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The cold, misty Kent marshes -- Pip, an orphan, is terrified when an escaped convict appears out of the gloom and threatens him. Then the strange and sinister Miss Haversham sends for him. What will Pip do when he discovers he has come into riches -- and will he ever find out who his benefactor is? -- Cover.

One of the finest novels by iconic British author Charles Dickens, this Victorian tale follows the good-natured orphan Pip as he makes his way through life. As a boy, Pip crosses paths with a convict named Magwitch, a man who will heavily influence Pip’s adulthood. Meanwhile, the earnest young man falls for the beautiful Estella, the adoptive daughter of the affluent and eccentric Miss Havisham. Widely considered to be Dickens's last great book, the story is steeped in romance and features the writer's familiar themes of crime, punishment, and societal struggle.

Lloyd Jones' new novel is set mainly in a small village on Bougainville, a country torn apart by civil war. Matilda attends the school set up by Mr Watts, the only white man on the island. By his own admission he's not much of a teacher and proceeds to educate the children by reading them Great Expectations. Matilda falls in love with the novel, strongly identifying with Pip. The promise of the next chapter is what keeps her going; Pip's story protects her from the horror of what is happening around her - helicopters menacing the skies above the village and rebel raids on the ground. When the rebels visit the village searching for any remaining men to join their cause, they discover the name Pip written in the sand and instigate a search for him. When Pip can't be found the soldiers destroy the book. Mr Watts then encourages the children to retell the story from their memories. Then when the rebels invade the village, the teacher tells them a story which lasts seven nights, about a boy named Pip, and a convict . . .

Great Expectations tells the story of Pip, an English orphan who rises to wealth, deserts his true friends, and becomes humbled by his own arrogance. It also introduces one of the more colorful characters in literature: Miss Havisham. Dickens set Great Expectations during the time that England was becoming a wealthy world power. Machines were making factories more productive, yet people lived in awful conditions. Naïve Pip, creepy Miss Haversham, beautifully cold Estella, terrifying Abel Magwitch and the rest of Dicken's fantastic cast are perfectly envisioned in Crystal Chan's new adaptation featuring artwork by artist Nokman Poon.

Great Expectations is a bildungsroman, or a coming-of-age novel, and it is a classic work of Victorian literature. It depicts the growth and personal development of an orphan named Pip. The novel was first published in serial form in Dickens' weekly periodical All the Year Round, from 1 December 1860 to August 1861. Charles John Huffam Dickens (7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's most memorable fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life, his works enjoyed unprecedented fame, and by the twentieth century his literary genius was broadly acknowledged by critics and scholars. His novels and short stories continue to be widely popular.

One of Charles Dickens’s most fascinating novels, Great Expectations follows the orphan Pip as he leaves behind a childhood of misery and poverty after an anonymous benefactor offers him a chance at the life of a gentleman. From the young Pip’s first terrifying encounter with the convict Magwitch in the gloom of a graveyard to the splendidly morbid set pieces in Miss Havisham’s mansion to the magnificently realized boat chase down the Thames, Great Expectations is filled with the transcendent excitement that Dickens could so abundantly provide. Written in 1860, at the height of his maturity, it also reveals the novelist’s bittersweet understanding of the extent to which our deepest moral dilemmas are born of our own obsessions and illusions. This edition includes Dickens’s original, discarded conclusion to the novel, the 1907 Everyman preface by G. K. Chesterton, and twenty illustrations by F. W. Pailthorpe.

Toneelbewerking van de roman van de Britse schrijver waarin een jonge wees een gevluchte misdadiger helpt. Met woordverklaringen in het Nederlands.

Reader's Guides provide a comprehensive starting point for any advanced student, giving an overview of the context, criticism and influence of key works. Each guide also offers students fresh critical insights and provides a practical introduction to close reading and to analysing literary language and form. They provide up-to-date, authoritative but accessible guides to the most commonly studied classic texts. Great Expectations (1861) is not only one of the last great novels to be written by Dickens but is also one which centres around his primary themes: the importance of childhood in relationship to adult life, concepts of guilt and imprisonment and an analysis of individualism as opposed to the increasing bureaucracy of nineteenth-century England. This guide is an ideal introduction to the text including its contexts, Dickens's style and imagery, its critical reception from the time of publication to the present, a guide to illustrated editions and film adaptations and a guide to further reading.

Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.