life drive global warming. Large bodies of science that don't fit the narrative have been ignored by IPCC, COP and self-interested scientists paid by taxpayers. A huge subsidised industry of intermittent unreliable wind and solar electricity has been created based on unsubstantiated science. The same hucksters now want subsidised hydrogen, costly inefficient EVs, subsidised mega-batteries and other horribly expensive tried and failed schemes to impoverish people, create unemployment, transfer wealth and enrich China. Germany, Texas, California and the UK had a glimpse of Net Zero with blackouts, astronomically high electricity costs and hundreds of deaths. We once had reliable cheap electricity and now that governments have gone green, we are heading for hard economic times. In this book I charge the greens with murder. They murder humans who are kept in eternal poverty without coal-fired electricity. They support slavery and early deaths of black child miners. They murder forests and their wildlife by clear felling for mining and wind turbines. They murder forests and wildlife with their bushfire policies. They murder economies producing unemployment, hopelessness, collapse of communities, disrupted social cohesion and suicide. They murder free speech and freedoms and their takeover of the education system has ended up in the murdering of the intellectual and economic future of young people. They terrify children into mental illness with their apocalyptic death cult lies and exaggerations. They try to divide a nation. They are hypocrites and such angry ignorant people should never touch other people's money. The greens are guilty of murder. The sentence is life with no parole in a cave in the bush enjoying the benefits of Net Zero.

Four years ago, in the small town of Birravale, Eliza Dacey was murdered. Within hours, her killer was caught. Wasn't he? So read the opening titles of Jack Quick's new true-crime documentary - one that is persuading its millions of viewers that Curtis Wade was wrongly convicted. But just before the final episode, Jack uncovers evidence that may prove Wade guilty after all. Convinced it will ruin his show, he covers it up, and months later Wade is released after a retrial. Then a new victim is found bearing horrifying similarities to the original murder. Has Jack just helped a killer walk free? Determined to set things right, he returns to Birravale looking for answers. But Jack knows more than anyone that there's a fine line between fact and fiction. Between life and death.

Death and blackmail make an unwelcome visit to the hottest dancehall in town in Phryne Fisher's delicious fifth mystery. Dancing divinely through the murder and mayhem of her fifth adventure, the elegant Phryne Fisher remains unflappable. Gorgeous in her sparkling lobelia-coloured georgette dress, delighted by her dancing skill, pleased with her partner and warmed by the admiring regard of the banjo player, Miss Phryne Fisher had thought of tonight as a promising evening at the hottest dancehall in town, the Green Mill. But that was before death broke in. In jazz-mad 1920s Melbourne, Phryne finds there are hidden perils in dancing the night away like murder, blackmail and young men who vanish. Phryne Fisher's fifth adventure leads to smoke-filled clubs, a dashingly handsome band leader, some fancy flying indeed across the Australian Alps and a most unexpected tryst with a gentle stranger.

Postmodern global terrorist groups engage sovereign nations asymmetrically with prolonged, sustained campaigns driven by ideology. Increasingly, transnational criminal organizations operate with sophistication previously only found in multinational corporations. Unfortunately, both of these entities can now effectively hide and morph, keeping law enforcement and intelligence agencies in the dark and on the run. Perhaps more disturbing is the fact that al Qaeda, Hezbollah, FARC, drug cartels, and increasingly violent gangs—as well as domestic groups such as the Sovereign Citizens—are now joining forces. Despite differing ideologies, they are threatening us in new and provocative ways. The Terrorist-Criminal Nexus: An Alliance of International Drug Cartels, Organized Crime, and Terror Groups frames this complex issue using current research and real-world examples of how these entities are sharing knowledge, training, tactics, and—in increasing frequency—joining forces. Providing policy makers, security strategists, law enforcement and intelligence agents, and students with new evidence of this growing threat, this volume: Examines current and future threats from international and domestic criminal and terror groups Identifies specific instances in which these groups are working together or in parallel to achieve their goals Discusses the "lifeblood" of modern organizations—the money trail Describes how nefarious groups leverage both traditional funding methods and e-commerce to raise, store, move, and launder money Explores the social networking phenomenon and reveals how it is the perfect clandestine platform for spying, communicating, recruiting, and spreading propaganda Investigates emergent tactics such as the use of human shields, and the targeting of first responders, schools, hospitals, and churches This text reveals the often disregarded, misunderstood, or downplayed nexus threat to the United States. Proving definitively that such liaisons exist despite differing ideologies, the book provides a thought-provoking new look at the complexity and phenomena of the terrorist-criminal nexus. This book was excerpted in the February/March 2013 issue of The Counter Terrorist.

