Filled with thrills and chills, this coloring book features bloodcurdling scenes from more than two dozen well-known tales of horror. Includes memorable scenes from Frankenstein, The Raven, The Legend of Sleepy Hollow, and more.

A deadly circus competition. A tinkerer tasked with removing the losing cyborgs' implants. Who is she to protect when she falls for both the handsome ringleader and a beautiful acrobat?

A frightening suspense novel about nine-year-old Trisha, who becomes lost in the woods as night falls.

In the dark, they are watching... They are waiting for you. No one has ever lived to tell the horrifying truth about them. Yet even now the Wolfen are gathered in the night-dark alleys ... unseen, poised ... ready to destroy their helpless human prey. Only one man and one woman, trained cops, willing to risk their lives, stand in the way.

WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.

The New York Times bestselling author of the Goosebumps and Fear Street series delivers a terrifying horror novel for adults centered on a town in the grip of a sinister revolt. After travel writer Lea Sutter barely survives a merciless hurricane on a tiny island off the South Carolina coast, she impulsively brings two orphaned twin boys home with her to Long Island. Samuel and Daniel seem amiable and intensely grateful at first, but no one in Lea’s family anticipates the twins’ true evil nature—or predicts that within a few weeks’ time her husband, a controversial child psychologist, will be implicated in two brutal murders. “The horror is grisly” (Associated Press) in legendary author R.L. Stine’s “creepy, fun read” (Library Journal)—an homage to the millions of adult fans who grew up reading his classic series and a must-read for every fan of deviously inventive chillers.

Do you want to give your readers goose bumps? Do you want to inspire nightmares? Author James Colton shares everything he's learned from a decade of writing ghost stories, including: The Principles of Terror Discover the basic qualities that make something scary Learn how to apply the unknown, uncanniness, subtlety, and more to your writing The Ghost Story Process Crack the secrets of idea generation to craft a story that is both original and terrifying Understand the structure of a ghost story for maximum fright impact Creepy Case Studies Study examples from novels, short stories, and films Dive deep into one of my own ghost stories to see how it all works in practice Practical Exercises Stretch your creativity and train your spooky skills with specially crafted writing assignments Put together everything you've learned to write your own scary ghost story

Presents a collection of ghost stories from such authors as Louisa May Alcott, H.G. Wells, Arthur Conan Doyle, and Joseph Conrad.

The Politics of Horror features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between horror and politics. How might resources drawn from the study of politics inform our readings of, and conversations about, horror? In what ways might horror provide a useful lens through which to consider enduring questions in politics and political thought? And what insights might be drawn from horror as we consider contemporary political issues? In turning to horror, the contributors to this volume offer fresh provocations to inform a broad range of discussions of politics.

In this startling new collection of 19th century horror tales, editor Martin H. Greenberg presents: * An Occurrence at Owl Creek Bridge, by Ambrose Bierce * Schalken the Painter, by J. Sheridan Le Fanu * The Doom of the Griffiths, by Mrs. Gaskell * The Strange Ride of Morrowbie Jukes, by Rudyard Kipling * Markheim, by Robert Louis Stevenson * The Adventure of the German Student, by Washington Irving * Desiree's Baby, by Kate Chopin * The Story of the Brazilian Cat, by Sir Arthur Conan Doyle