The story of Jayson Blair and the chaos he sowed at the New York Times is a cautionary tale for the American media and for a public concerned about the accuracy of the news it consumes. A young African American reporter said to be ''promising and talented'' was found to have plagiarized a former fellow NYT intern on a story about Iraq War casualties. This led to revelations involving a long pattern of egregious plagiarism, outright fabrication, dateline fraud and other forms of journalistic deception - rocking the Times to its foundations. After nearly a month in the hot seat, the paper's two top editors resigned, under pressure from publisher Arthur Sulzberger Jr. and despite promises that no such ''newsroom scapegoating'' would occur. The Times management called the Blair scandal an anomaly that shouldn't stain the paper's reputation or raise questions about racial favoritism. But as William McGowan shows in this hard-hitting inquiry, the episode was symptomatic of a long institutional and intellectual downward slide that has set America's most important news icon at odds with its journalistic mission - and with much of mainstream America. Using the Blair Affair as a springboard, McGowan examines the past decade at the Times, focusing on figures such as Sulzberger, fired editor Howell Raines and Jayson Blair himself to understand how an ''irreplaceable national institution'' could turn into the butt of late-night Letterman and Leno jokes. How did the Times become so suffused with intellectual orthodoxy and so committed to a tattered political correctness? Who is responsible for squandering the finest legacy in American journalism? Can the Times recover? These are some of the questions McGowan ponders in Gray Lady Down, the inside story of what happened to America's ''Paper of Record.

Journalist William McGowan traces the history of "The New York Times," describes its legacy within American journalism, and examines the fate of the "Times" in the twenty-first century.

Think a newspaper can’t be responsible for mass murder? Think again. As flagship of the American news media, the New York Times is the world’s most powerful news outlet. With thousands of reporters covering events from all corners of the globe, the Times has the power to influence wars, foment revolution, shape economies and change the very nature of our culture. It doesn’t just cover the news: it creates it. The Gray Lady Winked pulls back the curtain on this illustrious institution to reveal a quintessentially human organization where ideology, ego, power and politics compete with the more humble need to present the facts. In its 10 gripping chapters, The Gray Lady Winked offers readers an eye-opening, often shocking, look at the New York Times’s greatest journalistic failures, so devastating they changed the course of history. How its World War II Berlin bureau chief, a known Nazi collaborator, skewed coverage in favor of the Third Reich for over a decade. Its notorious coverup of the Ukraine Famine, a genocide committed by Stalin, showing that it was the newspaper's owners who directed the coverup in order to advance their own financial and ideological interests. The “1619 Project," a cynical, ideologically driven attempt to revise American history by rooting the nation's birth in slavery instead of liberty. The result is an essential look at the tangled relationship between media, power and politics in a post-truth world told with novelistic flair to reveal a uniquely powerful institution’s tortured relationship with the truth. Most importantly of all, The Gray Lady Winked presents a cautionary tale that shows what happens when the guardians of the truth abandon that sacred value in favor of self-interest and ideology—and what this means for our future as much as for our past.

Guts and Glory: The Making of the American Military Image in Film is the definitive study of the symbiotic relationship between the film industry and the United States armed services. Since the first edition was published nearly two decades ago, the nation has experienced several wars, both on the battlefield and in movie theatres and living rooms at home. Now, author Lawrence Suid has extensively revised and expanded his classic history of the mutual exploitation of the film industry and the military, exploring how Hollywood has reflected and effected changes in America's image of its armed services. He offers in-depth looks at such classic films as Wings, Thirty Seconds Over Tokyo, The Longest Day, Patton, Top Gun, An Officer and a Gentleman, and Saving Private Ryan, as well as the controversial war movies The Green Berets, M*A*S*H, the Deer Hunter, Apocalypse Now, Platoon, Full Metal Jacket, and Born on the Fourth of July.

From the 1950s through the 1970s, disaster movies were a wildly popular genre. Audiences thrilled at the spectacle of these films, many of which were considered glamorous for their time. Derided by critics, they became box office hits and cult classics, inspiring filmmakers around the globe. Some of them launched the careers of producers, directors and actors who would go on to create some of Hollywood's biggest blockbusters. With more than 40 interviews with actors, actresses, producers, stuntmen, special effects artists and others, this book covers the Golden Age of sinking ships, burning buildings, massive earthquakes, viral pandemics and outbreaks of animal madness.

This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story, Some Like It Hot, In the Heat of the Night, and The Magnificent Seven. His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars—emerging and established—who appeared in his films, including Natalie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others. With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens. From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment, Fiddler on the Roof, and The Great Escape, Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy—as Elmore Leonard puts it—as “one of the good guys.” Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Journey with me into the abyss, a world far more dangerous than space!What's this book about? Life. Death. Imminent danger. Unexpected reprieve. Victory. Defeat. Success. Failure. Thermo-nuclear war. True love. Loss. High drama. Low comedy. Ronald Reagan. Mikhail Gorbachev. And Bond, James Bond.They're all here. Ninety amazing and entirely true tales of swash-buckling adventure on the sea and beneath it, as a boy grows into manhood steadfastly pursuing his lifelong dream, wins a million-to-one shot to become a Hydronaut, and lives a life of high adventure undersea exploring the abyss, a world far more dangerous than space.The author states:I have been trapped on the seafloor twice. Deluged by flooding as I dove a submarine to its maximum depth. In control of a submerged submarine on fire. Alone on a sinking boat at night, bailing to stay alive. Out of air with empty lungs while diving 90 feet down. Next to a fool about to light his cigarette as we stood on 66,000 gallons of high-octane gasoline. And I have had the chance to do and see amazing things, enough for ten lives.I have sailed 100,000 miles in submarines, dove more than three miles to the abyssal seafloor of the Pacific, and explored an alien world far more dangerous than space. I have gone to places on Earth no one else ever will. I found the first naval aviator ever recovered from the abyss. I mapped the wreckage of USS Thresher. And I held thermonuclear targeting steady on Mother Russia as President Reagan met Gorbachev in Reykjavik.In this book, I tell those stories and more, 90 stories of a life spent undersea. These are the good parts, cooked down to short tales you can read on a bus, a lunch break, or in your bunk before lights out.Join me. I will take you places no one else can. You will survive, I promise, and have a good time along the way. So come on-dive in!"e;At turns gripping, compelling, and simply enchanting, Vetter's 30,000 Leagues Undersea is a door straight into a breathtaking world few human beings have ever touched ... or ever will."e; -- Holly Lisle.30,000 Leagues Undersea. Fiction adventures Jules Verne might have written. But I lived them.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.