At the vanguard of a 1960s cultural revolution, The Avengers was both critically acclaimed and commercially popular. As Britain's imperial power crumbled away, the television series began to colonise the globe. Critic Rodney Marshall is the son of Avengers script writer Roger Marshall. He has written and/or edited nine books on the series. Avengerland: A Critical Guide brings the main chapters from these previous volumes under one cover. In addition to a number of general essays, the guide explores fifty of the filmed episodes in depth, analysing the show from monochrome film through 'Glorious Technicolor' to its reincarnation as The New Avengers. Avengerland is an indispensable guide for fans of this iconic show.

In November of 1977, Terry Lee Farmer, a white inmate at Arizona State Prison in Florence, walked up to black prisoner Waymond Small in front of sixty witnesses and stabbed him in the heart with a shank. Small had agreed to testify before the state legislature about gang violence inside Arizona State Prison and was murdered the day before his scheduled appearance. This murder proved the catalyst for an all-out war between the State of Arizona and the Aryan Brotherhood. Through five trials, Farmer claimed self-defense and the jurors acquitted all ten of his co-conspirators. Thornton Price, one of the defense attorneys, now tells how Farmer and Small became cannon fodder in this war to reclaim ArizonaÕs prisons from rival gangs. These gangsÑthe Aryan Brotherhood, the Mau Maus, and the Mexican MafiaÑwere suspected of committing more than a dozen murders over the previous two years, motivating politicians to crack down after the violence could no longer be ignored or contained. To reconstruct the case, Price reviewed 16,000 pages of court records and conducted interviews with key participants to piece together an insiderÕs account of the crime and the politics behind its investigation. Prison murders should be easy to solve, but investigators quickly learned that the convictsÕ code of silence makes these cases often impossible to win in court. Price focuses on the special problems posed by prison crime by getting inside the skins of men like murderer Terry "Crazy" Farmer and William "Red Dog" Howard, one of the Florence Eleven and a founder of the Aryan Brotherhood. He also presents the perspectives of state investigators and reveals how they calculated to pit black witnesses against white killers until one black would break the code of silence and provoke feuding within the Brotherhood. Murder Unpunished tells how societyÕs most outrageous criminals ran the prison through gang violence as outside the walls Arizona struggled to outgrow its Wild West past. Like few other books, it reveals how prisons incubate predatory criminals and gangs, and it exposes the unique difficulties of prosecuting prison crimes. It is a gripping account that cuts to the heart of our penal system and a cautionary tale for citizens who prefer to keep prisons out of sight, out of mind.

“I am not interested in why man commits evil; I want to know why he does good.” — Vaclav Havel What makes a poor, small-town journalist stay on a story even though threatened with certain death, and offered handsome rewards for looking the other way? Over four years, Terry Gould has travelled to Colombia, the Philippines, Bangladesh, Russia and Iraq – the countries in which journalists are most likely to be murdered on the job – to attempt to answer this question. In each place, through conversations with their colleagues, their families and in some cases their murderers, he uncovers the lives of local reporters and broadcasters who stayed on a story to the point of death. He searches for the moment in which each of his protagonists understood that they were willing to die, and finds complex reasons for their bravery. In his wonderfully vivid portraits of seven courageous souls, he brings their lives and the stories they worked on to light, telling truth to those who would murder truth tellers.