At least when you’re Death’s nephew the bad guys literally have no-where to hide, right? Meet Reed Lavender, a mostly-human detective with the uncanny ability to hear the final words of the dead. But on this case he’ll need more than his usual tricks to solve the murder of a teen runaway – he’ll need something that just might be more trouble than it’s worth – the help of his ragtag Reaper-cousins. But the deeper Reed digs the more he realises there’s something far bigger and darker beneath his city, something vast, something that is ripening to rot...

The first time I stole a tomb, I actually dug out a fairy woman from the Donghan tomb. In order to break free from the shackles of fate, I will head south to the Northern Ocean, west to the Kunlun Mountains, and use an ancient "Heavenly Book" to enter the Netherworld, slay the Black White Spinach, and search for the truth that has been buried by the flood of history! One by one, the mysteries of the buddhist dao from a thousand years ago were revealed.

A brilliant detective, a crazed killer, a mysterious couple, a handful of prostitutes Lives converge and history is altered as an entire city is plunged into an era of panic and terror. A ruthless killer ravages London, seizing its helpless prostitutes; murdering and mutilating their bodies before vanishing, untraced and unpunished. In a time when lives hang in the balances, when murder is the consequence of failure, when a city teeters upon the brink of pandemonium, it is up to one man to unravel the mystery, to put a face to the myth-like villain; to end the gruesome killing spree. Delving into the bleakest moments of 1888 when death itself walked the streets of London and blood pierced the denseness of the fog, Detective Pierce Ackles is forced to face his most formidable opponent yet: the illusive Jack the Ripper. Through meticulous analysis of evidence, an uncanny perception of the darkest elements of human nature, and an unmatched wit, he is set against the worlds most cunning and brutal killers. Driven by a steely commitment and unrelenting desire to see justice prevail, he is the embodiment of every criminals most dreaded opponent.

Archaeologists excavating burials often find that they are not the first to disturb the remains of the dead. Graves from many periods frequently show signs that others have been digging and have moved or taken away parts of the original funerary assemblage. Displaced bones and artefacts, traces of pits, and damage to tombs or coffins can all provide clues about post-burial activities. The last two decades have seen a rapid rise in interest in the study of post-depositional practices in graves, which has now developed into a new subfield within mortuary archaeology. This follows a long tradition of neglect, with disturbed graves previously regarded as interesting only to the degree they revealed evidence of the original funerary deposit. This book explores past human interactions with mortuary deposits, delving into the different ways graves and human remains were approached by people in the past and the reasons that led to such encounters. The primary focus of the volume is on cases of unexpected interference with individual graves soon after burial: re-encounters with human remains not anticipated by those who performed the funerary rites and constructed the tombs. However, a first step is always to distinguish these from natural and accidental processes, and methodological approaches are a major theme of discussion. Interactions with the remains of the dead are explored in eleven chapters ranging from the New Kingdom of Egypt to Viking Age Norway and from Bronze Age Slovakia to the ancient Maya. Each discusses cases of re-entries into graves, including desecration, tomb re-use, destruction of grave contents, as well as the removal of artefacts and human remains for reasons from material gain to commemoration, symbolic appropriation, ancestral rites, political chicanery, and retrieval of relics. The introduction presents many of the methodological issues which recur throughout the contributions, as this is a developing area with new approaches being applied to analyze post-depositional processes in graves.

An oversized anthology of dark and bizarre tales written throughout the past century includes entries by international best-sellers and award-winners, including Neil Gaiman, Stephen King, and Franz Kafka.

A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars. Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.

"Never Had the Like Occurred" examines Ancient Egypt's own multifaceted encounters with its past. As Egyptian culture constantly changed and evolved, this book follows a chronological arrangement, from early Egypt to the attitudes of the Coptic population in the Byzantine Period. Within this framework, it asks what access the Egyptians had to information about the past, whether deliberately or accidentally acquired; what use was made of the past; what were the Egyptians attitudes to the past; what sense of past time did the Egyptians have; and what kinds of reverence for the past did they entertain? This is the first book dedicated to the whole range of these themes. It provides an explanatory context for the numerous previous studies that have dealt with particular sets of evidence, particular periods, or particular issues. It provides a case study of how civilizations may view and utilize their past.

Too often is poetry simply the product of man struggling to come to grips with the world around him. He begs, he pleads, he yearns for understanding. And too often it does not come. Not so here. Johan Lewis, a prodigal genius for his time, has unleashed the new power that is the written word. With astonishing prowess and insatiable word-play, Mr. Lewis embarks on a journey to not only question man's ultimate plight, but eventually, find the answer to it. As gripping as it is audacious. As shrewd as it is page-turning. Soul-charging, sexual, electrifying, and yet timbered with a pang of heart-felt honesty. These are surely to be the best words you've ever read.

When self-professed hermit Theodora Edwards is attacked by a dark fae and infected with his magic, she finds herself thrust into the supernatural spotlight as the first possible changeling in centuries. As if surviving the transition isn’t hard enough, Theo has to deal with an attempted abduction by her newly turned vampire ex-husband, unwanted courting offers from salacious fae suitors, and her growing attraction to the guardian of the gate to Fairie. Caught in a cruel tug of war between the queen of the fae and a surly law-enforcement agent, Theo must find a way to free herself before she loses her hard-earned independence for good.

A large-scale investigation into grave goods (c. 4000 BC-AD 43), enabling a new level of understanding of mortuary practice, material culture, technological innovation and social transformation.