“This is a book about what it would mean to be a bit moody in the midst of being theological and political. Its framing assumption is that neoliberal economics relies on narratives in which not being in the right mood means a cursed existence.” So begins Grave Attending: A Political Theology for the Unredeemed, which mounts a challenge to neoliberal narratives of redemption. Mapping the contemporary state of political theology, Karen Bray brings it to bear upon secularism, Marxist thought, affect theory, queer temporality, and other critical modes as a way to refuse separating one’s personal mood from the political or philosophical. Introducing the concept of bipolar time, she offers a critique of neoliberal temporality by countering capitalist priorities of efficiency through the experiences of mania and depression. And it is here Bray makes her crucial critical turn, one that values the power of those who are unredeemed in the eyes of liberal democracy—those too slow, too mad, too depressed to be of productive worth—suggesting forms of utopia in the poetics of crip theory and ordinary habit. Through performances of what she calls grave attending—being brought down by the gravity of what is and listening to the ghosts of what might have been—Bray asks readers to choose collective care over individual overcoming. Grave Attending brings critical questions of embodiment, history, and power to the fields of political theology, radical theology, secular theology, and the continental philosophy of religion. Scholars interested in addressing the lack of intersectional engagement within these fields will find this work invaluable. As the forces of neoliberalism demand we be productive, efficient, happy, and flexible in order to be deemed worthy subjects, Grave Attending offers another model for living politically, emotionally, and theologically. Instead of submitting to such a market-driven concept of salvation, this book insists that we remain mad, moody, and unredeemed. Drawing on theories of affect, temporality, disability, queerness, work, and race, Bray persuades us that embodying more just forms of sociality comes not in spite of irredeemable moods, but through them.

For Cora Kensington, the journey of a lifetime has taken unexpected turns. And her future--her very life--depends on the decisions she'll make at each crossroad. As the Grand Tour with her newfound family winds through France, Austria, and Italy, an unseen enemy trails close behind. And a forbidden love continues to put everyone's plans at risk. Cora must escape the bonds of the past and discover the faith to make the right choices . . . because each one has grave consequences

DigiCat Publishing presents to you this special edition of "Grave-mounds and Their Contents" (A Manual of Archæology, as Exemplified in the Burials of the Celtic, the Romano-British, and the Anglo-Saxon Periods) by Llewellynn Frederick William Jewitt. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

THE FIRST NOVEL IN THE USA TODAY BESTSELLING ALEX CRAFT SERIES! Grave witch Alex Craft can speak to the dead, but that doesn’t mean she likes what they have to say. As a private investigator and consultant for the police, Alex Craft has seen a lot of dark magic. But even though she's on good terms with Death himself, nothing has prepared her for her latest case. When she's raising a "shade" involved in a high profile murder, it attacks her, and then someone makes an attempt on her life. Someone really doesn't want her to know what the dead have to say, and she'll have to work with mysterious homicide detective Falin Andrews to figure out why....

After Chicago's ghost population starts going seriously postal, resident wizard Harry Dresden much figure out who is stirring them up and why they all seem to be somehow connected to him.

You leave us alone; we'll leave you alone. When Elaine Mercado and her first husband bought their home in Brooklyn, N. Y., in 1982, they had no idea that they and their two young daughters were embarking on a thirteen-year nightmare. thin a few days of moving in, Elaine and her older daughter began to experience the sensation of being watched. Then came scratching noises and weird smells, followed by voices whispering, maniacal laughter, shadowy figures scurrying along baseboards, and small balls of light bouncing along the ceilings. From the beginning of the haunting, "suffocating dreams" were experienced by everyone except the younger daughter. These eventually accelerated to physical aggression directed at Elaine and both the girls. This book is the true story of how one family tried to cope with living in a haunted house. It also describes how, with the help of parapsychologist Dr. Hans Holzer and medium Marisa Anderson, the family discovered the tragic and heartbreaking secrets buried in the house at Grave's End. I struggle to open my eyes, but achieve nothing but frustration and failure. I am not asleep. I am fully conscious, in a state of panic unthinkable during the day intolerable in the dark of night, held prisoner by some tortured, invisible presence, insistent on abruptly invading my slumber. The more I struggle toward freedom, the more I am pushed into the mattress, perspiring, heart palpitating, a scream involuntarily silenced within my throat. Some nights I experience my skin being stroked while I fight to regain control of my body, my sight. Thank God, this was not one of those nights. Tonight it lets me open my eyes, shaken but unviolated, frightened, but not as frightened as I know I can become. First Runner up for the 2001 Coalition of Visionary Resources (COVR) Award for Best Biographical/Personal Book

A debut author unearths the long-buried secrets of a small New England town in the 1850s in this richly atmospheric Gothic tale of murder, guilt, redemption, and finding love where it's least expected.

From Catriona McPherson, the Agatha-Award winning author of Quiet Neighbors, comes a clever, spine-tingling standalone Gothic thriller. “Go to My Grave is both a classic ‘country house mystery’ and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished.” —Louise Penny Donna Weaver has put everything she has into restoring The Breakers, an old bed and breakfast on a remote stretch of beach in Galloway. Now it sits waiting—freshly painted, richly furnished, filled with flowers—for the first guests to arrive. But Donna's guests, a contentious group of estranged cousins, soon realize that they’ve been here before, years ago. Decades have passed, but that night still haunts them: a sixteenth birthday party that started with peach schnapps and ended with a girl walking into the sea. Each of them had made a vow of silence: “lock it in a box, stitch my lips, and go to my grave.” But now someone has broken the pact. Amid the home-baked scones and lavish rooms, someone is playing games, locking boxes, stitching lips. And before the weekend is over, at least one of them will go to their grave.

Jesus Christ reveals the shocking principle that governs prosperity and wealth. He that hath shall have more! How unfair it sounds! And yet, that is the reality that is played out in front of us every day. This book seeks to explain this little understood Scripture. You will receive great insights into the mysteries of prosperity as you study this new book by Dag Heward-Mills.

The author is very candid about her unconventional career choice and reveals the shocking and eye-opening truth of what really goes on behind the closed doors of your neighborhood funeral parlor.