One of the finest novels by iconic British author Charles Dickens, this Victorian tale follows the good-natured orphan Pip as he makes his way through life. As a boy, Pip crosses paths with a convict named Magwitch, a man who will heavily influence Pip’s adulthood. Meanwhile, the earnest young man falls for the beautiful Estella, the adoptive daughter of the affluent and eccentric Miss Havisham. Widely considered to be Dickens's last great book, the story is steeped in romance and features the writer's familiar themes of crime, punishment, and societal struggle.

Lloyd Jones' new novel is set mainly in a small village on Bougainville, a country torn apart by civil war. Matilda attends the school set up by Mr Watts, the only white man on the island. By his own admission he's not much of a teacher and proceeds to educate the children by reading them Great Expectations. Matilda falls in love with the novel, strongly identifying with Pip. The promise of the next chapter is what keeps her going; Pip's story protects her from the horror of what is happening around her - helicopters menacing the skies above the village and rebel raids on the ground. When the rebels visit the village searching for any remaining men to join their cause, they discover the name Pip written in the sand and instigate a search for him. When Pip can't be found the soldiers destroy the book. Mr Watts then encourages the children to retell the story from their memories. Then when the rebels invade the village, the teacher tells them a story which lasts seven nights, about a boy named Pip, and a convict . . .

Great Expectations is a novel by Charles Dickens first serialised in All the Year Round from 1 December 1860 to August 1861. It is regarded as one of his greatest and most sophisticated novels, and is one of his most enduringly popular, having been adapted for stage and screen over 250 times.Great Expectations is written in a semi-autobiographical style, and is the story of the orphan Pip, writing his life from his early days of childhood until adulthood. The story can also be considered semi-autobiographical of Dickens, like much of his work, drawing on his experiences of life and people.The action of the story takes place from Christmas Eve, 1812, when the protagonist is about seven years old, to the winter of 1840.

As Mary Hammond observes in her wide-ranging publishing history of the novel, Great Expectations' life has extended far beyond the literary Anglophone world and owes a great deal to a particular moment in the mid-Victorian publishing industry. Her book features an exhaustive survey of the novel's different appearances in serial, book and dramatic form and is enhanced by appendices with archival information, contemporary reviews and a comprehensive bibliography of editions and adaptations.

One of Charles Dickens’s most fascinating novels, Great Expectations follows the orphan Pip as he leaves behind a childhood of misery and poverty after an anonymous benefactor offers him a chance at the life of a gentleman. From the young Pip’s first terrifying encounter with the convict Magwitch in the gloom of a graveyard to the splendidly morbid set pieces in Miss Havisham’s mansion to the magnificently realized boat chase down the Thames, Great Expectations is filled with the transcendent excitement that Dickens could so abundantly provide. Written in 1860, at the height of his maturity, it also reveals the novelist’s bittersweet understanding of the extent to which our deepest moral dilemmas are born of our own obsessions and illusions. This edition includes Dickens’s original, discarded conclusion to the novel, the 1907 Everyman preface by G. K. Chesterton, and twenty illustrations by F. W. Pailthorpe.

Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collectededitions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition.The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of thefive so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition.

Great Expectations is epic! Hundreds of pages, dozens of characters and settings--it's easy to lose track of things. Let BookCaps help with this comprehensive annotated study guide that is complete with character profiles (with pronunciations for names harder to pronounce), chapter summaries, analysis of themes, historical context, and much more! This annotated edition includes the original book with a comprehensive study guide and biography about the life and times of Charles Dickens. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.

This classic novel follows the life of Pip, an orphan who rises from humble beginnings to become a gentleman. Along the way he encounters a colorful cast of characters, including the eccentric Miss Havisham, the enigmatic Estella, and the terrifying Abel Magwitch. Dickens' vivid descriptions of Victorian London, his masterful characterizations, and his hauntingly beautiful prose make this one of the iconic works of English literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

My father's family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip. I give Pirrip as my father's family name, on the authority of his tombstone and my sister,—Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine,—who gave up trying to get a living, exceedingly early in that universal struggle,—I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence.